Seth Grahame-Smith - Abraham Lincoln - Vampire Hunter

Of the six young women Booth took back to his Richmond boardinghouse that night, only one remained by morning. He’d sent the others scurrying out the door before sunrise, their hair a mess, clothing bundled in their arms. After the fog of whiskey had lifted, he’d found them to be nothing more than the same silly, chatty, opportunistic girls who greeted him at every stage door in every city. He had no use for them beyond what had already transpired.

The girl in bed with him, however, was something entirely different. She was a small, dark-haired, ivory-skinned beauty of twenty or so, but carried herself with the calm confidence of a much older woman. There was a slyness to her, and though she seldom spoke, when she did it was with humor and wisdom. They made love for hours at a time. No woman—not Mary Surratt or his countless stage door conquests—had ever made Booth feel like this. He was drawn to her in a way he’d only been drawn to the theater.

Every woman before her has been a promise unfulfilled .

In moments of rest, Booth filled the silences with stories of his youth: the word “country” in the fire… the gypsy… the inescapable feeling that he was destined for greatness—something more than fame or money could provide. The ivory-skinned girl placed her lips against his ear and told him of a way that he could achieve that greatness. Perhaps he believed her; perhaps he was merely humoring his young lover—but at some point during that second night, John Wilkes Booth willingly drank her blood.

For the next two days, he suffered through the worst, and last, sickness of his life. He drenched his sheets in sweat; suffered horrific visions; convulsed so violently that the legs of his bed clattered against the floor.

Three days after he’d last been seen in public, Booth awoke. He rose and stood in the center of the room—alone. The ivory-skinned girl was gone. He would never learn her name; never see her again. He didn’t care. He’d never felt more alive than he did at this moment; never seen or heard with such clarity.

She spoke the truth .

Booth had craved immortality since he was a child. Now it was his. He’d always known that some special fate awaited him. Here it was. He would be the greatest actor of his generation… of every generation. His name would be renowned in ways that Edwin and Junius could only imagine. He would grace the theaters of the world; watch empires crumble to dust; commit every word of Shakespeare to memory. He was the master of time and space. Booth couldn’t help but smile as another thought crossed his mind. The old gypsy was right . He’d died young, just as she said he would. And now he would live forever.

I am a vampire, he thought. God be praised.

Immortality, however, proved somewhat disappointing at first. Like so many vampires, Booth had been left to learn the hard lessons of death on his own. There was no mentor to explain the thousand whispers that now filled his head when he faced an audience. No shopkeeper to suggest the right pair of dark glasses, or the proper means of removing blood from the sleeve of an overcoat. When his first cravings came, crashing against his mind in waves, he’d wandered the dark streets of Richmond for hours, following endless wobbling drunks down endless winding alleys, never quite working up the nerve to strike.

When the cravings became so severe that he felt himself slipping into madness, Booth found his nerve—but not in Richmond. Twenty days after being made immortal, he mounted his horse after dark and set off for a plantation in nearby Charles City. A wealthy tobacco farmer named Harrison had been to see his Hamlet and invited the actor to dine the following week. Booth meant to take him up on that offer a bit earlier.

He tied his horse to a tree in an orchard about eighty yards from the slave quarters—comprised of ten uniformly built, tightly packed brick shelters. Their chimneys were smokeless. Their tiny windows dark. Booth settled on the building nearest him (merely a matter of convenience) and peered through one of its windows. No fire burned inside, and there was hardly any moon in the sky above—yet he saw everything as if it had been illuminated by the gas footlights that blinded him nightly.

A dozen Negroes of varying sex and age slept soundly inside, some on beds, others on woven floor mats. Nearest him, directly below the window, a little girl of seven or eight slept on her stomach in a tattered white nightgown.

Minutes later, Booth was in the orchard, sobbing, her lifeless body in his arms, her blood running down his fangs and chin. He dropped to his knees and held her tightly against his chest.

He was the devil.

Booth felt his fangs puncture the thick muscle of her throat. He began to drink again.

V

After a full day of respectful rejections, the Lincolns finally had a couple willing to accompany them to the theater. Major Henry Rathbone and his fiancé, Clara Harris, daughter of New York senator Ira Harris, rode backward facing Abe and Mary as the president’s carriage cut through a light mist. Mary could feel the cool air in her black silk dress and matching bonnet. Abe was perfectly warm in his black wool overcoat and white gloves. The party pulled up to Ford’s Theater just before eight-thirty, by which time the play, Our American Cousin , was already underway. Abe, who detested being late, gave his apologies to the doorman and greeted his relief bodyguard, John F. Parker.

Parker, a Washington policeman, had shown up for his shift at the White House three hours late with no explanation. William H. Crook, Lincoln’s daytime bodyguard, angrily sent him ahead to Ford’s and told him to wait for the president’s party. In time, the nation would learn that Parker was a notorious drinker who’d been disciplined for falling asleep on duty more than once.

Tonight, he was solely responsible for protecting Abraham Lincoln’s life.

The Lincolns and their guests were led up a narrow staircase to the double box, where four seats had been arranged. Farthest left was a black walnut rocking chair for the president. Mary was seated beside him, followed by Clara and the major at the far end. No sooner had the four of them taken their seats than the play was halted and the president’s arrival announced. Abe stood, somewhat embarrassed, as the orchestra played “Hail to the Chief,” and the audience of more than a thousand rose to its feet in polite applause. As the play resumed, John Parker took his seat outside the door. Here, he’d be able to see anyone approaching the president’s seats.

Backstage, no one paid much attention to John Wilkes Booth when he arrived an hour after Abe’s party. He was a regular at Ford’s, free to come and go as he pleased, and he often took in performances from the wings. But Booth had no interest in the play tonight; no time for small talk with impressionable young actresses. Using his knowledge of the theater’s layout, he wound his way through a labyrinth of hallways and crawl spaces until he reached the staircase that led to the stage left boxes. Here, he was shocked to discover that there were no guards posted. Booth had expected at least one, and had planned on using his fame to gain access to the president. A great actor paying his respects to a great man. He was carrying a calling card in his coat pocket for this very purpose.

There was nothing but an empty chair.

John Parker had grown frustrated by the fact that he couldn’t see the stage. Incredibly, during the second act, he’d simply left his post to find another seat. By the beginning of Act III, Parker had left the theater altogether, going for a drink at the Star Saloon next door. Now, all that stood between Booth and Lincoln was a narrow staircase.