William Kienzle - Deadline for a Critic

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At a word from critic Ridley Groendal, plays closed overnight. Concert halls went silent. Books gathered dust on bookstore shelves. Thus, many sought revenge. But four were close enough to exact it. The playwright. The violinist. The author. The actress. All with a dark, longtime link to the victim. And to Father Koesler, who'd known Groendal since their school days. Who pulled the curtain down on Ridley? All Father Koesler has to go on are four incriminating letters -- and one burning question.

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It didn’t hurt. It helped him begin climbing the ladder to bigger newspapers and bigger cities. Not necessarily better, but always larger.

It was during the summer of 1965 that he learned from one of his Detroit informants that Charlie Hogan had quit the priesthood and applied for a job at the Free Press. It so happened that at that very time he was working at one of the Knight newspapers. The Free Press belonged to the Knight chain.

Most people would term that a chance occurrence; at most, fate. Groendal knew it was divine providence.

Inquiries revealed that the Free Press had recommended that Hogan gather experience before they would consider hiring him. This hiatus afforded Groendal the opportunity to sow seeds of doubt in the minds of the Free Press management.

It was done in subtle but judiciously repeated ways. It was so laughably simple: All he had to do was grab every reasonable opportunity to mention some fictitious flaw in the character or performance of one Charles Hogan. After all, who would know Hogan better than a one-time schoolmate? And who better able to judge his journalistic talent than a fine arts critic with a now-respected track record?

As a result, Groendal effectively scotched Hogan’s chances not only at the Free Press, but throughout the entire Knight chain as well.

Hogan, of course, knew nothing of Ridley’s machinations. Hogan thought he was serving his time at the Oakland Weekender. He considered the months spent at that suburban weekly a purgatorial preparation. He completed assigned stories and initiated others with professionalism. He did not badger the Free Press to rescue him from veritable oblivion. He was patient. And confident that in God’s good time he would move onward and upward.

In a little more than six months, Hogan’s petition for laicization was granted. One obstacle overcome. He was not earning anywhere near the amount he considered necessary to support a wife, let alone children. Nevertheless, it was time. So, preparations were made for a modest wedding at St. Mel’s parish where Father Koesler had helped on weekends while he was editor of the Detroit Catholic.

Koesler felt some misgivings about this wedding. He had had similar presentiments about scores of other weddings at which he had officiated.

It seemed that seldom was any wedding free of all anxiety. Sometimes a bride and/or a groom had a problem, such as immaturity or marrying on the rebound. At other times there was in-law trouble. Over the years, Koesler learned there could be as many problems affecting a marriage as there were people entering the institution. Rarely could a wedding be described as trouble-free.

At the same time, one could be, and frequently was, fooled. Some unions that promised doom survived quite well. While some that seemed made in heaven quickly became hell on earth.

Charlie and Lil admittedly had a lot going for them. They very definitely were in love and maturely so. They were a good age, not too young or too old. Granted, Lil’s parents weren’t crazy about having an ex-priest for a son-in-law, but at least they weren’t making a fuss about it. However, neither set of parents was able to help financially. And that was the sore spot.

Lil was very close to getting her master’s degree, after which she anticipated no serious problem getting a job. But that wasn’t the plan. The scenario called for a family supported not by a social worker wife but by a journalist husband. Except that Charlie’s salary needed a second opinion. If he lived frugally, he might have survived alone. In the school of hard knocks, he learned that two could not live as cheaply as one. Their combined incomes provided enough for themselves with little as a buffer.

To afford children, both Charlie and Lil would both have to keep working. But if they both worked, they did not think it fair to have children they could not personally care for. A dilemma.

There was no escaping it: Unless Charlie accumulated so many merit increases that he approximated the income of the publisher of the Oakland Weekender , or until he landed that job with the Free Press , there could be no children.

That was reality, and reality was Koesler’s long suit. The money was not there to provide for a child, let alone children. And since Charlie and Lil plainly wanted a family, that was a problem.

However, neither bride nor groom, at the time of their marriage, viewed their future as problematical. Charlie was as certain as one could be that there would be a place at the Free Press for him.

Little did he know.

Little did he know that the tentacles of Ridley Groendal’s vengeance had already touched him and would continue to close about him. Short of death, Groendal was determined never to let up. Already his clout was considerable. It was growing and would continue to grow. Feeding Ridley’s ambition was the insatiable drive to destroy the hopes of those who had brought him to the nadir of his life at St. Joseph’s Retreat.

Not long after the wedding Charlie decided it was time to bring the matter of the Free Press to a boil. By mutual agreement, the ball had been in his court. But he was certain the Free Press had had enough time to evaluate his work.

So, carrying his now swollen portfolio, he applied once more.

His application was accepted and he was told it would be carefully considered. And it was. It was, indeed, one of the more hotly contested applications in the memory of many in management.

In the end, it was not so much that Hogan lost as it was that Groendal had won. After all, how could the Free Press be expected to know that Groendal was lying?

The assistant personnel manager tried to let Hogan down as gently as possible. The man was motivated by the best of intentions. There was no opening “at this time.” Maybe “sometime in the future.” Excellent credentials. Perhaps a bit “overqualified” in some respects. Have you tried any other publications? Maybe that would be a good avenue to pursue . . .

In the end it would have been kinder to have dealt in the naked truth: Short of a miracle, Charlie Hogan would never land a job with a major journalistic publication if Ridley Groendal had anything to say about it. And insidiously, of course, he did.

As it was, tranquilized by the groundless hope engendered by the personnel department, Hogan continued to nurse the prospect of an eventual job with the Free Press. By the time Hogan was disabused of the possibility and began widening his job search, Groendal had become sufficiently powerful in the profession to, in effect, blackball Hogan’s every attempt.

It happened shortly after what was to be Charlie’s final encounter with the Free Press. While Lil was preparing an after-the-movie snack, Charlie picked up a paperback crime novel she had been reading.

A few evenings later, he finished it, then announced: “I could do better than that.”

“Than what?”

“Than that book. I could develop a better plot and better characters than that guy did.”

Lil smiled encouragingly. “Sure you could, Charlie.”

“I’d have to change the setting. Give it a religious twist. Put some priests and nuns in it. Something like that.”

“That’s what they say: Go with what you know. Why don’t you do it?”

Charlie shrugged and grinned. “Oh, I was just talking off the top of my head. I’ve never seriously thought of writing a book. Besides, I haven’t got the time.”

“This might be the best time for you to do it, dear. You’re always saying that you’re not working up to full capacity at the Weekender. So a book shouldn’t be a major distraction. You could work on it little by little, in your free time. And the idea of giving it a religious background is neat. Not many could do it . . . not and carry it off. But you could.”

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