"I can't figure it," Zavala said. "I know all about the thick fog, but both these ships had radar and lookouts. How in all of those millions of square miles of ocean did they happen to occupy the same space at the same time?"
"Plain lucky. I guess."
"They couldn't have done better if they planned out a collision course in advance."
"Fifty two people dead. A twenty-nine-thousand-ton ocean liner on the bottom. The Stockholm heavily damaged. Millions in cargo lost That's some planning."
"I think you're telling me it's one of those unsolved mysteries of the sea.'
"Do you have a better answer?"
"Not one that makes any sense," he replied with a sigh that was audible over the mike. "Where to now?"
"Let's go up to Gimbel's Hole for a looksee," Austin said.
The minisub banked around as gracefully as a manta ray and headed back toward the bow, then cruised evenly about halfway down the length of the port side until it came to a jagged four-sided opening.
Gimbel's Hole.
The eight-by-twenty-foot hole was the legacy of Peter Gimbel. Less than twentyeight hours after the Doria went under, Gunbel and another photographer named Joseph Fox dove on the liner and spent thirteen minutes exploring the wreck. It was the start of Gimbel's fascination with the ship. In 1981 he led an expedition that used a diving bell and saturation diving techniques. The divers cut away the entrance doors into the First Class Foyer Lounge to get at a safe reported to hold a million dollars in valuables. Amid great hoopla the safe was opened on TV, but it yielded only a few hundred dollars.
"Looks like a barn door," Zavala quipped.
"This barn door took two weeks to open with magnesium rods," Austin said. "We don't have that long."
"Might be easier to raise the whole thing. If NUMA could raise the Titanic, the Doria should be a cinch."
"You're not the first one to suggest that. There have been a pile of schemes to bring her up. Compressed air. Helium-filled balloons. A coffer dam. Plastic bubbles. Even Ping-Pong balls."
"The Ping-Pong guy must have had some cojones." Zavala whistled.
Austin groaned at the Spanish double entendre. Aside from that astute observation, from what you've seen, what do you think?"
"I think we've got our work cut out for us:"
"I agree. Let's go topside and see what the others say"
Zavala gave him a thumbs up, tweaked the motor, and lifted the nose of the sub. As they quickly ascended with the power from four thrusters, Austin glanced at the gray ghost receding in the gloom. Somewhere in that huge hull was the key to the bizarre series of murders. He put his grim thoughts aside as Zavala broke into a Spanish chorus of "Octopus's Garden." Austin thanked his lucky stars that the trip was short.
The Deep Flight broke the surface in an explosion of froth and foam. Through the water-streaked observation bubbles a gray-hulled boat with a white superstructure was visible about a hundred fifty feet away. The minisub was as agile as a minnow underwater. On the surface its flat planes were susceptible to the wave motion, and it rocked in the slight chop being kicked up by a freshening breeze. Austin didn't normally get seasick, but he was starting to feel green around the gills and was happy when the boat got under way and rapidly covered the distance between them.
The boat's design was typical of many salvage and survey ships whose main function is to serve as a platform for lowering, towing, and hauling various instruments and vehicles. It had a snub tugboat's bow and a high forecastle, but most of the sixty five-foot length was open deck. At either side of the deck was an elbow crane. An A-frame spanned most of the twenty-two-foot beam at the stern where a ramp slanted down to the sea. Two men in wetsuits pushed an inflatable down the ramp into the water, jumped into it, and skimmed over the wave tops to the minisub. While one man manned the tiller the other secured the sturdy hook to a grommet at the front of the submersible.
The line led to a deck winch that pulled the minisub closer, the boat maneuvering until the Deep Flight was on its starboard. A crane swung over and lowered tackle that was attached by the men in the inflatable to cleats on the sub. The cable went taut. The sub and its passengers were lifted dripping from the sea, swung over the deck, and lowered onto a steel cradle. The operation was handled with Swisswatch precision and dispatch. Austin would have expected nothing less than perfection from one of his father's boats.
After the revealing session at the Peabody, Austin had called Rudi Gunn to fill him in and request a salvage vessel. NUMA had dozens of ships involved in its farflung operations. That was the problem, Gunn explained. The agency's boats were flung all around the globe. Most carried scientists who had stood in line for a spot on board. The nearest ship was the Nereus, still in Mexico. Austin said he didn't need a fullblown salvage ship, but Gunn said the quickest he could get something to Austin was a week. Austin told him to make a reservation and hung up. After a moment's thought he dialed again.
The voice like a bear coughing in the woods came on the line. Austin told his father what he needed.
"Hah!" the older man guffawed. "Chrissakes, I thought NUMA had more ships than the U.S. Navy. Can't the admiral spare you one dinky boat from his fleet?"
Austin let his father enjoy his gloat "Not in the time I need it. I could really use your help, Pop."
"Hmm. Help comes with a price tag, lad," the old man said slyly.
"NUMA will reimburse you for any expenses, Pop."
"I could give a rat's ass about money," he growled. My accountant will find a way to put it down as a charitable donation if he doesn't get sent to Alcatraz before then. If I get you something that floats, does that mean you'll wrap up whatever nonsense Sandecker's got you involved in and get out here to see me before I'm so damned senile I don't recognize you?"
"Can't promise anything. There's a good chance of it."
"Humph. Finding a boat for you isn't like hailing a cab, you know. I'll see what I can do." He hung up.
Austin laughed softly. His father knew exactly where every vessel he owned was and what it was doing, down to the smallest rowboat. Dad wanted to let him wriggle on the hook. Austin wasn't surprised when the phone rang a few minutes later.
The gruff voice said, "You're in luck. Got you an old scow. We've got a salvage vessel doing some work for the navy off Sandy Hook, New Jersey. Not one of your big research vessels, but she'll do fine. She'll put into Nantucket Harbor tomorrow and wait for you."
"Thanks, Pop, I really appreciate it."
"I had to twist the captain's arm, and I'll lose money on this job," he said, his tone softening, "but I guess it's worth it to get my son out here in my declining years."
What an actor! Austin thought. His father could whup his weight in wildcats. True to his word the senior Austin had the boat in Nantucket the next day. The Monkfish was hardly a scow. It was, in fact, a medium-sized, state-of-theart salvage vessel less than two years old. An added bonus was Captain John McGinty, a hard-boned, ruddy-faced Irishman from South Boston. The captain had dived on the Andrea Doria years before and was delighted to work on her again.
Austin was removing the cassette from the mini-sub's video camera when McGinty strode over. "Well, don't keep me in suspense," he said with excitement in his voice. "How's the old gal look?"
"She's showing her age, but you can see for yourself." Austin handed over the cassette. The captain glanced at the mini-sub and chuckled. "That's some hot rod," he said, and led the way to his quarters. He set Austin and Zavala up with soft chairs and hard drinks, then popped the video into his VCR. McGinty sat in uncharacteristic silence, taking in every detail as the sweptback hull and its patina of anemones rolled across the TV screen. When the video ended he punched the rewind button.
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