Clive Cussler - Inca Gold

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When a tsunami hit a Spanish treasure galleon, all trace of a golden hoard greater than that of any pharaoh's vanished into history. Until NUMA agent DIRK PITT® dives into an ancient sacrificial pool far into the Andean jungle in order to rescue two archaeologists, and plunges into a vortex of corruption, betrayal, and death. A sinister crime syndicate has traced the long-lost treasure -- worth almost a billion dollars -- from the Andes to the banks of a hidden underground river flowing beneath a Mexican desert. Nothing will stop their ruthless and murderous drive to recover the gold. Nothing, that is, until Pitt and his team place themselves square in the path of danger....
From Publishers Weekly A chance rescue of two divers trapped in a Peruvian sinkhole leads series hero Dirk Pitt ( Raise the Titanic! ; Deep Six ) into a search for lost treasure that involves grave robbers, art thieves and ancient curses. Cussler's latest adventure novel features terrorists who aren ' t really terrorists and a respected archeologist who is not what he seems; it all boils down to a race between Pitt and some unscrupulous crooks for a cache of Inca gold hidden away from the Spanish and lost since the 16th century. The villains, a society of art and antiquity smugglers called the Solpemachaco , want to get their hands on the Golden Body Suit of Tiapollo, which contains in its hieroglyphics a description of the Inca treasure's hidden burial place. Pitt ends up searching for a jade box containing a quipu , an Inca silver-and-gold metalwork map to the treasure. The box was stolen from the Indians by the Spanish, stolen from the Spanish by Francis Drake and then lost in the South American jungle, but readers who know Pitt know that that a 400-year-old missing clue is only a minor obstacle. Master storyteller Cussler keeps the action spinning as he weaves a number of incredible plotlines and coincidences into a believable and gripping story. It's pure escapist adventure, with a wry touch of humor and a certain self-referential glee (Cussler himself makes a cameo appearance), but the entertainment value meets the gold standard.

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Periodic checks of his depth gauge during his long journey had told him the pressure inside most of the airfilled caverns ran only slightly higher than the outside atmospheric pressure. A concern but not a great fear. And he had seldom exceeded 30 meters of depth when diving under a flooded overhang that divided two open galleries. If faced with the same situation, he would have to be careful to make a controlled 18-meter (60-foot) per-minute ascent to avoid decompression sickness.

Whatever the obstacles, he could neither go back nor stay where he was. He had to go on. There was no other decision to make. This would be the final test of what little strength and resolve was still left in him.

He wasn't dead yet. Not until he breathed the last tiny bit of oxygen in his air tank. And then he would go on until his lungs burst.

He checked to see that the manifold valves were open and the low-pressure hose was connected to his buoyancy compensator. Next, he strapped on his tank and buckled the quick-release snaps. A quick breath to be sure his regulator was functioning properly and he was ready.

Without his lost dive mask, his vision would be blurred, but all he had to do was swim toward the light. He clamped his teeth on the mouthpiece of his breathing regulator, gathered his nerve, and counted to three.

It was time to go, and he dove into the river for the last time.

As he gently kicked his bare feet he'd have given his soul for his lost fins. Down, down the overhang sloped ahead of him. He passed thirty meters, then forty. He began to worry after he passed fifty meters. When diving on compressed air, there is an invisible barrier between sixty and eighty meters. Beyond that a diver begins to feel like a drunk and loses control of his mental faculties.

His air tank made an unearthly screeching sound as it scraped against the rock above him. Because he had dropped his weight belt after his near-death experience over the great waterfall, and because of the neoprene in his shredded wet suit, he was diving with positive buoyancy. He doubled over and dove deeper to avoid the contact.

Pitt thought the plunging rock would never end. His depth gauge read 75 meters (246 feet) before the current carried him beneath and around the tip of the overhang. Now the upward slope was gradual. Not the ideal situation. He'd have preferred a direct ascent to the surface to cut the distance and save his dwindling air supply.

The light grew steadily brighter until he could read the numbers of his dive watch without the aid of the dying beam from the lamp. The hands on the orange dial read ten minutes after five o'clock. Was it early morning or afternoon? How long since he dove into the river? He couldn't remember if it was ten minutes or fifty. His mind sluggishly puzzled over the answers.

The clear, transparent emerald green of the river water turned more blue and opaque. The current was fading and his ascent slowed. There was a distant shimmer above him. At last the surface itself appeared.

He was in the Gulf. He had exited the river passage and was swimming in the Sea of Cortez. Pitt looked up and saw a shadow looming far in the distance. One final check of his air pressure gauge. The needle quivered on zero. His air was almost gone.

Rather than suck in a huge gulp, he used what little was left to partially inflate his buoyancy compensator so it would gently lift him to the surface if he blacked out from lack of oxygen.

One last inhalation that barely puffed out his lungs and he relaxed, exhaling small breaths to compensate for the declining pressure as he rose from the depths. The hiss of his air bubbles leaving the regulator diminished as his lungs ran dry.

The surface appeared so close he could reach out and touch it when his lungs began to burn. It was a spiteful illusion. The waves were still 20 meters (66 feet) away.

He put some strength into his kick as a huge elastic band seemed to tighten around his chest. Soon, the desire for air became his only world as darkness started seeping around the edges of his eyes.

Pitt became entangled in something that hindered his ascent. His vision, blurred without a dive mask, failed to distinguish what was binding him. Instinctively, he thrashed clumsily in an attempt to free himself. A great roaring sound came from inside his brain as it screamed in protest. But in that instant before blackness shut down his mind, he sensed that his body was being pulled toward the surface.

"I've hooked a big one!" shouted Joe Hagen joyously,

"You got a marlin?" Claire asked excitedly, seeing her husband's fishing pole bent like a question mark.

"He's not giving much fight for a marlin," Joe panted as he feverishly turned the crank on his reel. "Feels more like a dead weight."

"Maybe you dragged him to death."

"Get the gaff. He's almost to the surface."

Claire snatched a long-handled gaff from two hooks and pointed it over the side of the yacht like a spear. "I see something," she cried. "It looks big and black."

Then she screamed in horror.

Pitt was a millimeter away from unconsciousness when his head broke into a trough between the waves. He spit out his regulator and drew in a deep breath. The sun's reflection on the water blinded eyes that hadn't seen light in almost two days. He squinted rapturously at the sudden kaleidoscope of colors.

Relief, joy of living, fulfillment of a great accomplishment-- they flooded together.

A woman's scream pierced his ears and he looked up, startled to see the Capri-blue hull of a yacht rising beside him and two people staring over the side, their faces pale as death. It was then that he realized he was entangled in fishing line. Something slapped against his leg. He gripped the line and pulled a small skipjack tuna, no longer than his foot, out of the water. The poor thing had a huge hook protruding from its mouth.

Pitt gently gripped the fish under one armpit and eased out the hook with his good hand. Then he stared into the little fish's beady eyes.

"Look, Toto," he said jubilantly, "we're back in Kansas!"

Commander Maderas and his crew had moved out of San Felipe and resumed their search pattern when the call came through from the Hagens.

"Sir," said his radioman, "I just received an urgent message from the yacht The First Attempt."

"What does it say?"

"The skipper, an American by the name of Joseph Hagen, reports picking up a man he caught while fishing."

Maderas frowned. "He must mean he snagged a dead body while trolling."

"No, sir, he was quite definite. The man he caught is alive."

Maderas was puzzled. "Can't be the one we're searching for. Not after viewing the other one. Have any boats in the area reported a crew member lost overboard?"

The radioman shook his head. "I've heard nothing."

"What is The First Attempt's position?"

"Twelve nautical miles to the northwest of us."

Maderas stepped into the wheelhouse and nodded at Hidalgo. "Set a course to the northwest and watch for an American yacht." Then he turned to his radioman. "Call this Joseph Hagen for more details on the man they pulled from the water and tell him to remain at his present position. We'll rendezvous in approximately thirty-five minutes."

Hidalgo looked at him across the chart table. "What do you think?"

Maderas smiled. "As a good Catholic, I must believe what the church tells me about miracles. But this is one I have to see for myself."

The fleet of yachts and the many boats of the Mexican fishing fleets that ply the Sea of Cortez have their own broadcast network. There is considerable bantering among the brotherhood of boat owners, similar to the old neighborhood telephone party lines. The chatter includes weather reports, invitations to seaboard social parties, the latest news from home ports, and even a rundown of items for sale or swap.

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