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Tom Weaver: The Dead Tracks

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Tom Weaver The Dead Tracks

The Dead Tracks: краткое содержание, описание и аннотация

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A serial killer more terrifying than you could ever imagine . . . Seventeen-year-old Megan Carver was an unlikely runaway. A straight-A student from a happy home, she studied hard and rarely got into trouble. Six months on, she's never been found. Missing persons investigator David Raker knows what it's like to grieve. He knows the shadowy world of the lost too. So, when he's hired by Megan's parents to find out what happened, he recognizes their pain - but knows that the darkest secrets can be buried deep. And Megan's secrets could cost him his life. Because as Raker investigates her disappearance, he realizes everything is a lie. People close to her are dead.

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'David,' he said, dropping a sponge into the bucket.

We shook hands. 'I like the car.'

I nodded at the Range Rover, soapsuds sliding down its bumper. He glanced back at it, but didn't say anything. I figured he was trying to play down the fact that his supercharged five-litre all-terrain vehicle was worth more than some people's houses. Or maybe he genuinely didn't care any more. Money didn't mean a lot when it couldn't buy back the only thing that mattered to you.

He ushered me through the front door.

Inside it was huge. Oak floorboards and thick carpets. A living room that led into a diner that led into a kitchen. The kitchen was open plan, steel and glass, the walls painted cream. Above, the ceiling soared up into an ornate cove, and there was a balcony that ran across three sides of the interior wall, with a staircase up to it. Off the balcony, I could make out two bedrooms and a bathroom.

'You designed this?'

He nodded. 'Well, the balcony portion of it. The church has been here a lot longer than any of us.'

'It's beautiful.'

'Thank you. We've been very fortunate.' A pause. The significance of what he'd said hit home. 'In some ways, anyway.'

I followed him across to the kitchen.

'You want some coffee?'

'Black would be great.'

He removed two mugs from a cupboard. 'I don't know what you want to do,' he said, filling both. 'Megan's room is upstairs. You're welcome to head up there and have a look around. Or, if you prefer, I can show you.'

'I might have a look around by myself,' I said, taking the coffee from him. 'But I do have some questions for you.'

'Sure.' He smiled, and I realized it was a defence mechanism. A way to hide the pain. 'Whatever it takes.'

We moved through to the living room. At the back of the room, the Carvers' son Leigh was on all fours directing a plastic car under a telephone stand. He looked up as we entered, and when his father told him to say hello, he mumbled something and returned to the car.

I removed a pen and pad. 'So let's talk a little more about 3 April.'

'The day she went missing.'

'Right. Did you always drop her off at school?'

'Most mornings.'

'Some mornings you didn't?'

'Occasionally Caroline did. If my business has a contract further afield I like to go along to the site for the first couple of weeks. After that, I tend to leave it to the foreman to take care of, and do all the paperwork from home. That's when I took…' He paused. 'When I take Megan to school and drop Leigh off at nursery.'

'So you had a site visit on 3 April?'

'Yes.'

'Which is why Caroline dropped her off?

'Correct.'

'Did she pick Megan up as well?'

'No, that was me.'

'What happened?'

'I parked up outside,' he said. 'Same spot, every day. But Megan never came out. It was as simple as that. She went in, and never came out.'

I took down some notes. 'What was Megan studying?'

The sciences — Physics, Chemistry, Biology.'

'Did you ever meet her teachers?'

'A couple of times.'

'What were they like?'

'They seemed nice. She was a good student.'

He gave me their names and I added them to my pad.

Then I changed direction, trying to keep him from becoming too emotional. 'Did Megan have a part-time job anywhere?'

'She worked at a video store on alternate weekends.'

'Did she like it?'

'Yeah. It earned her some money.'

'Who else worked there?'

'Names? I don't know. You'd have to go and ask.'

'What about places she used to go?'

'You mean pubs and clubs?'

'I mean anything,' I said. 'Anywhere she liked to go.'

'You'd have to ask her friends about the places they used to go on a weekend. When they all got paid, they'd often go into the city. But I'm not sure where they used to go.'

'What about places you used to take her?'

'We often used to head up country - the Peak District, the Lake District, the Yorkshire Dales. Caroline and I love the open spaces there. London suffocates you after a while. We started taking Meg up north as soon as she was old enough to walk.'

'Do you think she could have gone to one of those places?'

He shrugged. 'I don't know whether she would have gone north when I don't know why she left in the first place.'

I'd asked them both about boyfriends the day before, but I wanted to ask them again individually. What you learned quickly in missing persons was that every marriage had secrets — and that one half of the couple always knew more than the other, especially when kids were involved. 'As far as you know, she didn't have a boyfriend?'

'As far as I know.'

'What's your gut feeling?'

'My gut feeling is it's a possibility she met someone.' He moved a little in his seat, coming to the edge of it. 'Do you think that's our best hope?'

'I think it's worth pursuing. Kids Megan's age tend to disappear for two reasons: either they're unhappy at home, or they've run away with someone - probably someone their parents don't approve of. It doesn’t sound like she was unhappy at home, so that's why I'm asking about boyfriends. We may find out Megan hasn't run off with someone.' I paused, looked at him. 'Or we may find out she has.'

'But if she'd run off with someone, wouldn't she have seen the press conferences we did? The Megan I know wouldn't have ignored them. She wouldn't have ignored the pain she was putting us through. She would have called us.'

I looked at him, then away - but he'd seen the answer, and it wasn't the one he wanted. It was the one where she didn't come home alive.

Megan's room was beautifully presented and had barely been touched since her disappearance. A big bay window looked out over Hampstead Heath, wardrobes either side of it. A three-tiered bookcase was on the right, full of science textbooks. Opposite the window, close to the door, was a small desk with a top-of-the-range MacBook sitting on it, still open. Photographs surrounded the laptop: Megan with her friends; Megan holding Leigh when he was a baby; Megan with her mum and dad. There was also a rocking chair in one corner of the room, soft toys looking out, and a poster of a square-jawed Hollywood heart-throb on the wall above that.

I booted up the MacBook and went through it. The desktop was virtually empty, everything tidied into folders. Homework assignments. Word documents. University prospectuses as PDF files. Clicking on Safari, I moved through her bookmarks, her history, her cookies and her download history — but, unless you counted a few illegal songs, nothing stood out. There was a link to her Face- book profile in the browser — the email and password automatically logged — but the only activity in the last seven months was the creation of a group dedicated to her memory. Judging by the comments, most people were assuming she wasn't coming home.

Both wardrobes were full of clothes and shoes, but the second one had a couple of plastic storage boxes stacked towards the back. I took them out and flipped the lid off the top one: it was full of pictures. The younger Megan got in the photographs, the less like her father she became. As a young girl, she was a little paler with strikingly white hair, and without any of the similarities that were so startling in more recent pictures. Later pictures were less worn by age, her parents older, her face starting to mirror some of the shape of her father's.

I opened up the next box.

A digital camera was inside. I took it out, switched it on and started cycling through the photographs. There were twenty-eight in all, mostly of Leigh. A couple near the end were of Megan and what must have been her friends, and in the final one she was standing outside what looked like the entrance to a block of flats. I used the zoom and moved in closer: the entrance doors had glass panels in them that reflected back the day's light in two creamy blocks. A sliver of a brick wall on the right-hand side. Nothing else.

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