Clive Cussler - Inca Gold

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When a tsunami hit a Spanish treasure galleon, all trace of a golden hoard greater than that of any pharaoh's vanished into history. Until NUMA agent DIRK PITT® dives into an ancient sacrificial pool far into the Andean jungle in order to rescue two archaeologists, and plunges into a vortex of corruption, betrayal, and death. A sinister crime syndicate has traced the long-lost treasure -- worth almost a billion dollars -- from the Andes to the banks of a hidden underground river flowing beneath a Mexican desert. Nothing will stop their ruthless and murderous drive to recover the gold. Nothing, that is, until Pitt and his team place themselves square in the path of danger....
From Publishers Weekly A chance rescue of two divers trapped in a Peruvian sinkhole leads series hero Dirk Pitt ( Raise the Titanic! ; Deep Six ) into a search for lost treasure that involves grave robbers, art thieves and ancient curses. Cussler's latest adventure novel features terrorists who aren ' t really terrorists and a respected archeologist who is not what he seems; it all boils down to a race between Pitt and some unscrupulous crooks for a cache of Inca gold hidden away from the Spanish and lost since the 16th century. The villains, a society of art and antiquity smugglers called the Solpemachaco , want to get their hands on the Golden Body Suit of Tiapollo, which contains in its hieroglyphics a description of the Inca treasure's hidden burial place. Pitt ends up searching for a jade box containing a quipu , an Inca silver-and-gold metalwork map to the treasure. The box was stolen from the Indians by the Spanish, stolen from the Spanish by Francis Drake and then lost in the South American jungle, but readers who know Pitt know that that a 400-year-old missing clue is only a minor obstacle. Master storyteller Cussler keeps the action spinning as he weaves a number of incredible plotlines and coincidences into a believable and gripping story. It's pure escapist adventure, with a wry touch of humor and a certain self-referential glee (Cussler himself makes a cameo appearance), but the entertainment value meets the gold standard.

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After a quick dive in the water to refresh himself, he cut west across the desert toward Mexico Highway 5, twenty, maybe thirty kilometers away. Once he reached the pavement, he could flag a ride into Mexicali, and then make his way across the border into Calexico. That was the plan, unless the local Baja telephone company had thoughtfully and conveniently installed a pay phone in the shade of a handy mesquite tree.

He gazed out over the Sea of Cortez and took one final look at the Alhambra in the distance. The old ferryboat looked to have settled in the water up to her deck overhang and was resting in the silt at a slight list. Otherwise she seemed sound.

She also looked deserted. There were no search boats or helicopters in sight, launched by an anxious Giordino and U.S. Customs agents north of the border. Not that it mattered. Any search team flying a reconnaissance over the boat, he figured, wouldn't expect to look for anyone on land. He elected to walk out.

He maintained a steady 7-kilometer (4.3-mile) an-hour pace across the isolated environment. It reminded him of his trek across the Sahara Desert of Northern Mali with Giordino two years before. They had come within minutes of dying under the fiery hell of scorching temperatures with no water. Only by finding a mysterious plane wreck did they manage to construct a land yacht and sail across the sands to eventual rescue. Next to that ordeal, this was a jaunt in the park.

Two hours into his journey, he came to a dusty footpath and followed it. Thirty minutes later he spotted a man sitting astride a horse beside the trail. Pitt walked up to the man and held up a hand in greeting. The rider gazed back through eyes worn and tired from the sun. His stern face looked like weathered sandstone.

Pitt studied the stranger, who wore a straw cowboy hat with a large brim turned up on the sides, a long-sleeved cotton shirt, worn denim pants, and scuffed cowboy boots. The black hair under the hat showed no tendency toward gray. He was small and lean and could have been anywhere between fifty and seventy. His skin was burnt bronze with a washboard of wrinkles. The hands that held the reins were leathery and creased with many years of labor. This was a hardy soul, Pitt observed, who survived in an intolerant land with incredible tenacity.

"Good afternoon," Pitt said pleasantly.

Like most of his people Billy was bilingual, speaking native Montolan among his friends and family and Spanish to outsiders. But he knew a fair amount of English, picked up from his frequent trips over the border to sell his cattle and purchase supplies. "You know you trespass on private Indian land?" he replied stoically.

"No, sorry. I was cast ashore on the Gulf. I'm trying to reach the highway and a telephone."

"You lose your boat?"

"Yes," Pitt acknowledged. "You could say that."

"We have telephone at our meeting house. Glad to take you there."

"I'd be most grateful."

Billy reached down a hand. "My village not far. You can ride on back of my horse."

Pitt hesitated. He definitely preferred mechanical means of transportation. To his way of thinking four wheels were better than four hooves any day. The only useful purpose for horses was as background in Western movies. But he wasn't about to look one with a gift in the mouth. He took Billy's hand and was amazed at the strength displayed by the wiry little man as he hoisted Pitt's 82 kilograms (181 pounds) up behind him without the slightest grunt of exertion.

"By the way, my name is Dirk Pitt."

"Billy Yuma," said the horseman without offering his hand.

They rode in silence for half an hour before cresting a butte overgrown with yucca. They dropped into a small valley with a shallow stream running through it and passed the ruins of a Spanish mission, destroyed by religion-resistant Indians three centuries ago. Crumbling adobe walls and a small graveyard were all that remained. The graves of the old Spaniards near the top of a knoll were long since grown over and forgotten. Lower down were the more recent burials of the townspeople. One tombstone in particular caught Pitt's eye. He slipped to the ground over the rump of the horse and walked over to it.

The carved letters on the weathered stone were distinct and quite readable.

Patty Lou Cutting

2/11/24-2/3/34

The sun be warm and kind to you.

The darkest night

some star shines through.

The dullest morn a radiance brew.

and where dusk comes,

God's hand to you.

"Who was she?" asked Pitt.

Billy Yuma shook his head. "The old ones do not know. They say the grave was made by strangers in the night."

Pitt stood and looked over the sweeping vista of the Sonoran Desert. A light breeze gently caressed the back of his neck. A red-tailed hawk circled the sky, surveying its domain. The land of mountains and sand, jackrabbits, coyotes, and canyons could intimidate as well as inspire. This is the place to die and be buried, he thought. Finally, he turned from Patty Lou's last resting place and waved Yuma on. "I'll walk the rest of the way."

Yuma nodded silently and rode ahead, the hooves of the buckskin kicking up little clouds of dust.

Pitt followed down the hill to a modest farming and ranching community. They traveled along the streambed where three young girls were washing clothes under the shade of a cottonwood tree. They stopped and stared at him with adolescent curiosity. He waved, but they ignored the greeting and, almost solemnly it seemed to Pitt, returned to their wash.

The heart of the Montolo community consisted of several houses and buildings. Some were built from mesquite branches that were coated with mud, one or two from wood, but most were constructed of cement blocks. The only apparent influence of modern living was weathered poles supporting electrical and phone lines, a few battered pickup trucks that looked as if they'd barely escaped a salvage yard crusher, and one satellite dish.

Yuma reined in his horse in front of a small building that was open on three sides. "Our meeting house," he said. "A phone inside. You have to pay."

Pitt smiled, investigated his still soggy wallet, and produced an AT&T card. "No problem."

Yuma nodded and led him into a small office equipped with a wooden table and four folding chairs. The telephone sat on a very thin phone book that was lying on the tile floor.

The operator answered after seventeen rings. "Si, por favor?"

"I wish to make a credit card call."

"Yes, sir, your card number and the number you're calling," the operator replied in fluent English.

"At least my day hasn't been all bad," Pitt sighed at hearing an understanding voice.

The Mexican operator connected him to an American operator. She transferred him to information to obtain the number for the Customs offices in Calexico and then put his call through. A male voice answered.

"Customs Service, how can I help you?"

"I'm trying to reach Albert Giordino of the National Underwater and Marine Agency."

"One moment, I'll transfer you. He's in Agent Starger's office."

Two clicks and a voice that seemed to come from a basement said, "Starger here."

"This is Dirk Pitt. Is Al Giordino handy?"

"Pitt, is that you?" Curtis Starger said incredulously. "Where have you been? We've been going through hell trying to get the Mexican navy to search for you."

"Don't bother, their local commandant was probably bought off by the Zolars."

"One moment. Giordino is standing right here. I'll put him on an extension."

"Al," said Pitt, "are you there?"

"Good to hear your voice, pal. I take it something went wrong."

In a nutshell, our friends from Peru have Loren and Rudi. I helped the crew escape on a life raft. I managed to swim to shore. I'm calling from an Indian village in the desert north of San Felipe and about thirty kilometers west of where the Alhambra lies half-sunk in the muck."

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