Clive Cussler - Serpent

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It won't surprise those who remember Cussler's 
 (1976) that he now uses the 1956 sinking of the 
 as the springboard for another thriller involving the National Underwater and Maritime Agency. According to Cussler, the 
 sinking was deliberate, but that secret begins unraveling two generations later, when archaeologist Nina Kirov, fleeing a "terrorist" attack on her dig, is rescued by a NUMA vessel. Aboard are Kurt Austin and Joe Zavala, NUMA field operatives equally deft with underwater hardware and the ladies. The pair's first job is standing off the "terrorists" pursuing Kirov. Plots--not to mention counterplots--rapidly thicken as NUMA squares off against Halcon, who is clearly a descendant of Fu Manchu despite his Latino characterization. Halcon seeks an immense treasure, brought by fleeing Carthaginians to the Mayan empire, to finance an independent Latino nation in the U.S. Southwest. Before Halcon is defeated, Cussler dispenses, with new collaborator Kemprecos' aid, the fast action, larger-than-life characters, less-than-graceful prose, credulity-stretching scenarios, and high-saltwater content that are his trademarks. A superlative subplot relays the adventures of archaeologist Gamay Trout and her companion, the Mayan Dr. Chi, as they try to escape outlaws, Halcon's minions, and the natural hazards of the Yucatan Peninsula. Likely to prove eminently satisfactory to Cussler fans.

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Eventually the stiffness lessened. Today the only reminder of the assassin's lucky shot was the twinge he experienced during his warmup stretches. He felt good from the moment he slipped into the open cockpit, tucked his feet into the dogs bolted to the foot rests, and pushed the sliding seat back and forth a few times on its twin runners to limber up his abdominal muscles. He adjusted the "buttons," the collars that rest against the outrigger oarlocks, to make sure they were positioned to deliver the maximum power with each stroke.

Leaning forward, Austin dipped the blades into the water and gingerly pulled the oar handles back, letting the weight of his body work for him. The scull skimmed over the surface like a water bug. This was the best day yet. Any residual pain was overwhelmed by his joy at being able to row with a normal rhythm. He sat straight up, hands overlapped for easier pulling. Rowing slowly at first, he used a moderate forward reach and a long pull. At the end of each stroke he feathered the oars, turning them almost horizontal to reduce wind resistance, the blades inches above the water as they came forward. He grunted with satisfaction; he was rowing well.

The scull glided upriver as quietly as a whisper past the stately old mansions that lined the shore. The misty flower-scented river air that filled his lungs was like the perfume of an old love. Which in a way was true. For Austin, rowing was more than his main physical exercise. With its emphasis on technique rather than power this melding of mind and body was like a Zen meditation. Totally focused now, he increased his stroke rate, gradually unleashing more of the power in his broad shoulders, until the dial of the Strokecoach just above his toes showed him rowing at a normal twenty-eight strokes per minute.

Sweat rolled down from under the visor of his turquoise NUMA baseball cap, the back. of his rugby shirt was soaked with perspiration, and his butt was numb despite the seat padding of the bike shorts. But his senses were telling him that he was alive. The sleek shell flew over the river as if the oars were wings. He planned to row the first leg for forty-five minutes, then reverse and let the lazy current give him an easy ride back. There was no sense pushing his luck.

A blinding flash of light caught his eye from the riverbank. The sun was reflecting off the glass of a tripod-mounted spotting scope. A man sat on a folding chair on the shore peering into the scope's eyepiece. He had on a white cotton hat pulled down low over his brow, and the rest of his face was hidden behind the scope. Austin had seen the same man for the first time several days earlier and had figured him for a birdwatcher: Except for one thing: the scope was always trained on Austin.

Minutes later Austin made the planned turn and started downriver. As he approached the birdwatcher again he shipped his oars, letting the current take him, and waved, hoping the man would lift his head. The eye remained glued to the scope. Austin studied the birdwatcher as the scull glided silently by Then he grinned and with a shake of his head took up the oars again and pulled for home.

The Victorianstyle boathouse had been part of a riverfront estate. With its pale blue clapboards and mansard roof surmounted by a turret, it was a miniature of the main house except for interior modifications. Austin steered the shell toward shore, climbed out onto the ramp, and pulled the scull up and under the boathouse. He maneuvered it onto a rack next to another one of his toys, a small outboard hydroplane. Austin had two other boats, a twenty-two-foot catboat and a fullsized racing hydroplane, tied up at a Chesapeake Bay marina.

He liked the catboat's classic lines and history and the fact that despite its tubby hull and single sail it was fast, especially with the modifications he'd built into it, and could beat the pants off bigger and sleeker craft. The cat was weatherly too, and he pushed it to extremes of weather and distance just for the thrill of it. While Austin enjoyed the mental challenges of rowing and could sail a boat almost from the time he could walk, he had acquired a taste for speed early in life and raced boats since he was ten. His big love on his time off was still racing boats.

With the scull stowed, he climbed an inside stairway to the main level, then another short flight to the turret bedroom. He tossed his rowing clothes into a hamper and washed away the morning's exertions with a hot shower. As he toweled off in front of the mirror he examined the bullet wound. It had lost its angry redness and turned pinkish. Soon it would join the other pale scars that stood out against his walnut skin. All souvenirs of violent encounters. Sometimes he wondered if his body naturally attracted projectiles and sharp instruments the way a magnet draws metal filings.

Dressed in clean shorts and T-shirt, he went into the kitchen, brewed half a pot of strong Kenyan coffee; and rustled up a pan of bacon and eggs. He carried the plate through a slider to the deck overlooking the Potomac and watched the river go by as he ate breakfast. Still enjoying the cholesterol rush, he refilled a mug of coffee, then went into his combination study-den. He put a Coltrane CD on the stereo, settled into a black leather chair, and listened to Anton Sax's instrument sing in voices its creator could never have dreamed were possible. It was not surprising that Austin favored progressive jazz. In a way the sounds of Coltrane, Oscar Peterson, Keith Jarrett, Bill Evans, and other artists in his extensive music library reflected Austin's own personality: a steely coolness that masked intense energy and drive, the ability to reach deep into his soul when superhuman effort was needed, and a talent for improvisation.

The spacious room was an eclectic collection of the old and the new, authentic darkwood colonial furniture, and white walls hung with contemporary originals. Curiously for a man who was raised in and around the sea and who spent much of his life on or under the water, there were few nautical items. A primitive painting of a sailing clipper done by a Hong Kong Picasso for a China Trade skipper, a nineteenth-century chart of the Pacific, a couple of shipbuilding tools, a photo of his catboat, and a glass-encased scale model of his racing hydroplane.

His bookshelves held the leatherbound sea adventures of Joseph Conrad and Herman Melville and dozens of books of ocean science. But the most hand worn volumes were those of writers like Plato, Kant, and the other great philosophers he liked to study. Austin was aware of the dichotomy but saw no oddity in it. More than one sea captain had retired inland after a career on the bounding main. Austin wasn't yet ready to move to Kansas, but the sea was a wild and demanding mistress, and he needed this quiet refuge from its crushing embrace.

As he sipped his coffee his eye fell on the brace of Mantons mounted on the wail over the fireplace. Austin had nearly two hundred sets of dueling pistols in his collection: Most of the pairs were stored in a fireproof vault. He kept the more recent acquisitions at the boathouse. He was fascinated not only by the workmanship and deadly beauty of the pistols but by the twists and turns of history that may have been launched by a well-placed ball fired on a quiet morning. He pondered how the republic might have fared if Aaron Burr had not killed Alexander Hamilton. The Mantons brought his mind back to the Nereus incident. What a strange night! In the days he'd been home recovering Austin had replayed the attack in his mind again and again, fast-forwarding, freezing action, and rewinding like a VCR.

After the battle the exertion and loss of blood caught up with Austin. He had barely taken a dozen steps before he could go no farther, collapsing in slowmotion and ending up in a sitting position. Captain Phelan had been the one to tell the crew all was safe. They came out of hiding, scraped Austin and Zavala off the deck, and carried them on stretchers to sickbay. On the way they passed the body of the assailant Austin had nailed with

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