The Return of Sir Richard Grenville
Text taken from typescript provided by Glenn Lord. Originally untitled, titled by Lord.
Wings in the Night
Originally appeared in Weird Tales, July 1932. 287.30.2: both instances of “breast-bone” occur at line breaks (see also 292.33.4); 291.15.9: “bird-man” hyphenated at line break 292.33.4: both instances of “breast-bone” occur at line breaks (see also 287.32.2); 301.20.3: “bow-shots” hyphenated at line break; elsewhere (see 297.21.4) “bowshot” is not hyphenated; 306.24.3: comma after “fetishes”; 306.25.1: no comma after “which”; 307.27.11: “mкlйe”; 313.14.1: no hyphens in “four hundred odd”; 320.11.13: “plays”
The Footfalls Within
Originally appeared in Weird Tales, September 1931. 332.2.8: comma after “he”; 332.3.7: “shas”; 344.29.5: “alredy”
The Children of Asshur
Text taken from original typescript, provided by Glenn Lord. Originally untitled, titled by Lord. 350.1.4: no hyphen in “deep toned”; 350.11.7: “set”; 350.14.8: comma after “clear”; 350.15.9: comma after “truth”; 350.20.1: “wantoness”; 350.28.6: no hyphen in “sharp pointed”; 250.30.1: no comma after “witch-man”; 351.9.7: comma after “that”; 351.14.9: comma after “sanity”; 351.15.3: “no”; 351.18.8: “strikingly”; 351.30.5: “make-shift”; 352.7.4: comma after “column”; 352.14.1: comma after “twilight”; 352.14.8: “grassgrown” as one word; 352.22.11-12: comma after “tree” rather than “and”; 352.31.9: comma after “hand”; 352.32.8: “grass-land”; 353.6.3: comma after “tails”; 353.21.6: comma after “plain”; 354.1.7: “excellence”; 354.3.9: “consumate”; 354.10.6: no hyphen in “boulder strewn”; 354.15.3: “halluciation”; 354.28.3: comma after “expanses”; 355.12.2: comma after “eyes”; 355.15.1: “hard-wood”; 355.25.9: comma after shield; 355.26.1: no comma after “and”; 356.7.1: no comma after “Maddened”; 356.11.2: no comma after “close-locked”; 357.3.12: comma after “sky”; 357.6.8: “similiar”; 358.12.8: “back-ground”; 358.24.6: “high-priest”; 359.3.10: “illusive”; 359.13.7: “accolytes”; 359.18.2-3: comma after “him” rather than “and”; 359.21.3: comma after “galleries”; 359.23.9: “similiarly”; 359.25.5: “could” omitted; 360.3.2: “than” repeated; 360.13.3: no hyphen in “flat roofed”; 360.20.7: “repellant”; 360.24.4: “toweres”; 360.29.2: “far”; 361.3.2: no hyphen in “well tinted”; 361.5.9: “powerfully”; 361.17.2: “lion”; 361.28.3: “devisions”; 362.17.4: “Kane's”; 362.21.4: no apostrophe in “slayers”; 362.22.2: “loosly”; 362.27.9: “impacable”; 363.19.6: “accolytes”; 363.25.8: “nitches”; 363.32.7: comma after “chariots”; 364.7.2: “and”; 364.13.9: comma after “him”; 364.17.9: comma after “apparel”; 364.29.1: “beard”; 365.4.5: comma after “space”; 365.11.3: “fire-light”; 365.15.4: no comma after “another”; 365.18.3: “langurously”; 365.21.5: comma after “garments”; 366.2.4: “gang”; 366.13.9: “fire-light”; 366.17.5: no hyphen in “half veiling”; 366.21.1: “concious”; 367.2.11: comma after “galleries”; 367.12.6: no hyphen in “market place” (two words); 367.14.2: “fore-shortened”; 367.33.6: “fire-light”; 368.1.9: “eye-balls”; 368.2.6: “spear-men”; 368.4.3-4: comma after “captive,” “many” lower-case; 368.7.7: “dumfounded”; 368.12.7-8: comma after “understood,” “you” lower-case; 368.13.2: “mouth-piece”; 368.22.1-2: comma after “Sula,” “it” lower-case; 368.26.1: “sentance”; 368.28.4: “mouth-piece”; 369.6.9: period rather than question mark after “themselves”; 369.18-19: in the typescript, which is double-spaced, the phrase “in such a raid Sula was captured” is inserted between lines which begin “raids on the Ninnites” and “often did they venture” – it is flush with the left margin, and no indication is given as to where in the text it was to be inserted; 369.28.1: “by-word”; 370.23.4: no comma after “Kaldii”; 371.11.6: “high-priest”; 371.31.4-5: comma after “exclaimed,” “they” lower-case; 372.16.2: “devided”; 372.16.5: “devisions”; 372.32.9: “numbered” omitted; 373.1.5: “statue”; 373.2.7: “war-fare”; 373.8.6: No accent in “Crecy”; 373.28.1-2: comma after “barrage” rather than “and”; 373.30.6: comma after “wings”; 374.15.1: no hyphen in “blood lust”; 375.5.5: “it” omitted; 375.30.3: “face” omitted; 375.31.4: “temple-guards”; 376.14.8: comma after “slaves”; 376.20.5: “house-tops”; 376.24.9: comma after “him”; 376.26.4: comma after “inhabitants”; 378.1.2: “him”; 378.2.11: comma after “hands”; 378.10.1: no comma after “guards”; 378.19.9: “curtesty”
Solomon Kane's Homecoming
Originally appeared in Fanciful Tales, volume 1, number 1, Fall 1936. 381.7.9: period after “life”; 382.10.6: no period after “tears”; 383.7.3: “bave”; 383.12.4: comma after “place”; 383.18.2: “huonds”
Solomon Kane's Homecoming (Variant)
Text taken from typescript, provided by Glenn Lord. The typescript is in four-line stanzas; we have divided the lines. 387.22.1: “Sat” capitalized; 387.24.1: “By” capitalized; 388.4.5: closing quotation mark after “away.”; 388.5.3: comma rather than question mark after “Bess”; 388.11.4: “church-yard”; 388.13.7: “window-pane”; 389.13.1: no hyphen in “Adown”; 389.18.7: no comma after “bright”; 389.23.6: no comma after “again”
The fully illustrated Robert E. Howard Library for Del Rey Books
The Coming of Conan the Cimmerian
The Savage Tales of Solomon Kane
The Bloody Crown of Conan*
Bran Mak Morn: The Last King*
The Conquering Sword of Conan*
*forthcoming
PRAISE FOR ROBERT E. HOWARD
“At his best, Howard was the Thomas Wolfe of fantasy.”
– STEPHEN KING
“Howard was a true storyteller – one of first, and certainly among the best, you'll find in heroic fantasy. If you've never read him before, you're in for a real treat.”
– CHARLES DE LINT
Award-winning author of
Forests of the Heart andThe Onion Girl
“I adore these books. Howard had a gritty, vibrant style – broadsword writing that cut its way to the heart, with heroes who are truly larger than life. It must be thirty years since I last read Howard, but there are moments from his stories that are as fresh in my mind as if I'd read them yesterday. I heartily recommend them to anyone who loves fantasy.”
– DAVID GEMMELL
Author of Legend and White Wolf
“The voice of Robert E. Howard still resonates after decades with readers – equal parts ringing steel, thunderous horse hooves, and spattered blood. Far from being a stereotype, his creation of Conan is the high heroic adventurer. His raw muscle and sinews, boiling temper, and lusty laughs are the gauge by which all modern heroes must be measured.”
– ERIC NYLUND
Author of Halo: The Fall of Reach
“Howard honestly believed the basic truth of the stories he was telling. It's as if he'd said, ‘This is how life was really lived in those former savage times!'”
– DAVID DRAKE
Author of Grimmer Than Hell and Dogs of War
“That teller of marvellous tales, Robert Howard, did indeed create a giant [Conan] in whose shadow other ‘hero tales' must stand.”
– JOHN JAKES
New York Times bestselling author
of the North and South trilogy
“Most of the fantasy of the past thirty-five years has two main wellsprings: J.R.R. Tolkien and Robert E. Howard. Tolkien himself, who had little use for most contemporary fantasists, rather liked the Conan tales. For headlong, nonstop adventure and for vivid, even florid, scenery, no one even comes close to Howard. If you want a rip-roaring good time, this is the place to start.”
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