Dennis Wheatley - The Haunting of Toby Jugg

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How is it that during the past hundred years so little interest has been taken in the Devil's activities? The Haunting of Toby Jugg suggests an answer. Woven into a tale of modern love and courage, of intrigue, hypnotism and Satan-worship, it propounds a theory that under a new disguise the Devil is still intensely active–that through his chosen emissaries he is nearer than ever before to achieving victory in his age-old struggle to become, in fact, as well as in name, the Prince of this World.

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What shall I do? Where can I turn for help? Yesterday, or the day before, when I was out in the garden I could have forced Deb to set off with me down the road, or to wheel me through the woods until we came to a farmhouse. But I didn't. I must have been crazy! Perhaps Helmuth is right, and I have softening of the brain.

Friday, 29th May

What a night! At the time I thought it the worst so far; but, viewing the whole series in retrospect this afternoon, I am sure that the attack was not as intense as that on April the 30th, or as prolonged as on at least two other occasions. Yet in some ways it was more terrifying, as there were certain new developments which now make me frightened not only for, but also of, myself.

At a few minutes to ten Taffy came in to settle me down for the night. As he has always assisted Deb to do the job in the past he knows the drill, and that I am allowed one triple bromide if my back is paining me. I had planned to snatch the bottle from him, but when I asked him for it he said in his singsong voice:

'A sleeping tablet, is it? See you, Sir Toby, the Doctor said you would not be needing one of those things tonight. And that naught is to be done here now without himself giving the word for it.'

I knew then that Helmuth had been at him again, and that it would be no good arguing. All the same I did, because I was so desperate at the thought of what the next few hours might bring. I even pleaded with him; but it was useless. He said he had orders not to talk to me apart from answering simple questions, and he kept his glance averted from my face the whole time, so obviously he still fears that I may ill wish him.

An impulse came to me to cling on to him when he picked up the lamp; but had I done so the odds were that it would have upset or got smashed in the resulting struggle, and we both would have been burned to death. With an effort I checked the impulse and, in a strangled voice, answered his goodnight.

The moon was already up, and the radiance from the band of it on the floor lit the room with a faint misty twilight. It was not enough to see anything distinctly, but as my eyes got accustomed to the greyness I could make out darker patches which I knew to be pieces of furniture. Having nothing else to occupy my mind, I kept staring at them, trying to make out their proper outline, but after a time, instead of solidifying, the black patches seemed to waver, grow larger and assume strange shapes.

That was simply the effect of eyestrain, and I knew that I must be imagining things, which was a bad thing to do at the very beginning of my ordeal. So I took myself to task, shut my eyes, prayed very earnestly for several minutes, then did my damnedest to get to sleep.

Of course, I couldn't. It was utterly hopeless, and how long I continued the attempt I don't know. Anyhow, at length I gave it up, opened my eyes again and lay staring at the ceiling.

It seemed that I remained doing that for an interminable time. At first I could now and then hear distant noises, but gradually they became more infrequent until the house was very quiet. Then, I suppose because I was no longer trying to go to sleep, I dropped off; but only into a light doze.

I was roused from it by a quickening of my heart. I suddenly became conscious that it was hammering in my chest, and that the blood was pulsing more swiftly through my body. Yet my face had gone cold. It was almost as though, while I had been dozing, the temperature of the room had dropped to zero, and that the icy air was congealing into a thin rim of frost on my cheeks, nose and forehead.

Very slowly, knowing yet dreading what I should see, I turned my head and squinted at the floor below the blackout curtain. There was the shadow of the Thing, in the centre panel of the broad moonlit strip.

It was not moving but quite still, as if the beast had pressed itself up against the window and was peering in. I have never seen it still before, and was able to get a better idea of its shape than I had previously. As I see only its shadow simply a black outline without depth it is extremely difficult to visualise the beast itself. I have no means of telling if it has eyes, a beak, a snout, or is a faceless thing like a starfish, only, instead of being flat, having a big round body from which its tentacles, project.

I don't think now, though, that this evil entity can have the form of an octopus, as they have eight tentacles, whereas it has only six. Moreover, an octopus's tentacles come out from under its body, and those of the Thing seem to be joined to it about two thirds of the way up. Then again, an octopus's tentacles are smooth, apart from the suckers on the undersides, whereas the shadow outline of these is always a little blurred, as though they might be covered with hair.

For several minutes the Thing remained as I had first seen it, and might have been a gargoyle carved out of stone, except for the fact that the ball like body undulated slightly, showing that it was really pulsing with horrid life. I, too ,remained dead still, instinctively fearing that if I made the least movement it might provoke it into some form of terrifying activity.

Suddenly my heart seemed to leap up into my throat. Without a flicker of warning it had sprung to life and, with incredible fury, was flailing its limbs against the window, trying to smash its way in.

I clenched my hands until the nails dug into my palms the red marks are still there this afternoon and gritted my teeth. The attack must have lasted well over a quarter of an hour, and every moment I feared that the windowpane would give way under the brute's weight.

At last it stopped its violent thrashing and, instead, began its devil dance to and fro, to and fro, from one windowsill to another, blindly, persistently, seeking some crack or weakness in the barrier which might give it a better chance to break through.

In spite of the intense cold the sweat was pouring off me, and once I caught myself groaning aloud with terror. I prayed and prayed, frantically begging God to intervene and put an end to my torment, but my prayers met with no response.

I forced myself to close my eyes, first while I counted ten, then while I counted twenty; but every second while I had them shut I was terrified that when I opened them I would find that the Horror had got into the room.

Still, I kept at it, as a test of my own willpower, and I managed to get up to thirty-five. Then, when I let out my breath with a gasp and looked again, I saw that the brute had ceased its dancing and was crouching once more in the corner of the centre window. For a while nothing happened, yet I was vaguely conscious that I was becoming subject to a new form of apprehension, although I could not determine what the basis of the fresh fear could be.

Suddenly I knew. The Thing had a will and it was pitting it against mine. It was trying to hypnotise me. ' I have never known any sound to come from it before, and it may be that I imagined this. All I can say is that it seemed to me as if it was making a faint tapping on the window the sort of tapping that the beak of a bird might make against thick plate glass. But the tapping was in a persistent rhythm long, long short, short, short long, long, short, short, short; and those dashes and dots translated themselves in my brain as 'You must let me in. You must let me in.'

I shivered anew with stark horror, but there was no escaping the sounds; or, rather, the refrain that trilled like a clear little silvery voice in my mind. I stuffed my fingers in my ears, but it still came through.

Then the tapping changed to a new morse rhythm, and the silvery voice said to me gently but firmly: 'Tomorrow night, you will tell Taffy to leave the. window open. Tomorrow night, you will tell Taffy to leave the window open.'

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