Zane Grey - The Day of the Beast

“Shades of the past!” exclaimed Blair, as they reached a big brick building, well-lighted in front by a sizzling electric lamp. The night was rather warm and clouds of insects were wheeling round the light. “The moths and the flame!” added Blair, satirically. “Well, Dare, old bunkie, brace up and we'll go over the top. This ought to be fun for us.”

“I don't see it,” replied Lane. “I'll be about as welcome as a bull in a china shop.”

“Oh, I didn't mean any one would throw fits over us,” responded Blair. “But we ought to get some fun out of the fact.”

“What fact?” queried Lane, puzzled.

“Rather far-fetched, maybe. But I'll get a kick out of looking on—watching these swell slackers with the girls we fought for.”

“Wonder why they didn't give the dance at the armory, where they'd not have to climb stairs, and have more room?” queried Lane, as they went in under the big light.

“Dare, you're far back in the past,” said Blair, sardonically. “The armory is on the ground floor—one big hall—open, you know. The Assembly Hall is a regular maze for rooms and stairways.”

Blair labored up the stairway with Lane's help. At last they reached the floor from which had blared the strains of jazz. Wide doors were open, through which Lane caught the flash of many colors. Blair produced his tickets at the door. There did not appear to be any one to take them.

Lane experienced an indefinable thrill at the scene. The air seemed to reek with a mixed perfume and cigarette smoke—to resound with high-keyed youthful laughter, wild and sweet and vacant above the strange, discordant music. Then the flashing, changing, whirling colors of the dancers struck Lane as oriental, erotic, bizarre—gorgeous golds and greens and reds striped by the conventional black. Suddenly the blare ceased, and the shrill, trilling laughter had dominance. The rapid circling of forms came to a sudden stop, and the dancers streamed in all directions over the floor.

“Dare, they've called time,” said Blair. “Let's get inside the ropes so we can see better.”

The hall was not large, but it was long, and shaped like a letter L with pillars running down the center. Countless threads of many-colored strings of paper had been stretched from pillars to walls, hanging down almost within reach of the dancers. Flags and gay bunting helped in the riotous effect of decoration. The black-faced orchestra held forth on a raised platform at the point where the hall looked two ways. Recesses, alcoves and open doors to other rooms, which the young couples were piling over each other to reach, gave Lane some inkling of what Blair had hinted.

“Now we're out in the limelight,” announced Blair, as he halted. “Let's stand here and run the gauntlet until the next dance—then we can find seats.”

Almost at once a stream of gay couples enveloped them in passing. Bright, flashing, vivid faces and bare shoulders, arms and breasts appeared above the short bodices of the girls. Few of them were gowned in white. The colors seemed too garish for anything but musical comedy. But the freshness, the vividness of these girls seemed exhilarating. The murmur, the merriment touched a forgotten chord in Lane's heart. For a moment it seemed sweet to be there, once more in a gathering where pleasure was the pursuit. It breathed of what seemed long ago, in a past that was infinitely more precious to remember because he had no future of hope or of ambition or dream. Something had happened to him that now made the sensations of the moment stingingly bitter-sweet. The freshness and fragrance, the color and excitement, the beauty and gayety were not for him. Youth was dead. He could never enter the lists with these young men, many no younger than he, for the favor and smile of a girl. Resignation had not been so difficult in the spiritual moment of realization and resolve, but to be presented with one concrete and stunning actuality after another, each with its mocking might-have-been, had grown to be a terrible ordeal.

Lane looked for faces he knew. On each side of the pillar where he and Blair stood the stream of color and gayety flowed. Helen and Margaret Maynard went by on the far edge of that stream. Across the hall he caught a glimpse of the flashing golden beauty of Bessy Bell. Then near at hand he recognized Fanchon Smith, a petite, smug-faced little brunette, with naked shoulders bulging out of a piebald gown. She espied Lane and her face froze. Then there were familiar faces near and far, to which Lane could not attach names.

All at once he became aware that other of his senses besides sight were being stimulated. He had been hearing without distinguishing what he heard. And curiously he listened, still with that strange knock of memory at his heart. Everybody was talking, some low, some high, all in the spirit of the hour. And in one moment he had heard that which killed the false enchantment.

“Not a chance!...”

“Hot dog—she's some Jane!”

“Now to the clinch—”

“What'll we do till the next spiel—”

“Have a shot?——”

“Boys, it's only the shank of the evening. Leave something peppy for the finish.”

“Mame, you look like a million dollars in that rag.”

“She shakes a mean shimmy, believe me....”

“That egg! Not on your life!”

“Cut the next with Ned. We'll sneak down and take a ride in my car....”

“Oh, spiffy!”

Lane's acutely strained attention was diverted by Blair's voice.

“Look who's with my sister Margie.”

Lane turned to look through an open space in the dispersing stream. Blair's sister was passing with Dick Swann. Elegantly and fastidiously attired, the young millionaire appeared to be attentive to his partner. Margaret stood out rather strikingly from the other girls near her by reason of the simplicity and modesty of her dress. She did not look so much bored as discontented. Lane saw her eyes rove to and fro from the entrance of the hall. When she espied Lane she nodded and spoke with a smile and made an evident move toward him, but was restrained by Swann. He led her past Lane and Blair without so much as glancing in their direction. Lane heard Blair swear.

“Dare, if my mother throws Marg at that—slacker, I'll block the deal if it's the last thing I ever do,” he declared, violently.

“And I'll help you,” replied Lane, instantly.

“I know Margie hates him.”

“Blair, your sister is in love with Holt Dalrymple.”

“No! Not really? Thought that was only a boy-and-girl affair.... Aha! the nigger music again! Let's find a seat, Dare.”

Saxophone, trombone, piccolo, snare-drum and other barbaric instruments opened with a brazen defiance of music, and a vibrant assurance of quick, raw, strong sounds. Lane himself felt the stirring effect upon his nerves. He had difficulty in keeping still. From the lines of chairs along the walls and from doors and alcoves rushed the gay-colored throng to leap, to close, to step, to rock and sway, until the floor was full of a moving mass of life.

The first half-dozen couples Lane studied all danced more or less as Helen and Swann had, that day in Helen's studio. Then, by way of a remarkable contrast, there passed two young people who danced decently. Lane descried his sister Lorna in the throng, and when she and her partner came round in the giddy circle, Lane saw that she wiggled and toddled like the others. Lane, as she passed him, caught a glance of her eyes, flashing, reproachful, furious, directed at some one across her partner's shoulder. Lane followed that glance and saw Swann. Apparently he did not notice Lorna, and was absorbed in the dance with his own partner, Helen Wrapp. This byplay further excited Lane's curiosity. On the whole, it was an ungraceful, violent mob, almost totally lacking in restraint, whirling, kicking, swaying, clasping, instinctively physical, crude, vulgar and wild. Down the line of chairs from his position, Lane saw the chaperones of the Prom, no doubt mothers of some of these girls. Lane wondered at them with sincere and persistent amaze. If they were respectable, and had even a slight degree of intelligence, how could they look on at this dance with complacence? Perhaps after all the young people were not wholly to blame for an abnormal expression of instinctive action.