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Anne Rice: Servant of the Bones

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Anne Rice Servant of the Bones

Servant of the Bones: краткое содержание, описание и аннотация

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In a new and major novel, the creator of fantastic universes o vampires and witches takes us now into the world of Isaiah and Jeremiah, and the destruction of Solomon's Temple, to tell the story of Azriel, Servant of the Bones. He is ghost, genii, demon, angel--pure spirit made visible. He pours his heart out to us as he journeys from an ancient Babylon of royal plottings and religious upheavals to Europe of the Black Death and on to the modern world. There he finds himself, amidst the towers of Manhattan, in confrontation with his own human origins and the dark forces that have sought to condemn him to a life of evil and destruction.

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I killed, yes, but it was not for a cause, but to stop one. It was not for a master, but to stop one. It was not for an idea, but for many ideas. It was not for a solution, but for the slow unfolding mystery around us. It was not for death, death which I wanted above all, the rest, the grandeur of the ultimate election to die. No, what I did was not for that. I did it for life—so that others may struggle for it. I turned my back on the light and then I shot to death the man with the great plan.

Never forget that, Jonathan, when you write the story. I shot Gregory Belkin. I took his life.

Has God made a special place for me? Has he made it easy for me? Did he give me visions and signs? Was my god Marduk a guardian spirit? Or was he and were all the spirits I saw merely dreams of the lonely human heart that endlessly refurbishes heaven?

Perhaps the story is chaos. It is another chapter in the endless saga of the blunted yet stunning accomplishments of vicious human wills, the stunted yet dazzling ambitions of little souls. Mine, Gregory’s…

Perhaps we are all little souls. But remember, I told you I’ve seen these things. And as I turned my back on the Light of Heaven, I committed yet another murder. Death was mixed up in my story from its earliest days.

And I don’t know any more about death finally than any mortal man living knows. Perhaps less than you do.

Part IV

LAMENT Cry not my baby Cry I know a frog ate a white moth The frog did not - фото 5

LAMENT

Cry not, my baby.

Cry.

I know a frog ate a white moth.

The frog did not cry.

That’s why he’s a frog.

The moth did not cry.

Now moth is not.

My baby, cry not. Cry. There is much to do.

I will cry too.

I will cry for you.

Stan Rice, Some Lamb 1975

26

It was morning again, cold and clear and still. He said he had to sleep again, but not before fixing me my breakfast. I ate the hot hominy again, prepared by him, and then we lay down together and slept.

When he awoke he smiled at me, and he said:

“Jonathan, I’m not leaving you here. You’re too sick and you must go home.”

“I know, Azriel,” I said. “I wish I could concern myself with such things, but all I can think about is the story. It’s all there, isn’t it, on the tapes?”

“Yes, in duplicate,” he said with a laugh. “You’ll write it for me when you’re ready, and, Jonathan, if you don’t you will pass it on to someone, won’t you? Now, I think we should get ready and I should drive you home.”

Within the hour we were packed and in the Jeep. He had shut down the fire and all the candles in the cabin. I was running a temperature still, but he’d bundled me up well in the back so I could sleep, and I had the tapes tight in my arms.

He drove fast, fast as a madman, I suppose, but I don’t imagine he put anyone in danger.

Every now and then I’d look up, roll over, and see him in the driver’s seat, see his long thick hair, and he’d turn and give me a smile.

“Sleep, Jonathan.”

When we pulled into the driveway of my house, my wife ran out to greet us. She helped me from the back of the Jeep and my two children came, the young ones who are still at home, and they helped me upstairs to the bedroom.

I was afraid he would go now, forever. But he came with us, walking through the house as if it were the most normal thing in the world.

He kissed my wife’s forehead, he kissed each of my children.

“Your husband couldn’t stay up there. Terrible storm. He got a fever.”

“But how did you find him?” my wife asked.

“I saw the light coming from his chimney. He and I have had pleasant talks together.”

“Where are you going?” I asked him. I was sitting up against a heap of pillows.

“I don’t know,” he said. He came up to the side of the bed. I was covered with two quilts, and the little house, set to my wife’s temperature, seemed intolerably warm, but I was greatly relieved to be home.

“Don’t go, Azriel,” I said.

“Jonathan, I have to. I have to wander. I want to travel and learn. I want to see things. Now that I remember everything, I am in a position to really study, to really comprehend. Without memory there can be no insight. Without love, there can be no appreciation.

“Don’t worry for me. I’m going back to the sands of Iraq to the ruins of Babylon. I have the strangest feeling, that Marduk is there, lost, with no worshipers and no shrine and no temple, and that I can find him. I don’t know. It’s probably a foolish dream. But everyone I ever loved—except you—is dead.”

“What about the Hasidim?”

“I may go to them in time, I don’t know. I’ll see whether it does good or makes fear. I only want to do good now.”

“I owe you my life, and nothing in my life will ever be the same. I’ll write your story,” I told him. “You know what you are now.”

“A son of God?” he asked. He laughed. “I don’t know. I know this. That Zurvan was right, in the end there is one Creator, somewhere beyond the light I saw the truth of this, and only love and goodness matter.

“I don’t ever want to be swallowed by anger or hate again, and I won’t be, no matter how long or hard my journey. If I can just live by that one word it will be enough. Remember? Altashheth. Do Not Destroy. That alone would be enough. Altashheth.”

He leaned down and kissed me.

“When you write my story, don’t be afraid to call me the Servant of the Bones, for that is what I still am, only not the servant of the bones of one doomed boy in Babylon, or some evil magician in a candlelighted room, or a scheming high priest, or a king dreaming of glory.

“I am the Servant of the Bones that lie in the great field that Ezekiel described, the bones of all our human brothers and sisters.”

He spoke the words of Ezekiel in Hebrew, words which the wide world knows as the following from the King James edition:

The hand of the Lord was

upon me, and carried me out

in the spirit of the Lord, and set

me down in the midst of the valley

which was full of bones ,

…and behold ,

there were very many in the open

valley; and, lo , they were very dry .

“Who knows?” he continued. “Maybe some day the breath will come into them? Or perhaps the old prophet meant only that one day all mysteries would be explained, that all bones shall be revered, that all who have lived will know a reason for what we suffer in this world.”

He looked down at me and smiled.

“Perhaps someday,” he said, “the bones of man will yield the DNA of God.”

I could find no answer. I too smiled, however. And I simply let him go on.

“But I must confess, as I leave you, I am dreaming of a time when the division between life and death will be no more and ours will be the eternity we imagine. Goodbye, Jonathan, my gentle friend. I love you.”

That was a year ago.

It was the last time I actually spoke with him.

Three times I’ve seen him since, and two of those times were on the television news.

The first time I saw him was among the medical workers in a cholera epidemic in South America. He was in simple white medical garments, and he was helping to feed the sick children. His hair, his eyes—it was unmistakable.

The next time I saw him, it was in news footage of Jerusalem. Yitzhak Rabin, the Prime Minister of Israel, had been assassinated the day before.

Azriel was a face in the crowd that saw the CNN camera and turned and moved towards it.

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