Jack Whyte - The Singing Sword

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The Singing Sword: краткое содержание, описание и аннотация

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From Publishers Weekly
A sequel to The Skystone, this rousing tale continues Whyte's nuts-and-bolts, nitty gritty, dirt-beneath-the-nails version of the rise of Arthurian "Camulod" and the beginning of Britain as a distinct entity. In this second installment of the Camulod Chronicles, Whyte focuses even more strongly on a sense of place, carefully setting his characters into their historical landscape, making this series more realistic and believable than nearly any other Arthurian epic. As the novel progresses, and the Roman Empire continues to decay, the colony of Camulod flourishes. But the lives of the colony's main characters, Gaius Publius Varrus?ironsmith, innovator and soldier?and his brother-in-law, former Roman Senator Caius Britannicus, are not trouble-free, especially when their most bitter enemy, Claudius Seneca, reappears. Through these men's journals, the novel focuses on Camulod's pains and joys, including the moral and ethical dilemmas the community faces, the joining together of the Celtic and Briton bloodlines and the births of Uther Pendragon and Caius Merlyn Britannicus. Whyte provides rich detail about the forging of superior weaponry, the breeding of horses, the training of cavalrymen, the growth of a lawmaking body within the community and the origins of the Round Table. It all adds up to a top-notch Arthurian tale forged to a sharp edge in the fires of historical realism.

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"What's the matter?" Plautus was almost sick with worry. "What's wrong with it?"

I raised my hand to soothe him and spoke quietly. "Nothing is wrong with it. It looks exactly right."

Plautus let go his breath in a long rush and slumped down, too, onto a bench. "Thank God! I thought for a moment there you'd fouled it up again!"

We sat in silence for a time, staring at the hilt. It was dusty, covered with a waxy film, and tiny knobs of metal projected from it in a number of places where the molten metal had filled the air holes in the mould. These I would file off in a few minutes, once I had recaptured my breath completely. I was beginning to feel a mighty exaltation. The gold cockle-shell of the pommel was perfect, as was the junction where the second pour, the gold, had knitted to the bronze of the first pour.

"Now what, Publius?"

I smiled at him again, feeling weary and yet triumphant. "Now I clean it, polish it and add the shark-skin grip."

"How long will that take?"

I shrugged. "An hour, perhaps less, to clean it and polish it. A day to add the grip, I would guess."

"May I hold it?"

I shook my head. "No, not yet. It's not ready yet. Give me an hour to clean it, then you can hold it."

"May I watch while you clean it?"

I laughed at his little-boy eagerness, but I was pleased. "You can watch." I reached for a small file on the bench.

Less than an hour later the job was done and the effect was breath-taking. The golden cockle-shell pommel was superb, every line cleanly etched, and the Celtic scrollwork on the thick cross-guard was crystalline in its purity. I had avoided grasping the hilt in all this time, and I had not used the file on the gritty texture of the hand-grip itself. As I applied one final flourish with the polishing cloth, Plautus was fiddling with the shark-skin square.

"You know," he said, "I don't want to sound critical, but this stuff is almost as silver as the blade, and the pommel's gold. Your cross-guard is going to look dull by comparison. It's just plain bronze. Had you thought about that?"

"I've thought about it." I stood up and eased a kink out of my back. "I'm going to coat the cross-guard with silver leaf."

"With what?"

I pointed to a box close by his hand. "Sheet silver, beaten so fine that it's almost weightless and transparent. There's some in that box there."

While he was looking at the silver leaf, I released the sword from the clamps that held it and closed my fist firmly around the hilt for the first time. "Now!" I swung it into the air and my heart almost broke with joy to feel the beauty of it in my hand. All the worry, all the fears, had been for nothing. Our agonizing calculations of the weight and balance had been accurate. Now I was holding perfection!

"Excalibur," I said.

"What?"

"Excalibur. That's its name. That's what I've called the sword. That's what it is."

Plautus blinked at me. "Excalibur? I must be stupid. I've never heard it before."

"No, Plautus," I said, "you're not stupid. It's never been said before. Calibur — qalibr — is the north African desert people's word for a mould. This came out of a mould... Excalibur." I handed it to him. "Don't touch the edges, if you want to keep your fingers." Minutely graduated lines rippled like water-marks along each side of the long blade, flowing outward from the thick central spine to edges sharper than any I had ever known, reflecting the light in their patterns and showing where the metal had been folded upon itself and beaten times without number during the tempering process.

He grasped the hilt and swung the sword and his eyes grew wide. "My God! What a weapon! Excalibur." He swung again and ended up with the point towards the open door just as Andros appeared in the opening.

Andros crouched in the doorway, squinting with sun-dazzled eyes into the blackness of the smithy. "Publius? Are you in there? Picus is home."

"Picus?" I swung to Plautus in pleased surprise. "He's here? That's wonderful! Have you seen him?"

Andros had come into the forge now and he was gazing at the sword in Plautus's hand as his eyes adjusted to the darkness. "You opened it! Did it work? Is it right?"

Plautus held the sword out to him. "It's perfect," I said. "We have made a masterwork, you and Equus and I. Where is Equus, by the way? And when did Picus arrive?"

He was gazing at the hilt from a distance of about a handsbreadth, peering closely at the details of the scrollwork and the cockle-shell as he answered me. "Equus is up on the hill at the other forge. I was there with him for a while, working on some drawings he has need of." His voice was barely audible, so intent was he on examining the hilt.

"And Picus? When did he come?"

"Hmmm? Oh, Picus. Just now," he muttered. "I saw his big standard above the hedge along the lane, headed to the villa."

"You mean just now? This very minute?"

He threw me an uncharacteristically impatient glance, irritated at being distracted from his examination. "Yes, that's what I said — just now, two minutes ago. I saw him just as I turned in through the gate to come here."

"How does he look?"

He frowned slightly, still peering at the gold cockleshell. "I don't know. I didn't really see Picus, just his standard, above the hedge. I told you that."

"So you did. I'm sorry. I'm distracting you from your triumph. What do you think of it?"

"It looks good. Very good. I'm pleased. Does it work?" He reversed his grip and held the sword properly, looking around him as though searching for something to test it on. The look on his face made me apprehensive.

"Andros, have you ever swung a sword before?"

He threw me a preoccupied look. "No, I haven't. What difference does that make? I've never made a successful mould before, either." He walked quickly across to an anvil and slapped the flat of the sword against the tongue of it. The sound of the impact rang as clearly as the note of a bird. I looked at Plautus and shrugged my shoulders in bewilderment as Andros looked around again and fastened his eyes on my work-bench. He stepped determinedly to the side of the bench, whacked the sword blade against one of the legs, whipped the blade upright and pressed the end of the pommel to the table-top. The effect was magical. The whole room suddenly reverberated with a deep, musical hum that emanated from the sword itself. Plautus actually blessed himself with the sign of the cross and I raised my own hands to my ears, so intense was the sound. Gradually, over a lengthy period of time, it lessened and faded away entirely. The silence stretched and stretched.

"What was that?" I asked Andros.

He smiled his familiar, modest smile. "I don't know what it was, Publius, but I remember hearing somewhere, a long time ago, that the old smiths used to test their iron blades that way. The better the quality of the metal, the purer the sound it would produce when you did that."

"I've never heard of that," I said. "Let me try it." I did what he had done and again the vibrant, clean note filled the smithy. "That is astonishing. What do you think, Plautus?"

Plautus merely shook his head, his eyes on the sword. "Excalibur," he said. "The singing sword. I've never seen or heard of anything to match it."

I swung it, hissing, around my head. "There never has been anything to match it, that's why! Come on, let's go and show it to Caius and Picus, and to Equus. He is going to be angry to have missed its emergence from the womb."

We walked out into the sunlight, squinting against its brightness, and as I went I swung Excalibur from side to side, revelling in the apparent weightlessness of it. As we entered the lane leading to the main courtyard of the villa, I swung at a young sapling growing in the hedgerow and sheared through it completely without effort. I was wiping the sap from the blade with the hem of my tunic when I heard Plautus say, "That's peculiar!" Something in his tone alerted me even before he gripped me by the elbow, pulling me to a halt.

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