Zane Grey - The Day of the Beast

Mel Iden had been in her home four days when Lane first saw her there.

It was a day late in June when the rich, thick, amber light of afternoon seemed to float in the air. Warm summer lay on the land. The bees were humming in the rose vines over the porch. Mrs. Iden, who evidently heard Lane's step, appeared in the path, and nodding her gladness at sight of him, she pointed to the open door.

Lane halted on the threshold. The golden light of the day seemed to have entered the room and found Mel. It warmed the pallor of her skin and the whiteness of her dress. When he had seen her before she had worn something plain and dark. Could a white gown and the golden glow of June effect such transformation? She came slowly toward him and took his hand.

“Daren, I am home,” was all she could say.

Long hours before Lane had braced himself for this ordeal. It was himself he had feared, not Mel. He played the part he had created for her imagination. Behind his composure, his grave, kind earnestness, hid the subdued and scorned and unwelcome love that had come to him. He held it down, surrounded, encompassed, clamped, so that he dared look into her eyes, listen to her voice, watch the sweet and tragic tremulousness of her lips.

“Yes, Mel, where you should be,” replied Lane.

“It was you—your offer to marry me—that melted father's heart.”

“Mel, all he needed was to be made think,” returned Lane. “And that was how I made him do it.”

“Oh, Daren, I thank you, for mother's sake, for mine—I can't tell you how much.”

“Mel, please don't thank me,” he answered. “You understand, and that's enough. Now say you'll marry me, Mel.”

Mel did not answer, but in the look of her eyes, dark, humid, with mysterious depths below the veil, Lane saw the truth; he felt it in the clasp of her hands, he divined it in all that so subtly emanated from the womanliness of her. Mel had come to love him.

And all that he had endured seemed to rise and envelop heart and soul in a strange, cold stillness.

“Mel, will you marry me?” he repeated, almost dully.

Slowly Mel withdrew her hands. The query seemed to make her mistress of herself.

“No, Daren, I cannot,” she replied, and turned away to look out of a window with unseeing eyes. “Let us talk of other things.... My father says he will move away—taking me and—and—all of us—as soon as he sells the home.”

“No, Mel, if you'll forgive me, we'll not talk of something else,” Lane informed her. “We can argue without quarreling. Come over here and sit down.”

She came slowly, as if impelled, and she stood before him. To Lane it seemed as if she were both supplicating and inexorable.

“Do you remember the last time we sat together on this couch?” she asked.

“No, Mel, I don't.”

“It was four years ago—and more. I was sixteen. You tried to kiss me and were angry because I wouldn't let you.”

“Well, wasn't I rude!” he exclaimed, facetiously. Then he grew serious. “Mel, do you remember it was Helen's lying that came between you and me—as boy and girl friends?”

“I never knew. Helen Wrapp! What was it?”

“It's not worth recalling and would hurt you—now,” he replied. “But it served to draw me Helen's way. We were engaged when she was seventeen.... Then came the war. And the other night she laughed in my face because I was a wreck.... Mel, it's beyond understanding how things work out. Helen has chosen the fleshpots of Egypt. You have chosen a lonelier and higher path.... And here I am in your little parlor asking you to marry me.”

“No, no, no! Daren, don't, I beg of you—don't talk to me this way,” she besought him.

“Mel, it's a difference of opinion that makes arguments, wars and other things,” he said, with a cruelty in strange antithesis to the pity and tenderness he likewise felt. He could hurt her. He had power over her. What a pang shot through his heart! There would be an irresistible delight in playing on the emotions of this woman. He could no more help it than the shame that surged over him at consciousness of his littleness. He already loved her, she was all he had left to love, he would end in a day or a week or a month by worshipping her. Through her he was going to suffer. Peace would now never abide in his soul.

“Daren, you were never like this—as a boy,” she said, in wondering distress.

“Like what?”

“You're hard. You used to be so—so gentle and nice.”

“Hard! I? Yes, Mel, perhaps I am—hard as war, hard as modern life, hard as my old friends, my little sister——” he broke off.

“Daren, do not mock me,” she entreated. “I should not have said hard. But you're strange to me—a something terrible flashes from you. Yet it's only in glimpses.... Forgive me, Daren, I didn't mean hard.”

Lane drew her down upon the couch so that she faced him, and he did not release her hand.

“Mel, I'm softer than a jelly-fish,” he said. “I've no bone, no fiber, no stamina, no substance. I'm more unstable than water. I'm so soft I'm weak. I can't stand pain. I lie awake in the dead hours of night and I cry like a baby, like a fool. I weep for myself, for my mother, for Lorna, for you ....”

“Hush!” She put a soft hand over his lips.

“Very well, I'll not be bitter,” he went on, with mounting pulse, with thrill and rush of inexplicable feeling, as if at last had come the person who would not be deaf to his voice. “Mel, I'm still the boy, your schoolmate, who used to pull the bow off your braid.... I am that boy still in heart, with all the war upon my head, with the years between then and now. I'm young and old.... I've lived the whole gamut—the fresh call of war to youth, glorious, but God! as false as stairs of sand—the change of blood, hard, long, brutal, debasing labor of hands, of body, of mind to learn to kill—to survive and kill—and go on to kill.... I've seen the marching of thousands of soldiers—the long strange tramp, tramp, tramp, the beat, beat, beat, the roll of drums, the call of bugles, the boom of cannon in the dark, the lightnings of hell flaring across the midnight skies, the thunder and chaos and torture and death and pestilence and decay—the hell of war. It is not sublime. There is no glory. The sublimity is in man's acceptance of war, not for hate or gain, but love. Love of country, home, family—love of women—I fought for women—for Helen, whom I imagined my ideal, breaking her heart over me on the battlefield. Not that Helen failed me , but failed the ideal for which I fought!... My little sister Lorna! I fought for her, and I fought for a dream that existed only in my heart. Lorna—Alas!... I fought for other women, all women—and you , Mel Iden. And in you, in your sacrifice and your strength to endure, I find something healing to my sore heart. I find my ideal embodied in you. I find hope and faith for the future embodied in you. I find—”

“Oh Daren, you shame me utterly,” she protested, freeing her hands in gesture of entreaty. “I am outcast.”

“To a false and rotten society, yes—you are,” he returned. “But Mel, that society is a mass of maggots. It is such women as you, such men as Blair, who carry the spirit onward.... So much for that. I have spoken to try to show you where I hold you. I do not call your—your trouble a blunder, or downfall, or dishonor. I call it a misfortune because—because—”

“Because there was not love,” she supplemented, as he halted at fault. “Yes, that is where I wronged myself, my soul. I obeyed nature and nature is strong, raw, inevitable. She seeks only her end, which is concerned with the species. For nature the individual perishes. Nature cannot be God. For God has created a soul in woman. And through the ages woman has advanced to hold her womanhood sacred. But ever the primitive lurks in the blood, and the primitive is nature. Soul and nature are not compatible. A woman's soul sanctions only love. That is the only progress there ever was in life. Nature and war made me traitor to my soul.”