Scott Sigler - Nocturnal - A Novel

Pookie was at his side, talking quietly. “I see it. Keep cool, man. Look at the rest of the room.”

Rumpled red blankets lay twirled up on a twin mattress. A small, beat-up wooden desk sat next to the bed. Sammy Berzon was under the desk, using a pen to poke through a small garbage can. A little TV sat in the far corner, a video-game console on the floor in front of it along with one controller. The room’s lone window looked out on a narrow alley filled with square plastic garbage cans. A dirty brick wall on the alley’s far side was barely more than an arm’s reach away. A three-drawer vertical dresser and a tiny closet were the room’s only other features. Bryan saw two books on the dresser, the tell-tale strip of white on the bottom of the spine showing they came from a library: On a Pale Horse and The Book of Three .

And then, Bryan noticed the walls.

Walls covered with drawings.

Drawings of guns, of people shooting each other, stabbing each other. Drawings of chain saws, axes, knives and medieval weapons, of torture devices and burning bodies. Most drawings showed a teenage boy with big brown eyes and kinky, dry brown hair. Every drawing showed this boy with rippling muscles and confident movements, using every weapon imaginable to kill Alex Panos, Jay Parlar, Oscar Woody or Issac Moses. Bryan saw Pookie staring at a drawing of an older man, his legs being broken by the snarling teenage boy.

“Holy shit,” Pookie said. “That’s a dead-ringer for Father Paul Maloney.”

Bryan took them all in, the drawings of pain, the drawings of death.

His eyes fell on one, and he could not look away. It was a man with a snake-face, the same thing Bryan had seen in his dreams. The drawing stared back at him from the wall, as if it wanted to come alive and talk. Narrow yellow eyes seemed to laugh at him.

Beneath the face was one word, written in a superhero-style typeface: Sly .

“Bryan, you okay?”

Pookie’s voice sounded distant. Bryan’s breath finally slid out in a long huff. He breathed in through his nose — that new scent flooded him. So much stronger in here, in the room where Rex had slept and played and drawn. The smell made Bryan relaxed and excited all at the same time; it made him want to do something, but he didn’t know what that something was.

A hand patting his back. “Bri-Bri, you okay?” Pookie leaned in and whispered: “Is it the drawings?”

Bryan nodded toward the snake-face. “You asked if a sketch artist could draw what I saw in my dream? Well, there you go.”

Pookie looked at the drawing of Sly.

“That’s messed up,” Pookie said. “There’s a lot of messed up going on around here today.”

Sammy Berzon finally stood up. He dropped a crumbled piece of tissue into a clear evidence bag. “You guys see Birdman’s wound?”

Bryan and Pookie nodded.

“It’s terrible,” Sammy said. “Poor Bobbie, eh? You know how strong a guy would have to be to put a hatchet through the clavicle and three ribs?”

“Damn strong,” Pookie said. “Probably as strong as you’d have to be to rip someone’s arm off.”

Sammy thought, then nodded. “You guys thinking this is the same perp who took out Oscar Woody? He’d have to be like a pro football player or a bodybuilder or something.”

Pookie pointed to the many drawings of the brown-haired muscle boy. “That kid looks like a bodybuilder.”

“ That kid, sure” — Sammy picked up a framed photo off the dresser and handed it over — “but not this kid.”

Bryan looked at the photo. It was clearly the muscle-boy sketched in the drawings, only much skinnier, much smaller, and much dorkier. Something about that face … familiar? Bryan hadn’t dreamed of this kid. Or had he? He found himself waiting for some kind of reaction to the photo, but the image did nothing.

The picture doesn’t affect you, but what if he was here and you SMELLED him?

“We have to find this kid,” Bryan said. “He’s our man.”

Pookie took the picture and studied it. “Our boy , anyway. Sammy, the gunshot blood in the hall might tell us if Oscar’s killer was the one who got shot, right?”

Sammy nodded.

“Cool,” Pookie said. “We also need some DNA from this Rex kid. He had run-ins with Woody and the BoyCo gang.”

“Kid lived here, DNA is all over the house,” Sammy said. He held up the bag. “But I got you covered with this.”

Pookie leaned in, squinted. “What’s that? Snot rag?”

“Better,” Sammy said. “Jizz. Still wet, even.”

Pookie leaned back. “That’s nasty, Sammy. Nasty.”

Sammy shrugged. “If it’s from Rex, it’s what you wanted, eh? Listen, I’ll get it to Robin, but how about you guys clear out? I’ve got work to do.”

Bryan and Pookie walked out into the hall and carefully stepped over the body once again. Seconds later they were out of the house, heading for Pookie’s car.

Bryan couldn’t quit thinking about that smell. At a level he didn’t understand, he now knew his dream-hate, his lust for hunting those boys, it all came from Rex Deprovdechuk — a boy that Bryan had never met, never even known existed until just a few hours ago. What had the scrawny thirteen-year-old done to bring about the deaths of Oscar Woody and Jay Parlar? Was he sending out thoughts or something? Was he telepathic? That was completely impossible, and yet there was no question that Bryan Clauser was somehow bonded to this boy.

They got into the Buick. Pookie had just started the car when a man leaned into the open driver’s-side window.

“Shut it off,” said Sean Robertson.

Pookie turned off the engine, then sat back so Robertson could see both him and Bryan. Robertson pushed his glasses higher up his nose. “What the fuck are you guys doing here?”

“Our jobs,” Pookie said. “Officer down, we responded.”

“It’s Verde’s case,” Robertson said. “You were told to stay out of it.”

Bryan suddenly wanted to smack those glasses right off his face. A cop had been hacked to death, yet Robertson was going to keep playing this game?

“Birdman is dead,” Bryan said. “Verde’s a mess. You gotta put us back on it.”

“I gotta ? No, Clauser, what I gotta do is kick your asses out of here.”

This was madness. What the hell was wrong with Robertson and Zou?

“Assistant Chief, listen to us,” Pookie said. “Rex Deprovdechuck had the same symbol in his room that was found at the Woody and Parlar murders. This is all connected. You can’t just ignore this.”

Robertson nodded slowly. He seemed like he was trying to balance understanding against authority. “We’re not ignoring anything. There’s a BOLO out for Rex. The entire force is looking for him. We’ll get him.”

Bryan leaned over in his seat to get closer to Robertson. “There’s a BOLO out on Alex Panos and Issac Moses. Has the entire force tracked down those kids yet?”

Robertson’s lips pressed into a thin line. “Not yet, but that’s not your concern. You’re both fresh out of warnings. I see you anywhere near this case — and that includes anything involving symbols, Oscar Woody, Jay Parlar, Bobby Pigeon, Rich Verde, Rex Deprovdechuk or this house — and I’ll suspend you on the spot. Now get lost.”

Robertson stood and walked toward the house.

Bryan tried to control his anger. Robertson was part of it — whatever it was. And this bizarre cover-up seemed to extend to protecting cop killers.

“Pooks, get us out of here.”

“Where to?”

Bryan shrugged.

“I could go for a beer,” Pookie said. “The Bigfoot?”

Leave it to Pookie to find just the thing. They’d been shut out of every angle involving this case — a beer sounded good.