William Kienzle - Deadline for a Critic

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At a word from critic Ridley Groendal, plays closed overnight. Concert halls went silent. Books gathered dust on bookstore shelves. Thus, many sought revenge. But four were close enough to exact it. The playwright. The violinist. The author. The actress. All with a dark, longtime link to the victim. And to Father Koesler, who'd known Groendal since their school days. Who pulled the curtain down on Ridley? All Father Koesler has to go on are four incriminating letters -- and one burning question.

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Facetiously, it was said that it was almost impossible to be admitted into the infirmary—but that if one did get in, it was almost impossible to be released. That bit of levity held its measure of truth.

Yet when Ridley C. Groendal staggered into the infirmary and rang the bell summoning Sister Sabina, he had no trouble getting admitted. Once she saw his face, she knew where he belonged. When she started tending to his torso, she wondered whether he might not be a candidate for hospitalization.

The damage was sufficiently serious to call in the staff physician, who did ship him off to nearby Providence Hospital for X-rays, which revealed no more than a lot of contusions ranging from mild to fairly serious and a couple of hairline fractures that, in a young body, should heal in time.

So he was sedated, given some medication to alleviate pain, and sent back to the seminary infirmary for the healing process to begin. In keeping with the diagnosis of serious injury and the prognosis of recovery after rest, Groendal was allowed no visitors except medical personnel during the following week.

For Groendal the time passed from tedium to monotony with long periods of dreamless sleep. In the early few days, consciousness was too filled with pain to allow much serious or profound thought.

Later, as it hurt less and less to move about, he began to give some consideration to his predicament.

He had no way of telling what was going on outside the infirmary. He saw no one but Sister Sabina. She brought medication and food and checked his bindings. Few words passed between them.

He did not want to talk about what had happened and, so far, outside of a few cursory questions from the doctor, no one had pressed him for facts or details. Groendal was afraid that anything he might say to the nun might open the door to an investigation. So he said nothing, except to respond to her inquiries about the location and intensity of his pain.

Sometimes he could hear the faint sounds of a radio from somewhere in the far reaches of the infirmary floor, but he could not make out the tune or identify the announcer. He knew something must be going on. No student was ever in sick bay for several days without the rumor mills grinding out some scuttlebutt. But he had no way of telling what sort of information that might be.

Unbeknownst to Groendal, for once the rumor mill was operating comparatively factually. Enough people had sufficient information to put together a reasonable scenario. Known (generally): Groendal and Hogan had associated with each other with some frequency (most suspended any judgment as to its being a “particular friendship”). Ridley and Charlie had gone to the opera last Saturday. Neither had been at dinner that evening. For all practical purposes, Ridley had disappeared from view that night and it was reliably reported he had been admitted to the infirmary and held there incommunicado ever since.

Charlie, on his part, gave every evidence of having lost a dear friend in death. Though everyone was certain Groendal was in the infirmary, Hogan resolutely refused to address the subject or answer any questions. In short, it seemed a strong probability that Hogan had put Groendal in the infirmary. With that probability, the likelihood grew that the friendship between the two might, indeed, be “particular.”

But if Hogan had indeed put Groendal in sick bay in a fit of anger, where was that anger now? Hogan acted more as if he were in mourning than in the aftermath of fury.

Then, too, if they had had such a serious fight in anger, Hogan likely would have been publicly reprimanded, possibly expelled. If, on the other hand, it had been a “lovers quarrel,” the administration probably would still be debating how to handle it. This, in that seminary at that time, was not a common enough problem for some routine response to be in effect.

No one knew—at least no one could be sure—that Hogan had been interrogated by Monsignor Cronyn and that decisions had been made.

Least of all did Groendal, isolated in his infirmary bed, have any way of knowing. For him, it was as if Holy Week were going on somewhere far, far away—like the Holy Land—rather than merely in another part of the building.

Of course, he wasn’t conscious much of Palm Sunday and Monday and Tuesday of Holy Week. Steady consciousness began for him on Spy Wednesday. On Holy Thursday he was aware that he should be playing the organ for services.

Good Friday he spent in special prayer united to the suffering of Christ. Easter Saturday, he knew that after the early morning service and Mass, the students would be leaving for Easter vacation. He knew it even if he could not hear their joyous voices as they bid each other farewell and jumped into their parents’ cars for the ride home.

Then it was Easter Sunday and no one was left. Those few others who had been patients in the infirmary seemed to have miraculously recovered. The panacea, naturally, was vacation, and even Sister Sabina couldn’t hold them prisoner.

Groendal was another question. Though a bit unsteady, he was able to move about. He might have gone home had it not been for the unspoken consensus that some vital confrontation was yet to take place. But take place it would.

After he had been injured, his parents had been informed that he’d been admitted to the infirmary, that his condition was not serious, but, however, that there were to be no visitors. Then they were told that he would not be released from sick bay on Easter Saturday, but probably shortly thereafter. They would be called when he was ready to leave. Like all good Catholic parents, they took the priest’s word as Gospel; they would not dream of questioning it.

Easter Sunday dawned bright with the promise of spring and rebirth.

Robert Koesler was back in the familiar confines of Holy Redeemer, his home parish church. He was acting as master of ceremonies at the solemn-high Easter Sunday Mass. For those parishioners, including Koesler, who had carefully and penitentially observed Lent, Easter was its own reward. They had invested sacrifice and intense prayer and now were reaping joy and fulfillment.

In the church, incense filled the air with its special churchy odor and alleluias were exchanged between priest and choir celebrating this special season.

But Koesler’s attention wandered. By now, the ritual and his function as master of ceremonies were so familiar to him that he could function quite adequately even with his attention sharply divided. And it was understandable that he should be thinking about Ridley Groendal and wondering about his absence from this scene. In the rotation these two classmates had established, Groendal should have been master of ceremonies at this Easter Mass. It was his turn. But, as far as Koesler could learn, Ridley was still at the seminary and still in sickbay.

Koesler had heard all the rumors and, in hindsight, could not deny them. From the shreds of evidence the students were able to gather, it was arguably possible that Groendal and Hogan had fought. And that, preceding this, they had formed a “particular friendship.” In fact, about the only indication that this might not be so was Ridley’s previous liaison with Jane Condon. And Koesler alone knew about that.

That episode to the contrary notwithstanding, Koesler was forced to ponder the consequences if the rumors should be accurate. In which instance, he could not clarify his confusion.

His religion currently taught him that homosexuality was not merely a sin but an abomination. In years to come, that position would be modified to state that the sexual preference for the gay life could be considered as neutral and only the acting out of that preference an abomination. This clarification was of small comfort to the homosexual since it slotted the person in not only a celibate, but a chaste life.

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