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Kathy Reichs: Bones Are Forever

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Kathy Reichs Bones Are Forever

Bones Are Forever: краткое содержание, описание и аннотация

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Kathy Reichs, #1 bestselling author and producer of the FOX televison hit is at her brilliant best in a riveting novel featuring forensic anthropologist Tempe Brennan—a story of infanticide, murder, and corruption, set in the high-stakes, high-danger world of diamond mining. A woman calling herself Amy Roberts checks into a Montreal hospital complaining of uncontrolled bleeding. Doctors see evidence of a recent birth, but before they can act, Roberts disappears. Dispatched to the address she gave at the hospital, police discover bloody towels outside in a Dumpster. Fearing the worst, they call Temperance Brennan to investigate. In a run-down apartment Tempe makes a ghastly discovery: the decomposing bodies of three infants. According to the landlord, a woman named Alma Rogers lives there. Then a man shows up looking for Alva Rodriguez. Are Amy Roberts, Alma Rogers, and Alva Rodriguez the same person? Did she kill her own babies? And where is she now? Heading up the investigation is Tempe’s old flame, homicide detective Andrew Ryan. His counterpart from the Royal Canadian Mounted Police is sergeant Ollie Hasty, who happens to have a little history with Tempe himself, which she regrets. This unlikely trio follows the woman’s trail, first to Edmonton and then to Yellowknife, a remote diamond-mining city deep in the Northwest Territories. What they find in Yellowknife is more sinister than they ever could have imagined. Crackling with sexual tension, whip-smart dialogue, and the startling plot twists Reichs delivers so well, is the fifteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” ( ). With the FOX series in its eighth season and her popularity at its broadest ever, Kathy Reichs has reached new heights in suspenseful storytelling.

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Fearing a newborn was at risk, and feeling guilty about failing to follow through promptly on his intention to phone the authorities, Kutchemeshgi again contacted the SQ.

At approximately eleven P.M., Caporal Bédard returned to Roberts’s apartment. The windows were dark, and as before, no one came to the door. This time Bédard took a walk around the exterior of the building. Upon checking a Dumpster in back, he spotted a jumble of bloody towels.

Bédard requested a warrant and called the coroner. When the warrant was issued Monday morning, Hubert called LaManche. Anticipating the possibility of decomposed remains, LaManche called me.

So.

On a beautiful June day, I stood in the bathroom of a seedy third-floor walk-up that hadn’t seen a paintbrush since 1953.

Behind me was a bedroom. A gouged and battered dresser occupied the south wall, one broken leg supported by an inverted frying pan. Its drawers were open and empty. A box spring and mattress sat on the floor, dingy linens surrounding them. A small closet held only hangers and old magazines.

Beyond the bedroom, through folding double doors—the left one hanging at an angle from its track—was a living room furnished in Salvation Army chic. Moth-eaten sofa. Cigarette-scarred coffee table. Ancient TV on a wobbly metal stand. Chrome and Formica table and chairs.

The room’s sole hint of architectural charm came from a shallow bay window facing the street. Below its sill, a built-in tripartite wooden bench ran to the floor.

A shotgun kitchen, entered from the living room, shared a wall with the bedroom. On peeking in earlier, I’d seen round-cornered appliances resembling those from my childhood. The counters were topped with cracked ceramic tile, the grout blackened by years of neglect. The sink was deep and rectangular, the farmhouse style now back in vogue.

A plastic bowl on the linoleum beside the refrigerator held a small amount of water. I wondered vaguely about a pet.

The whole flat measured maybe eight hundred square feet. A cloying odor crammed every inch, fetid and sour, like rotting grapefruit. Most of the stench came from spoiled garbage in a kitchen waste pail. Some came from the bathroom.

A cop was manning the apartment’s only door, open and crisscrossed with orange tape stamped with the SQ logo and the words Accès interdit—Sûreté du Québec . Info-Crime . The cop’s name tag said Tirone.

Tirone was in his early thirties, a strong guy gone to fat with straw-colored hair, iron-gray eyes, and apparently, a sensitive nose. Vicks VapoRub glistened on his upper lip.

LaManche stood beside the bay window talking to Gilles Pomier, an LSJML autopsy technician. Both looked grim and spoke in hushed tones.

I had no need to hear the conversation. As a forensic anthropologist, I’ve worked more death scenes than I care to count. My specialty is decomposed, burned, mummified, dismembered, and skeletal human remains.

I knew others were speeding our way. Service de l’identité judiciaire, Division des scènes de crime, Quebec’s version of CSI. Soon the place would be crawling with specialists intent on recording and collecting every fingerprint, skin cell, blood spatter, and eyelash present in the squalid little flat.

My eyes drifted back to the vanity. Again my gut clenched.

I knew what lay ahead for this baby who might have been. The assault on her person had only begun. She would become a case number, physical evidence to be scrutinized and assessed. Her delicate body would be weighed and measured. Her chest and skull would be entered, her brain and organs extracted and sliced and scoped. Her bones would be tapped for DNA. Her blood and vitreous fluids would be sampled for toxicology screening.

The dead are powerless, but those whose passing is suspected to be the result of wrongdoing by others suffer further indignities. Their deaths go on display as evidence transferred from lab to lab, from desk to desk. Crime scene technicians, forensic experts, police, attorneys, judges, jurors. I know such personal violation is necessary in the pursuit of justice. Still, I hate it. Even as I participate.

At least this victim would be spared the cruelties the criminal justice machine reserves for adult victims—the parading of their lives for public consumption. How much did she drink? What did she wear? Whom did she date? Wouldn’t happen here. This baby girl never had a life to put under the microscope. For her, there would be no first tooth, no junior prom, no questionable bustier.

I flipped a page in my spiral with one angry finger.

Rest easy, little one. I’ll watch over you .

I was jotting a note when an unexpected voice caught my attention. I turned. Through the cockeyed bedroom door, I saw a familiar figure.

Lean and long-legged. Strong jaw. Sandy hair. You get the picture.

For me, it’s a picture with a whole lot of history.

Lieutenant-détective Andrew Ryan, Section de crimes contre la personne, Sûreté du Québec.

Ryan is a homicide cop. Over the years, we’ve spent a lot of time together. In and out of the lab.

The out part was over. Didn’t mean the guy wasn’t still smoking hot.

Ryan had joined LaManche and Pomier.

Jamming my pen into the wire binding, I closed my spiral and walked to the living room.

Pomier greeted me. LaManche raised his hound-dog eyes but said nothing.

“Dr. Brennan.” Ryan was all business. Our MO, even in the good times. Especially in the good times.

“Detective.” I stripped off my gloves.

“So. Temperance.” LaManche is the only person on the planet who uses the formal version of my name. In his starched, proper French, it comes out rhyming with “France.” “How long has this little person been dead?”

LaManche has been a forensic pathologist for over forty years and has no need to query my opinion on postmortem interval. It’s a tactic he employs to make colleagues feel they are his equals. Few are.

“The first wave of flies probably arrived and oviposited within one to three hours of death. Hatching could have begun as early as twelve hours after the eggs were laid.”

“It’s pretty warm in that bathroom,” Pomier said.

“Twenty-nine Celsius. At night it would have been cooler.”

“So the maggots in the eyes, nose, and mouth suggest a minimum PMI of thirteen to fifteen hours.”

“Yes,” I said. “Though some fly species are inactive after dark. An entomologist should determine what types are present and their stage of development.”

Through the open window, I heard a siren wail in the distance.

“Rigor mortis is maximal,” I added, mostly for Ryan’s benefit. The other two knew that. “So that’s consistent.”

Rigor mortis refers to stiffening due to chemical changes in the musculature of a corpse. The condition is transient, beginning at approximately three hours, peaking at approximately twelve hours, and dissipating at approximately seventy-two hours after death.

LaManche nodded glumly, arms folded over his chest. “Placing possible time of death somewhere between six and nine o’clock last night.”

“The mother arrived at the hospital around two-forty yesterday morning,” Ryan said.

For a long moment no one spoke. The implication was too sad. The baby might have lived over fifteen hours after her birth.

Discarded in the cabinet? Without so much as a blanket or towel? Once more I pushed the anger aside.

“I’m finished,” I said to Pomier. “You can bag the body.”

He nodded but didn’t move away.

“Where’s the mother?” I asked Ryan.

“Appears she may have split. Bédard is running down the landlord and canvassing the neighbors.”

Outside, the siren grew louder.

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