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Anne Rice: The Master of Rampling Gate

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Anne Rice The Master of Rampling Gate

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Set in the gasslit streets of 1888 London and the wild moors of the countryside beyond, The Master of Rampling Gate tells the story of Julie, a young woman who becomes obsessed with the house her father swore her and her brother to tear down upon his death. Julie can't imagine what lies in wait at Rampling Gate, a spirit that haunted her father for years and now yearns for her flesh. The Master of Rampling Gate is a sublime love story in which Julie struggles to choose between the world of reason and rationality and the dark promises of a creature she is almost helpless to resist.

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But was there in this loveliness some malignant force that was eluding us still, some untold story?

Unspeakable horror … Even in the flood of brilliant sunlight, those words gave me a chill.

As I came slowly up the slope I saw Richard walking lazily along the uneven shore of the lake. Now and then he glanced up at the distant battlements, his expression dreamy, almost blissfully contented.

Rampling Gate had him. And I understood perfectly because it also had me.

With a new sense of determination I went to him and placed my hand gently on his arm.

For a moment he looked at me as if he did not even know me, and then he said softly, "How will I ever do it, Julie? And one way or the other, it will be on my conscience all my life."

"It's time to seek advice, Richard," I said. "Write to our lawyers in London. Write to Father's clergyman, Doctor Matthews. Explain everything. We cannot do this alone."

It was three o'clock in the morning when I opened my eyes. But I had been awake for a long time. And I felt not fear, lying there alone, but something else — some vague and relentless agitation, some sense of emptiness and need that caused me finally to rise from my bed. What was this house, really? A place, or merely a state of mind? What was it doing to my soul?

I felt overwhelmed, yet shut out of some great and dazzling secret. Driven by an unbearable restlessness, I pulled on my woollen wrapper and my slippers and went into the hall.

The moonlight fell full on the oak stairway, and the vestibule far below. Maybe I could write of the confusion I suffered now, put on paper the inexplicable longing I felt. Certainly it was worth the effort, and I made my way soundlessly down the steps.

The great hall gaped before me, the moonlight here and there touching upon a pair of crossed swords or a mounted shield. But far beyond, in the alcove just outside the library, I saw the uneven glow of the fire.

So Richard was there. A sense of well-being pervaded me and quieted me. At the same time, the distance between us seemed endless and I became desperate to cross it, hurrying past the long supper table and finally into the alcove before the library doors.

The fire blazed beneath the stone mantelpiece and a figure sat in the leather chair before it, bent over a loose collection of pages that he held in his slender hands. He was reading the pages eagerly, and the fire suffused his face with a warm, golden light.

But it was not Richard. It was the same young man I had seen on the train in Victoria Station fifteen years ago. And not a single aspect of that taut young face had changed. There was the very same hair, thick and lustrous and only carelessly combed as it hung to the collar of his black coat, and those dark eyes that looked up suddenly and fixed me with a most curious expression as I almost screamed.

We stared at each other across that shadowy room, I stranded in the doorway, he visibly and undeniably shaken that I had caught him unawares. My heart stopped.

And in a split second he rose and moved towards me, closing the gap between us, reaching out with those slender white hands.

"Julie!" he whispered, in a voice so low that it seemed my own thoughts were speaking to me. But this was no dream. He was holding me and the scream had broken loose from me, deafening, uncontrollable and echoing from the four walls.

I was alone. Clutching at the door frame, I staggered forward, and then in a moment of perfect clarity I saw the young stranger again, saw him standing in the open door to the garden, looking back over his shoulder; then he was gone.

I could not stop screaming. I could not stop even as I heard Richard's voice calling me, heard his feet pound down that broad, hollow staircase and through the great hall. I could not stop even as he shook me, pleaded with me, settled me in a chair.

Finally I managed to describe what I had seen.

"But you know who it was!" I said almost hysterically. "It was he — the young man from the train!"

"Now, wait," Richard said. "He had his back to the fire, Julie. And you could not see his face clearly —"

"Richard, it was he! Don't you understand? He touched me. He called me Julie," I whispered. "Good God, Richard, look at the fire. I didn't light it — he did. He was here!"

All but pushing Richard out of the way, I went to the heap of papers that lay strewn on the carpet before the hearth. "My story…" I whispered, snatching up the pages. "He's been reading my story, Richard.

And — dear God — he's read your letters, the letters to Mr Partridge and Dr Matthews, about tearing down the house!"

"Surely you don't believe it was the same man, Julie, after all these years… ?"

"But he has not changed, Richard, not in the smallest detail. There is no mistake, I tell you. It was the very same man!"

The next day was the most trying since we had come. Together we commenced a search of the house.

Darkness found us only half finished, frustrated everywhere by locked doors we could not open and old staircases that were not safe.

And it was also quite clear by suppertime that Richard did not believe I had seen anyone in the study at all. As for the fire — well, he had failed to put it out properly before going to bed; and the pages — well, one of us had put them there and forgotten them, of course…

But I knew what I had seen.

And what obsessed me more than anything else was the gentle countenance of the mysterious man I had glimpsed, the innocent eyes that had fixed on me for one moment before I screamed.

"You would be wise to do one very important thing before you retire," I said crossly. "Leave out a note to the effect that you do not intend to tear down the house."

"Julie, you have created an impossible dilemma," Richard declared, the colour rising in his face. "You insist we reassure this apparition that the house will not be destroyed, when in fact you verify the existence of the very creature that drove our father to say what he did."

"Oh, I wish I had never come here!" I burst out suddenly.

"Then we should go, and decide this matter at home."

"No — that's just it. I could never go without knowing. I could never go on living with knowing now!"

Anger must be an excellent antidote to fear, for surely something worked to alleviate my natural alarm. I did not undress that night, but rather sat in the darkened bedroom, gazing at the small square of diamond-paned window until I heard the house fall quiet. When the grandfather clock in the great hall chimed the hour of eleven, Rampling Gate was, as usual, fast asleep.

I felt a dark exultation as I imagined myself going out of the room and down the stairs. But I knew I should wait one more hour. I should let the night reach its peak. My heart was beating too fast, and dreamily I recollected the face I had seen, the voice that had said my name.

Why did it seem in retrospect so intimate, that we had known each other before, spoken together a thousand times? Was it because he had read my story, those words that came from my very soul?

"Who are you?" I believe I whispered aloud. "Where are you at this moment?" I uttered the word,

"Come."

The door opened without a sound and he was standing there. He was dressed exactly as he had been the night before and his dark eyes were riveted on me with that same obvious curiosity, his mouth just a little slack, like that of a boy.

I sat forward, and he raised his finger as if to reassure me and gave a little nod.

"Ah, it is you!" I whispered.

"Yes," he said in a soft, unobtrusive voice.

"And you are not a spirit!" I looked at his mud-splattered boots, at the faintest smear of dust on that perfect white cheek.

"A spirit?" he asked almost mournfully. "Would that I were that."

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