Isaac Marion - Warm Bodies - A Novel

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She looks at me, straining to force breath through her rapidly constricting bronchial tubes. There are questions in her eyes, maybe doubts, surely fears, but she nods. ‘Yes.’

‘Please stop running,’ Rosso groans, leaning over, hands on his knees. ‘This is not the way.’

‘I have to go,’ she says.

‘Miss Cabernet. Julie. You can’t leave your father here. You’re all he has left.’

She bites her lower lip, but her eyes are steely. ‘Dad’s dead, Rosy. He just hasn’t started rotting yet.’

She grabs my hand, the one I shattered on M’s face, and squeezes so hard I think she might break it even further. She looks up at me. ‘Well, R?’

I pull her to me. I wrap my arms around her and hold tight enough to fuse our genes. We are face to face and I almost kiss her, but instead I take two steps backwards, and we fall through the doorway.

We plummet like a shot bird. My arms and legs encircle her, almost completely enveloping her tiny body. We crash through a roof overhang, a support bar tears into my thigh, my head bounces off a beam, we tangle in a cellphone banner and rip it in half, and then, finally, we hit the ground. A chorus of cracks and crunches shoots through me as my back greets the earth and Julie’s weight flattens my chest. She rolls off me, choking and gasping for breath, and I lie there staring up at the sky. Here we are.

Julie raises herself on hands and knees and fumbles her inhaler out of her bag, takes a shot and holds it, supporting herself against the ground with one arm. When she can breathe again she crouches over me with terror in her eyes. Her face eclipses the hazy sun. ‘R!’ she whispers. ‘Hey!’

As slow and shaky as the day I first rose from the dead, I lift myself upright and hobble to my feet. Various bones grind and crackle throughout my body. I smile, and in my breathy, tuneless tenor, I sing, ‘You make . . . me feel so young . . .’

She bursts out laughing and hugs me. I feel the pressure snap a few joints back into place.

She looks up at the open doorway. Rosso is framed in it, looking down at us. Julie waves to him, and he disappears back into the Stadium with a swiftness that suggests pursuit. I try not to begrudge the man his paradigm – perhaps in his world, orders are orders.

So Julie and I run into the city. With each step I feel my body stabilising, bones realigning, tissues stiffening around cracks to keep me from falling apart. I’ve never felt anything like this before. Is this some form of healing?

We dash through the empty streets, past countless rusty cars, drifts of dead leaves and debris. We violate one-way streets. We blow stop signs. Ahead of us: the edge of town, the high grassy hill where the city opens up and the freeway leads elsewhere. Behind us: the relentless roar of assault vehicles gunning out of the Stadium gate. This cannot stand! declare the steel-jawed mouths of the rule makers. Find those little embers and stomp them out! With these howls at our backs, we crest the hill.

We are face to face with an army.

They stand in the grassy field next to the freeway ramps. Hundreds of them. They mill around in the grass, staring at the sky or at nothing, their grey, sunken faces oddly serene. But when the front line sees us they freeze, then pivot in our direction. Their focus spreads in a wave until the entire mob is standing at attention. Julie gives me an amused glance as if to say, Really? Then a disturbance ripples through the ranks, and a burly, bald, six-foot-five zombie pushes his way into the open.

‘M,’ I say.

‘R,’ he says. He gives Julie a quick nod. ‘Julie.’

‘Hiiii . . .’ she says, leaning into me warily.

Our pursuers’ tyres screech and we hear a rev of engines. They are very close. M steps up to the peak of the hill and the mob follows him. Julie huddles close to me as they sweep in around us, absorbing us into their odorous army, their rank ranks. It could be my imagination or a trick of the light, but M’s skin looks less ashen than usual. His partial lips seem more expressive. And for the first time since I’ve known him, his neatly trimmed beard is not stained with blood.

The trucks barrel towards us, but as the swarm of the Dead rises into view on the hilltop, the vehicles slow down, then grumble to a stop. There are only four of them. Two Hummer H2s, a Chevy Tahoe and an Escalade, all spray-painted military olive drab. The hulking machines look small and pitiful from where we stand. The Tahoe’s door opens, and Colonel Rosso slowly emerges. Clutching his rifle, he scans the row upon row of swaying bodies, weighing odds and strategies. His eyes are wide behind his thick glasses. He swallows, then lowers his gun.

‘I’m sorry, Rosy,’ Julie calls down to him, and points at the Stadium. ‘I can’t do it any more, okay? It’s a fucking lie. We think we’re surviving in there but we’re not.’

Rosso is looking hard at the zombies arrayed around him, peering into their faces. He’s old enough that he’s probably been around since the beginning of all this. He knows what the Dead are supposed to look like, and he can tell when something’s different, no matter how subtle, subliminal, subcutaneous.

‘You can’t save the world by yourself!’ he yells. ‘Come back and we can discuss this!’

‘I’m not by myself,’ Julie says, and gestures at the forest of zombies swaying around her. ‘I’m with these guys.’

Rosso’s lips twist in a tortured grimace, then he jumps in his vehicle, slams the door, and revs back towards the Stadium with the other three right behind. A brief respite, a quick suck of breath, because I know they aren’t quitting, they can’t quit, they’re just gathering their strength, their weapons, their brute-force determination.

step three

living

Nora Greene is in the square by the Stadiums main gate standing with General - фото 20

Nora Greene is in the square by the Stadium’s main gate, standing with General Rosso in front of a huge crowd. She is a little nervous. She wishes she had smoked before coming out today, but it seemed inappropriate somehow. She wanted a clear head for this occasion.

‘Okay, folks,’ Rosso begins, straining his reedy voice to reach the back of the assembly spilling out into the far streets. ‘We’ve prepared you for this as best we could, but I know it may still be a little . . . uncomfortable.’

Not everyone in the Stadium is here, but everyone who wants to be is. The rest are hiding behind locked doors with guns drawn, but Nora hopes they’ll come out eventually to see what’s going on.

‘Let me just assure you once again that you are not in any danger,’ Rosso continues. ‘The situation has changed.’

Rosso looks at Nora and nods.

The guards pull open the gate, and Nora shouts, ‘Come on in, guys!’

One by one, still clumsy but walking more or less straight, they wander into the Stadium. The Half-Dead. The Nearly-Living. The crowd murmurs anxiously and contracts as the zombies form a loose line in front of the gate.

‘These are just a few of them,’ Nora says, moving forward to address the people. ‘There are more out there every day. They’re trying to cure themselves. They’re trying to cure the plague, and we need to do whatever we can to help.’

‘Like what?’ someone shouts.

‘We’re going to study it,’ Rosso says. ‘Get close to it, knead it and wring it until answers start to emerge. I know it’s vague, but we have to start somewhere.’

‘Talk to them,’ Nora says. ‘I know it’s scary at first, but look them in the eyes. Tell them your name and ask them theirs.’

‘Don’t worry,’ Rosso says. ‘Each one will have a guard assigned to them at all times, but try to believe that they won’t hurt you. We have to entertain the idea that this can work.’

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