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Robert Howard: The Savage Tales of Solomon Kane

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Robert Howard The Savage Tales of Solomon Kane

The Savage Tales of Solomon Kane: краткое содержание, описание и аннотация

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With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century—he also launched a genre that came to be known as sword and sorcery. But Conan wasn’t the first archetypal adventurer to spring from Howard’s fertile imagination.  *“He was . . . a strange blending of Puritan and Cavalier, with a touch of the ancient philosopher, and more than a touch of the pagan. . . . A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things. . . . Wayward and restless as the wind, he was consistent in only one respect—he was true to his ideals of justice and right. Such was Solomon Kane.” *Collected in this volume, lavishly illustrated by award-winning artist Gary Gianni, are all of the stories and poems that make up the thrilling saga of the dour and deadly Puritan, Solomon Kane. Together they constitute a sprawling epic of weird fantasy adventure that stretches from sixteenth-century England to remote African jungles where no white man has set foot. Here are shudder-inducing tales of vengeful ghosts and bloodthirsty demons, of dark sorceries wielded by evil men and women, all opposed by a grim avenger armed with a fanatic’s faith and a warrior’s savage heart. *This edition also features exclusive story fragments, a biography of Howard by scholar Rusty Burke, and “In Memoriam,” H. P. Lovecraft’s moving tribute to his friend and fellow literary genius.

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The road was dim from disuse but was clearly defined. Kane went swiftly but warily, sword and pistols at hand. Stars blinked out and night winds whispered among the grass like weeping specters. The moon began to rise, lean and haggard, like a skull among the stars.

Then suddenly Kane stopped short. From somewhere in front of him sounded a strange and eery echo – or something like an echo. Again, this time louder. Kane started forward again. Were his senses deceiving him? No!

Far out, there pealed a whisper of frightful laughter. And again, closer this time. No human being ever laughed like that – there was no mirth in it, only hatred and horror and soul-destroying terror. Kane halted. He was not afraid, but for the second he was almost unnerved. Then, stabbing through that awesome laughter, came the sound of a scream that was undoubtedly human. Kane started forward, increasing his gait. He cursed the illusive lights and flickering shadows which veiled the moor in the rising moon and made accurate sight impossible. The laughter continued, growing louder, as did the screams. Then sounded faintly the drum of frantic human feet. Kane broke into a run.

Some human was being hunted to his death out there on the fen, and by what manner of horror God alone knew. The sound of the flying feet halted abruptly and the screaming rose unbearably, mingled with other sounds unnamable and hideous. Evidently the man had been overtaken, and Kane, his flesh crawling, visualized some ghastly fiend of the darkness crouching on the back of its victim – crouching and tearing.

Then the noise of a terrible and short struggle came clearly through the abysmal silence of the fen and the footfalls began again, but stumbling and uneven. The screaming continued, but with a gasping gurgle. The sweat stood cold on Kane's forehead and body. This was heaping horror on horror in an intolerable manner.

God, for a moment's clear light! The frightful drama was being enacted within a very short distance of him, to judge by the ease with which the sounds reached him. But this hellish half-light veiled all in shifting shadows, so that the moors appeared a haze of blurred illusions, and stunted trees and bushes seemed like giants.

Kane shouted, striving to increase the speed of his advance. The shrieks of the unknown broke into a hideous shrill squealing; again there was the sound of a struggle, and then from the shadows of the tall grass a thing came reeling – a thing that had once been a man – a gore-covered, frightful thing that fell at Kane's feet and writhed and groveled and raised its terrible face to the rising moon, and gibbered and yammered, and fell down again and died in its own blood.

The moon was up now and the light was better. Kane bent above the body, which lay stark in its unnamable mutilation, and he shuddered – a rare thing for him, who had seen the deeds of the Spanish Inquisition and the witch-finders.

Some wayfarer, he supposed. Then like a hand of ice on his spine he was aware that he was not alone. He looked up, his cold eyes piercing the shadows whence the dead man had staggered. He saw nothing, but he knew – he felt – that other eyes gave back his stare, terrible eyes not of this earth. He straightened and drew a pistol, waiting. The moonlight spread like a lake of pale blood over the moor, and trees and grasses took on their proper sizes.

The shadows melted, and Kane saw! At first he thought it only a shadow of mist, a wisp of moor fog that swayed in the tall grass before him. He gazed. More illusion, he thought. Then the thing began to take on shape, vague and indistinct. Two hideous eyes flamed at him – eyes which held all the stark horror which has been the heritage of man since the fearful dawn ages – eyes frightful and insane, with an insanity transcending earthly insanity. The form of the thing was misty and vague, a brain-shattering travesty on the human form, like, yet horridly unlike. The grass and bushes beyond showed clearly through it.

Kane felt the blood pound in his temples, yet he was as cold as ice. How such an unstable being as that which wavered before him could harm a man in a physical way was more than he could understand, yet the red horror at his feet gave mute testimony that the fiend could act with terrible material effect.

Of one thing Kane was sure: there would be no hunting of him across the dreary moors, no screaming and fleeing to be dragged down again and again. If he must die he would die in his tracks, his wounds in front.

Now a vague and grisly mouth gaped wide and the demoniac laughter again shrieked out, soul-shaking in its nearness. And in the midst of that threat of doom, Kane deliberately leveled his long pistol and fired. A maniacal yell of rage and mockery answered the report, and the thing came at him like a flying sheet of smoke, long shadowy arms stretched to drag him down.

Kane, moving with the dynamic speed of a famished wolf, fired the second pistol with as little effect, snatched his long rapier from its sheath and thrust into the center of the misty attacker. The blade sang as it passed clear through, encountering no solid resistance, and Kane felt icy fingers grip his limbs, bestial talons tear his garments and the skin beneath.

He dropped the useless sword and sought to grapple with his foe. It was like fighting a floating mist, a flying shadow armed with daggerlike claws. His savage blows met empty air, his leanly mighty arms, in whose grasp strong men had died, swept nothingness and clutched emptiness. Naught was solid or real save the flaying, apelike fingers with their crooked talons, and the crazy eyes which burned into the shuddering depths of his soul.

Kane realized that he was in a desperate plight indeed. Already his garments hung in tatters and he bled from a score of deep wounds. But he never flinched, and the thought of flight never entered his mind. He had never fled from a single foe, and had the thought occurred to him he would have flushed with shame.

He saw no help for it now, but that his form should lie there beside the fragments of the other victim, but the thought held no terrors for him. His only wish was to give as good an account of himself as possible before the end came, and if he could, to inflict some damage on his unearthly foe.

There above the dead man's torn body, man fought with demon under the pale light of the rising moon, with all the advantages with the demon, save one. And that one was enough to overcome all the others. For if abstract hate may bring into material substance a ghostly thing, may not courage, equally abstract, form a concrete weapon to combat that ghost?

Kane fought with his arms and his feet and his hands, and he was aware at last that the ghost began to give back before him, that the fearful laughter changed to screams of baffled fury. For man's only weapon is courage that flinches not from the gates of Hell itself, and against such not even the legions of Hell can stand.

Of this Kane knew nothing; he only knew that the talons which tore and rended him seemed to grow weaker and wavering, that a wild light grew and grew in the horrible eyes. And reeling and gasping, he rushed in, grappled the thing at last and threw it, and as they tumbled about on the moor and it writhed and lapped his limbs like a serpent of smoke, his flesh crawled and his hair stood on end, for he began to understand its gibbering.

He did not hear and comprehend as a man hears and comprehends the speech of a man, but the frightful secrets it imparted in whisperings and yammerings and screaming silences sank fingers of ice and flame into his soul, and he knew.

II

The hut of old Ezra the miser stood by the road in the midst of the swamp, half screened by the sullen trees which grew about it. The walls were rotting, the roof crumbling, and great, pallid and green fungus-monsters clung to it and writhed about the doors and windows, as if seeking to peer within. The trees leaned above it and their gray branches intertwined so that it crouched in the semi-darkness like a monstrous dwarf over whose shoulder ogres leer.

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