W. Ainsworth - Rookwood

The room in which Sybil found herself was the only entire apartment now existing in the priory. It had survived the ravages of time; it had escaped the devastation of man, whose ravages outstrip those of time. Octagonal, lofty, yet narrow, you saw at once that it formed the interior of a turret. It was lighted by a small oriel window commanding a lovely view of the scenery around, and panelled with oak, richly wrought in ribs and groins; and from overhead depended a moulded ceiling of honeycomb plaster-work. This room had something, even now, in the days of its desecration, of monastic beauty about it. Where the odour of sanctity had breathed forth, the fumes of idolatry prevailed; but imagination, ever on the wing, flew back to that period (and a tradition to that effect warranted the supposition) when, perchance, it had been the sanctuary and the privacy of the prior's self.

Wrapped in a cloak composed of the skins of various animals, upon a low pallet, covered with stained scarlet cloth, sat Barbara. Around her head was coiffed, in folds like those of an Asiatic turban, a rich, though faded shawl, and her waist was encircled with the magic zodiacal zone—proper to the sorceress—the Mago Cineo of the Cingara (whence the name of Zingaro, according to Monçada), which Barbara had brought from Spain. From her ears depended long golden drops, of curious antique fashioning; and upon her withered fingers, which looked like a coil of lizards, were hooped a multitude of silver rings, of the purest and simplest manufacture. They seemed almost of massive unwrought metal. Her skin was yellow as the body of a toad; corrugated as its back. She might have been steeped in saffron from her finger-tips, the nails of which were of the same hue, to such portions of her neck as were visible, and which was puckered up like the throat of a turtle. To look at her, one might have thought the embalmer had experimented her art upon herself. So dead, so bloodless, so blackened seemed the flesh, where flesh remained, leather could scarce be tougher than her skin. She seemed like an animated mummy. A frame, so tanned, appeared calculated to endure for ages; and, perhaps, might have done so. But alas! the soul cannot be embalmed. No oil can re-illumine that precious lamp! And that Barbara's vital spark was fast waning, was evident, from her heavy, bloodshot eyes, once of a swimming black, and lengthy as a witch's, which were now sinister and sunken.

The atmosphere of the room was as strongly impregnated as a museum with volatile odours, emitted from the stores of drugs with which the shelves were loaded, as well as from various stuffed specimens of birds and wild animals. Barbara's only living companion was a monstrous owl, which, perched over the old gipsy's head, hissed a token of recognition as Sybil advanced. From a hook, placed in the plaster roof, was suspended a globe of crystal glass, about the size and shape of a large gourd, filled with a pure pellucid liquid, in which a small snake, the Egyptian aspic, described perpetual gyrations.

Dim were the eyes of Barbara, yet not altogether sightless. The troubled demeanour of her grandchild struck her as she entered. She felt the hot drops upon her hand as Sybil stooped to kiss it; she heard her vainly-stifled sobs.

"What ails you, child?" said Barbara, in a voice that rattled in her throat, and hollow as the articulation of a phantom. "Have you heard tidings of Luke Bradley? Has any ill befallen him? I told you thou wouldst either hear of him or see him this morning. He is not returned, I see. What have you heard?"

"He is returned," replied Sybil, faintly; "and no ill hath happened to him."

"He is returned, and you are here," echoed Barbara. "No ill hath happened to him , thou sayest—am I to understand there is ill to you ?"

Sybil answered not. She could not answer.

"I see, I see," said Barbara, more gently, her head and hand shaking with paralytic affection: "a quarrel, a lovers' quarrel. Old as I am, I have not forgotten my feelings as a girl. What woman ever does, if she be woman? and you, like your poor mother, are a true-hearted wench. She loved her husband, as a husband should be loved, Sybil; and though she loved me well, she loved him better, as was right. Ah! it was a bitter day when she left me for Spain; for though, to one of our wandering race, all countries are alike, yet the soil of our birth is dear to us, and the presence of our kindred dearer. Well, well, I will not think of that. She is gone. Nay, take it not so to heart, wench. Luke has a hasty temper. 'Tis not the first time I have told you so. He will not bear rebuke, and you have questioned him too shrewdly touching his absence. Is it not so? Heed it not. Trust me, you will have him seek your forgiveness ere the shadows shorten 'neath the noontide sun."

"Alas! alas!" said Sybil, sadly, "this is no lovers' quarrel, which may, at once, be forgotten and forgiven—would it were so!"

"What is it then?" asked Barbara; and without waiting Sybil's answer, she continued, with vehemence, "has he wronged you? Tell me girl, in what way? Speak, that I may avenge you, if your wrong requires revenge. Are you blood of mine, and think I will not do this for you, girl? None of the blood of Barbara Lovel were ever unrevenged. When Richard Cooper stabbed my first-born, Francis, he fled to Flanders to escape my wrath. But he did not escape it. I pursued him thither. I hunted him out; drove him back to his own country, and brought him to the gallows. It took a power of gold. What matter? Revenge is dearer than gold. And as it was with Richard Cooper, so shall it be with Luke Bradley. I will catch him, though he run. I will trip him, though he leap. I will reach him, though he flee afar. I will drag him hither by the hair of his head," added she, with a livid smile, and clutching at the air with her hands, as if in the act of pulling some one towards her. "He shall wed you within the hour, if you will have it, or if your honour need that it should be so. My power is not departed from me. My people are yet at my command. I am still their queen, and woe to him that offendeth me!"

"Mother! mother!" cried Sybil, affrighted at the storm she had unwittingly aroused, "he has not injured me. 'Tis I alone who am to blame, not Luke."

"You speak in mysteries," said Barbara.

"Sir Piers Rookwood is dead."

"Dead!" echoed Barbara, letting fall her hazel rod. "Sir Piers dead!"

"And Luke Bradley—"

"Ha!"

"Is his successor."

"Who told you that?" asked Barbara, with increased astonishment.

"Luke himself. All is disclosed." And Sybil hastily recounted Luke's adventures. "He is now Sir Luke Rookwood."

"This is news, in truth," said Barbara; "yet not news to weep for. You should rejoice, not lament. Well, well; I foresaw it. I shall live to see all accomplished; to see my Agatha's child ennobled; to see her wedded; ay, to see her well wedded."

"Dearest mother!"

"I can endow you, and I will do it. You shall bring your husband not alone beauty, you shall bring him wealth."

"But, mother—"

"My Agatha's daughter shall be Lady Rookwood."

"Never! It cannot be."

"What cannot be?"

"The match you now propose."

"What mean you, silly wench? Ha! I perceive the meaning of those tears. The truth flashes upon me. He has discarded you."

"No, by the Heaven of Heavens, he is still the same—unaltered in affection."

"If so, your tears are out of place."

"Mother, it is not fitting that I, a gipsy born, should wed with him."

"Not fitting! Ha! and you my child! Not fitting! Get up, or I will spurn you. Not fitting! This from you to me! I tell you it is fitting; you shall have a dower as ample as that of any lady in the land. Not fitting! Do you say so, because you think that he derives himself from a proud and ancient line—ancient and proud—ha, ha! I tell you, girl, that for his one ancestor I can number twenty; for the years in which his lineage hath flourished, my race can boast centuries, and was a people—a kingdom!—ere the land in which he dwells was known. What! if by the curse of Heaven we were driven forth, the curse of hell rests upon his house."