Matthew Reilly - Scarecrow

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Scarecrow: краткое содержание, описание и аннотация

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It is the greatest bounty hunt in history. The targets are the finest warriors in the world-commandos, spies, terrorists. And they must all be dead by 12 noon, today. The price on their heads: almost $20 million each. Among the names, one stands out. The enigmatic Marine, Shane Schofield, who goes by the call-sign "Scarecrow." Schofield is plunged into a race around the world, pursued by a fearsome collection of international bounty hunters. The race is on and the pace is frantic as he fights for survival, in the process unveiling a vast international conspiracy and the terrible reason why he cannot, under any circumstances, be allowed to live!
He led his men into hell in
. He protected the President against all odds in 
. But this time it's different, because he is the target. With all of his trademark action, Matthew Reilly continues to establish himself as one of the top thriller writers of today.
From Publishers Weekly The seemingly indestructible Marine captain Shane "Scarecrow" Schofield returns in this high-octane adventure from Reilly (Area 7, etc.). This time out, Schofield finds himself, along with 14 other members of the world's most elite military units, being hunted by a seemingly endless army of bounty hunters. The prize for the hunters is $18.6 million per head, and all 15 heads must be taken within six days. The search for the person behind this bounty hunt takes Schofield and his loyal band of marines around the world and in and out of one life-threatening situation after another. Reilly knows exactly what kind of book he's writing. His heroes are brave and self-sacrificing, his villains are bloodthirsty and ruthless, and the fate of the world hangs in the balance. Narrator Sowers is in perfect synch with Reilly's storytelling. Obviously enjoying himself, he knows just what words to punch in order to get the most out of each action-packed sentence, and he supports his Clint Eastwood-like delivery of Schofield's dialogue by giving each of the numerous secondary characters their own distinct voices and accents. Those who like their adventures fast and furious will not be disappointed by this energetic production.

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The ass end of the ambulance blasted through the fence and with Fairfax, Oliphant and the Zulu inside it, the whole ambulance went shooting off the edge of the roof, six storeys above the world, and fell—

—only about ten feet.

As the backward-travelling ambulance passed over the edge of the roof and blasted through the little fence, its front bumper bar caught hold of a surviving fence post and anchored the ambulance to the roof.

As such, the ambulance's fall was cut dramatically short. No sooner was most of its bulk over the edge than the whole vehicle jolted to a sudden halt.

And so now it hung vertically from the top floor of the parking structure, hanging by its nose, its rear doors flailing open beneath it.

Inside the ambulance, everything that should have been horizontal was now vertical.

Oliphant still sat in the passenger seat, only now facing upwards, his back pressing into his seat.

Fairfax hadn't been so lucky.

As they had hit the fence, he had been yanked from his seat by the Zulu and hurled into the rear section of the ambulance.

But then the ambulance had gone vertical, sending both of them tumbling ass over head.

And with its rear doors swinging open beneath them—revealing the six-storey drop—Fairfax and the Zulu had clutched at anything they could find.

The big Zulu had grabbed the locked-down gurney. Fairfax had clutched a shelf on the wall.

And so they hung there, inside the vertical ambulance, with a clear drop through the vehicle's rear doors yawning beneath them.

But the Zulu wasn't finished.

He still wanted to get to Oliphant.

He stretched upward, reaching for his machete, still wedged in the headrest of the driver's seat.

'No!' Fairfax yelled, lunging forward.

But he was too late.

Hanging onto the wheeled gurney with one hand, the Zulu lashed his fingers around the machete's grip and yanked it free.

He turned his bloodshot eyes on Fairfax, and his mouth widened into a sinister yellow-toothed grin.

'Bye-bye!' he said, drawing the machete back for the final blow.

'Whatever you say, asshole,' Fairfax said, seeing it.

The Zulu swung.

The blade whistled towards Fairfax's head.

Just as Fairfax lashed out with his foot and kicked open the locks that held the gurney in place.

The response was instantaneous.

The wheeled gurney dropped like a stone, out through the open doors at the bottom of the vertical ambulance . . .

. . . with the Zulu on it!

Fairfax watched as the big man fell with the gurney, his wide eyes receding to specks as he fell and fell and fell.

The gurney flipped on the way down, causing the Zulu to hit the ground first. He impacted against the concrete with a sickening thud, his internal organs shattering. But he was still alive.

Not for long. A second later, the leading edge of the gurney came slamming down against his head, crushing it like a nut.

It took a few minutes for Fairfax and Oliphant to negotiate their way out of the vertical ambulance, but they made it by climbing out through the front windshield and hauling themselves up over the bonnet.

The two of them slumped on the roof of the parking structure, breathless.

Fairfax peered down at the ambulance still hanging from the edge of the rooftop.

For his part, Oliphant was jabbering, overwhelmed with shock:

'It stood for . . . Motor Neuron . . . Motor Neuron Rapidity of Response ... we were testing American and British soldiers for response times, response times to certain stimuli ... all kinds of stimuli: visual, aural, touch . . . reflexes ... it was all about reflexes.

'Christ, we must have tested over three hundred soldiers, and they all had different response times . . . some were super fast, others clumsy and slow.

'But our superiors never told us what the study was for ... of course, we all had a theory. Most of us thought it was for commando-team selection, but some of the techs said it was for a new security system, some amazing new security system for ballistic missiles called CincLock . . . and then all of a sudden, the study was cancelled, the official reason being that the Department of Defense had canned the primary project, but we all thought it was because they'd got the information they needed—'

Shwat!

Still looking down at the ambulance, Fairfax heard the noise behind him.

He turned.

To see the now-headless body of Dr Oliphant kneeling beside him, swaying in position before— whump —it dropped to the concrete floor.

Standing over the corpse, holding a glistening short-bladed samurai sword in one tight fist, was a young leather-clad Japanese woman.

Alyssa Idei.

Bounty hunter.

She grabbed Oliphant's head by the hair and held it casually

by her side. Then in one fluid movement, she sheathed her sword and drew one of her Steyr machine pistols and pointed it at Fairfax.

She gazed at him over the gun. Eyes unblinking. Ice cold.

But then, strangely, a confused frown creased her perfect features, and she jerked her chin at Fairfax.

When it came her voice was as smooth as honey. 'You are not a bounty hunter, are you?'

'No . . .' Fairfax said tentatively. 'No, I'm not.'

'And yet you battle with the Zulu. Why?'

'I . . . I've a friend on your bounty list. I want to help him.'

Alyssa Idei seemed to have trouble grasping this. 'This man was your friend?'

'Well, not this guy. One of the other guys on the list.'

'And you do battle with the Zulu to help your friend?'

'Yes,' Fairfax said. 'I do.'

Her frown vanished, replaced by genuine curiosity. 'What is your name, friend-helper?'

'Er, David Fairfax.'

'Fair Fax. David Fair Fax,' she said slowly, rolling his name around in her mouth. 'I do not see such displays of loyalty often, Mr Fair Fax.'

'No?' Fairfax said.

She eyed him sexily. 'No. Your friend must be quite a man to inspire this bravery in you. Such bravery, Mr Fair Fax, is rare. It is also alluring. Intoxicating.'

Fairfax gulped. 'Oh.'

Alyssa said, 'And so I shall let you live. So that you may further help your friend—and so that we might meet again in fairer circumstances. But understand this, David Fair Fax, if we find ourselves together again, in a situation where you are protecting your friend, you will receive no such favour again.'

Then she holstered her gun and spun on the spot, sliding her lithe body into her low-slung sports car.

And she was gone.

Fairfax just watched the high-speed Honda whiz out of sight, shooting down the ramp, the headless body of Thompson Oliphant lying on the concrete beside him, the sun rising in the distance, and the sound of police sirens cutting through the dawn.

We live in a double world: carnival on Hie surface, consolidation underneath, where it counts.

From: No Logo by Naomi Klein (HARPER COLLINS, LONDON, 2000)

Bread and circuses. That is all the people desire.

—Juvenal, Roman satirist

LA GRANDE RUE DE LA MER

BRITTANY-ATLANTIC COAST, FRANCE

FORTERESSE DE VALOIS

BRITTANY, FRANCE

26 OCTOBER, 1400 HOURS LOCAL TIME

(0800 HOURS E.S.T USA)

The three tiny figures crossed the mighty stone bridge that connected the Forteresse de Valois to mainland France.

Shane Schofield.

Libby Gant.

Aloysius Knight.

They each carried a white medical transport box.

Three boxes. Three heads.

Owing to the fact that Schofield was one of the most wanted men in the world—and the fact that they were about to enter the inner sanctum of this bounty hunt—Schofield and Gant were partially disguised.

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