Jack Whyte - The Sorcer part 1 - The Fort at River's Bend

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The Fort at River's Bend is a novel published by Jack Whyte, a Canadian novelist in 1999. Originally part of a single book, The Sorcerer, it was split for publishing purposes. The book encompasses the beginning of Arthur's education at a long abandoned Roman fort, where he is taught most of the skills needed to rule, and fight for, the people of Britain. The novel is part of The Comulud Chronicles, a series of books which devise the context in which the Arthurian legend could have been placed had it been historically founded.
From Publishers Weekly
Fearing for the life of his nephew, eight-year-old Arthur Pendragon, after an assassination attempt in their beloved Camulod, Caius Merlyn Brittanicus uproots the boy and sails with an intimate group of friends and warriors to Ravenglass, seeking sanctuary from King Derek. Though Ravenglass is supposed to be a peaceful port, danger continues to threaten and it is only through the quick thinking of the sharp-tongued, knife-wielding sorceress Shelagh that catastrophe and slaughter are averted. Derek, who now realizes the value of the allegiances Merlyn's party bring to his land, offers the Camulodians the use of an abandoned Roman fort that is easily defensible. The bulk of the novel involves the growth of Arthur from boyhood to adolescence at the fort. There he is taught the arts of being a soldier and a ruler, and magnificent training swords are forged in Excalibur's pattern from the metals of the Skystone. While danger still lurks around every corner, this is a peaceful time for Britain, so this installment of the saga (The Saxon Shore, etc.) focuses primarily on the military skills Arthur masters, as well as on the building and refurbishing of an old Roman fort. Whyte has again written a historical fiction filled with vibrant detail. Young Arthur is less absorbing a character than many of the others presented (being seemingly too saintly and prescient for his or any other world), but readers will revel in the impressively researched facts and in how Whyte makes the period come alive.

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"It will rain tonight," I said.

He looked up at the lowering clouds and grunted, his lack of interest apparent in his next question. "Cay, will you take me some day to see Stonehenge?"

"Stonehenge? Yes, of course, if you want me to. What made you think of that?"

"I was thinking of the lichen Grandfather Varrus noticed on the standing stones, the day he first waited with Great-uncle Caius to meet my Grandfather Ullic. It was a cloudy day then, too, like today. I was thinking, too, about knowledge and its power. When I first read that tale, I didn't know what lichen was, and so I asked Lucanus and he showed me some. I'd seen it before, but I'd thought it was just dirt and grime and that the colours in the patches were accidental. Lucanus told me lichen are living plants, just like moss. Today I see lichen everywhere. But if Grandfather Varrus had not written those words, I would never have known."

He half turned and squinted up at me, something else on his mind. "Grandfather Varrus had his books, and your Grandfather Britannicus had his, and I know you have writings set down by your father, my Uncle Picus. I've read all of them and I've learned much from them, but all of them have left me feeling ... I don't know what the correct word is ... incomplete? I feel as though I am still learning, still being exposed to the thoughts of my elders, and you are my most recent elder. Will you write down your thoughts some day?"

I found myself wanting to grin, self-conscious, yet amused and flattered. "I don't know, Arthur. I had not thought that far ahead. I have the task of caring for the books now, but I hadn't thought of adding to them. I haven't had time, to tell the truth. Of what should I write?"

"Of your life! About Camulod, and Ravenglass, and. Eire. And of my father Uther, and Cornwall. If no one had written down the early tale of how the Colony was founded, none of us would remember. This is an important task, Cay. Someday I will write my life's tale down, for my own sons and grandsons, just as Grandfather did." -

I grinned at him and squeezed the back of his neck, feeling the hard column of young muscle. "Should you live so long," I teased him, "I'll keep you mindful of that promise."

Ah, the dreadful things we say in jest!

There was one more item contained in those chests that was not maleficent, and I found it the following day. I mention it now because, insignificant and quaint as it seemed at the time, it yet became one of the two most powerful items contained in that evil collection.

I found it at the very bottom of the second chest, carefully wrapped in soft and supple, beautifully tanned leather. On first opening it, handling the package with great care, I regarded it with sheer horror, unable to bring myself to touch it. It was a human face, eyeless, but miraculously preserved and complete with full head and facial hair, and my flesh crawled at the visualization of how it had been achieved. It had apparently been removed intact from a living skull, then treated somehow, to maintain the colour and the texture of the skin, and lovingly wrapped in the leather covering.

Only after I had stared at it aghast for several endless moments did I begin to discern that it was not what I had taken it to be, and even then it took me a long time to gather up the strength I needed to be able to reach out and touch the thing. As soon as I did touch it, however, my fingertips informed my still-doubting mind that they were touching wax of some strange kind. It was a mask, and it was made up of two parts, but it was unlike any mask I had ever known.

The hair was real enough, but it had been applied with great artifice to a foundation of the finest, open-weave cloth, which I soon recognized as a precious, diaphanous stuff from Asia Minor much prized by my Aunt Luceiia. The mask itself had been made up of many tiny layers of this delicate material, obviously laid over a real human face and coated, piece by piece, with some kind of glue or fine paste. I could clearly see the outlines of the integrated parts when I held the thing with its back towards a bright light. Then, once the outlines of the face had been achieved, the outer surface had been coated with some kind of pliable yet hardened wax, and the magician who constructed the wonder had shaped and painted the outer coating to resemble life itself.

The upper piece fitted over the eyes and nose, completely covering the wearer's own features, and the attached wig, of long, coarse, dark-brown hair sown into a soft, thin cap of the same material as the mask itself, fell in ringlets to cover the wearer's own hair entirely. The upper edges of the eye holes were covered by thick, fierce brows, but the lower edges were so thin as to be almost insubstantial, fitting against the lower lids and sagging downwards into deep, utterly realistic bags of seeming flesh on either side of a thick, jutting, pock-marked nose. From visible pores in the skin of the cheeks, just below the pouches beneath the eyes, the hairs of a long, unkempt beard sprouted wildly, blending into a long, dark-stained moustache.

The second, lower part was similarly made, but fully bearded, fitting the bottom part of the face from just beneath the ears and covering the jaws and chin, ending just beneath the wearer's lips. I realized immediately that this part would have to be applied first, and the upper part must fit over it. I also realized that, wondrous as it was, the mask would be usable only by the person for whom it had been made, or by someone who very closely resembled him, facially. It was unyielding in its main structure, made to fit only the cheekbones on which it had been moulded. And naturally, having discovered that, I held it up to my own face.

Expecting to feel the hard edges of ridges that would not conform to my own bone structure, I felt instead a tenuous, quite unidentifiable comfort, which quickly flared into a surge of something approaching superstitious terror as I realized the thing had snugged completely and alarmingly onto the contours of my face, coating my features like a second, cool and omnipresent skin. It fit me perfectly, and on realizing that, I instinctively released my grip on the thing so that it should have fallen. Instead, it remained in place, its fabric warming to the feel of my own skin and nestling so thoroughly against it that the mask felt weightless and insubstantial.

The awareness of how unlikely such a fit must be set my heart hammering and raised the small hairs on my neck. My mind threw up a score of reasons for the impossibility of such a thing. How could this possibly have occurred? Of the hundreds of men I knew, none other, save my brother Ambrose, could have matched the facial contours of this mask so perfectly. Whose mask had it been? I knew immediately it could have belonged originally to neither Caspar nor Memnon, the two warlocks. Their faces had both been utterly different from mine and from this mask. Memnon was facially disfigured, with grossly protuberant eyes on different levels. My memory seemed to indicate that Caspar might, possibly, have been able to wear it. But it had not been made for Caspar's face. His cheeks had been too flat, his nose too long, his eyebrows too prominent and his chin too regressive. Whose face, then, could have been the model for its creation, and why should I, of all men, end up in possession of the thing? Did it possess some frightful portent? Had some god arranged for it to fall into my hands? Or might God Himself have meant me to possess it for some purpose of His own? It fit me perfectly, defying all the odds of probability, and the knowledge of that shook me to my depths, so that, flaring with excitement, I went searching for a mirror for the first time in my life.

I quickly found that the mask would not stay in place indefinitely without the pressure of my hand, and once I had accepted that I went back to the source—the tray in the chest—looking for whatever means Caspar had used to keep the thing in place on his face. There, in the bottom of the tray, I found a tiny flask of liquid that was astoundingly adhesive, sticking my fingertips together instantly, yet not so firmly that I could not pull them apart with a degree of ease. I also found several small, round boxes of waxed papyrus that contained pastes of varying colours, clearly cosmetics intended for use in the final preparation of the disguise.

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