Matthew Reilly - Scarecrow

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Scarecrow: краткое содержание, описание и аннотация

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It is the greatest bounty hunt in history. The targets are the finest warriors in the world-commandos, spies, terrorists. And they must all be dead by 12 noon, today. The price on their heads: almost $20 million each. Among the names, one stands out. The enigmatic Marine, Shane Schofield, who goes by the call-sign "Scarecrow." Schofield is plunged into a race around the world, pursued by a fearsome collection of international bounty hunters. The race is on and the pace is frantic as he fights for survival, in the process unveiling a vast international conspiracy and the terrible reason why he cannot, under any circumstances, be allowed to live!
He led his men into hell in
. He protected the President against all odds in 
. But this time it's different, because he is the target. With all of his trademark action, Matthew Reilly continues to establish himself as one of the top thriller writers of today.
From Publishers Weekly The seemingly indestructible Marine captain Shane "Scarecrow" Schofield returns in this high-octane adventure from Reilly (Area 7, etc.). This time out, Schofield finds himself, along with 14 other members of the world's most elite military units, being hunted by a seemingly endless army of bounty hunters. The prize for the hunters is $18.6 million per head, and all 15 heads must be taken within six days. The search for the person behind this bounty hunt takes Schofield and his loyal band of marines around the world and in and out of one life-threatening situation after another. Reilly knows exactly what kind of book he's writing. His heroes are brave and self-sacrificing, his villains are bloodthirsty and ruthless, and the fate of the world hangs in the balance. Narrator Sowers is in perfect synch with Reilly's storytelling. Obviously enjoying himself, he knows just what words to punch in order to get the most out of each action-packed sentence, and he supports his Clint Eastwood-like delivery of Schofield's dialogue by giving each of the numerous secondary characters their own distinct voices and accents. Those who like their adventures fast and furious will not be disappointed by this energetic production.

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For its part, the Mi-34 was yanked downward by the rope, and it slammed down into the rocks above the tunnel and exploded in a shower of fire and rubble.

Knight shot under it all—at the wheel of the Mack rig—roaring into the tunnel, shooting past the fiery remains of his discarded Lamborghini.

Up ahead, Schofield blasted out the other end of the same tunnel, started zooming up the hill.

He rounded a corner, saw the upwardly-sloping road ahead— lots of sweeping bends and blind corners, and at the top of the road, the two other yellow Peugeots that had taken the high road.

They'd gone ahead, taking the shorter route, and doubled back, so that now they were shooting down this road, on a collision course with him and Gant.

Schofield's WRX powered up the hill, now trailed by only two vehicles, the two rigs: Knight's long-nosed Mack and the second rig, a snub-nosed Kenworth.

But then the WRX swept around a blind corner and was abruptly confronted by another unexpected sight:

A fighter jet had swung into a hover just out from the bend, its nose pointed menacingly downward, an arsenal of missiles hanging from its-wings.

Schofield recognised it instantly as a Dassault Mirage 2000NTI, the French equivalent of the Harrier jump-jet. Converted from the regular Mirage 2000N, the 'II' was a hover-capable fighter stationed only on France's newest and biggest aircraft carriers. It looked a lot like a Harrier, stocky and hunchbacked, with semi-circular air intakes on either side of a two-man cockpit.

The Mirage's guns erupted and a swarm of laser-like tracer bullets tore into the rock walls above Schofield's car.

Schofield floored it, whipping past the hovering plane as it

wheeled around heavily in the air, its bullet-storm chasing him, but he shot around another bend just as some of its tracers sheared off his rear bumper.

'Here, quickly, take the wheel,' Schofield said to Gant.

She slipped over into the driver's seat while he dipped into a pocket on his combat webbing and removed some bullets— Knight's orange-banded rounds. Bull-stoppers.

'People, no. Fighter planes, yes,' he said as he loaded the orange bullets into his Desert Eagle's magazine, finishing at the same time as a second Mirage swooped down over the road right in front of the WRX, its guns blazing.

But now, Schofield was ready to respond.

He lifted himself out the passenger window, sat on its sill, and pointed his Desert Eagle dead ahead.

The Mirage's bullets tore up the road in front of the WRX just as Schofield started firing repeatedly at the hovering plane— blam!-blam!-blam!-blam'.-blam!-blam!-blam'.-blant!-blam! —hitting it in both of its air intakes at the same time as some of the fighter's tracers sizzled in through the windscreen of his WRX.

Schofield's gas-expanding bullets did their job.

As the first bullets hit the Mirage's intake fans, their internal gases blasted outward, tearing the fans' blades to pieces, warping them, causing them to jam and the plane to stall and also to allow the following bullets to race fully into the jet engines themselves and detonate within the plane's highly volatile fuel injection chambers.

Two small bullets was all it took to destroy a $600 million warplane.

Its engines failing, the Mirage wheeled wildly around in the sky, spraying tracer bullets everywhere, before— boom! —the French fighter blasted out into a thousand pieces, showering liquid fire, before it just dropped out of the sky, landing in a crumpled smoking heap on the road 50 yards in front of the speeding WRX.

Schofield dropped back inside the passenger window . . .

... to see Gant slumped against her door, blood gushing from a giant wound to her left shoulder. A two-inch-wide hole could be

seen in the driver's seat behind her, matching the location of her wound.

She'd been hit by one of the Mirage's tracer bullets.

'Oh, no . . .' Schofield breathed. He dived across the seat, hit the brakes.

The WRX squealed to a halt, just short of the wreckage of the Mirage.

'Fox!' Schofield yelled. 'Libby!'

Her eyes opened, heavy-lidded. 'Ow, that hurts . . .' she groaned.

'Come on,' Schofield kicked open the door and lifted her out, carrying her in his arms. Then, into his radio: 'Knight! Where are you!'

'I'm in the first rig. With another one close behind me. Where arehang on, I see you.''

'Fox has been hit. We need a ride.'

' When I pull up, get in fast, 'cause that other rig is going to be right on my ass.''

And then Schofield saw Knight: saw the long-nosed Mack rig rumbling up the slope, moving quickly.

With a loud shriek of its brakes, the Mack shuddered to a stop beside the WRX.

Knight threw open the door, and Schofield lifted Gant and himself in. Knight jammed the truck back into gear and hit the gas a bare moment before the snub-nosed Kenworth rig appeared around the bend behind them, coming at full speed, its engine roaring.

- The Mack jounced and bounced over the wreckage of the Mirage fighter strewn across the road, picking up speed. The second rig just barged right through the Mirage's remains before ramming hard into the back of Knight's still-accelerating rig.

Knight, Schofield and Gant were all thrown forward by the impact.

Knight and Schofield turned to each other and said at exactly the same time: 'There are two rally cars coming at us from in front!'

They both paused. Mirror images.

'What happened to her!' Knight said.

'She got shot by a fighter plane,' Schofield said.

'Oh.'

The two trucks charged up the hill, their exhaust stacks belching black smoke.

Then suddenly the two yellow rally cars that had gone ahead came into view, rounding a wide bend right in front of Knight and Schofield's rig, roaring down the same slope—both cars featuring men leaning out their passenger windows, holding AK-47 machine-guns.

They might as well have been firing pea-shooters.

The giant Mack rig blasted right through the left-hand Peugeot, blowing it to smithereens, while the second Axon rally car just fish-tailed out of the way, side-swiping the rock wall on the landward side of the roadway before skidding to a jarring halt, the two rigs rumbling past it.

The Mack reached the top of the hill and rejoined the flatter main road at a fork junction.

The snub-nosed Kenworth was right behind it, closely followed by the last-remaining Peugeot. Rejoining the chase, the rally car leapt up onto the main road a split second before— SLAM! —the entire fork junction erupted in a cloud of dirt, hit by a shell from the ever-present French destroyer.

The two big rigs flew around a bend, the ocean dropping away to their left, when suddenly they were confronted by the yawning entrance to another cliff-side tunnel. This tunnel bent away in a long curve to the right, hugging the cliff-face, and was clearly longer than any of the previous tunnels.

The Mack thundered into the tunnel doing ninety, just as behind it, the Peugeot pulled alongside the Kenworth and the gunman in the rally car's window unleashed a volley of fire at the Mack's rearmost tyres.

The Mack's tyres were blasted apart, started slapping against the roadway, and the big rig's rear-end started fishtailing wildly.

Which was when the Kenworth rig made its move, and powered forward.

'They're coming alongside us!' Schofield yelled.

In the confines of the tunnel, the snub-nosed rig pulled up next to the Mack's right-hand flank.

'I'll take care of it,' Knight said. 'Here, take the wheel.'

With that, Knight jumped out of the driver's seat and charged aft into the Mack's sleeping compartment where he quickly fired two shots into its rear window, a window which opened onto the rig's flat trailer-connection section. Within seconds he had disappeared out through the window, into the roaring wind.

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