Tess Gerritsen - Last to Die

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Apple-style-span “Suspense doesn’t get smarter than this. Not just recommended but mandatory.”—Lee Child
For the second time in his short life, Teddy Clock has survived a massacre. Two years ago, he barely escaped when his entire family was slaughtered. Now, at fourteen, in a hideous echo of the past, Teddy is the lone survivor of his foster family’s mass murder. Orphaned once more, the traumatized teenager has nowhere to turn—until the Boston PD puts detective Jane Rizzoli on the case. Determined to protect this young man, Jane discovers that what seemed like a coincidence is instead just one horrifying part of a relentless killer’s merciless mission.
Jane spirits Teddy to the exclusive Evensong boarding school, a sanctuary where young victims of violent crime learn the secrets and skills of survival in a dangerous world. But even behind locked gates, and surrounded by acres of sheltering Maine wilderness, Jane fears that Evensong’s mysterious benefactors aren’t the only ones watching. When strange blood-splattered dolls are found dangling from a tree, Jane knows that her instincts are dead on. And when she meets Will Yablonski and Claire Ward, students whose tragic pasts bear a shocking resemblance to Teddy’s, it becomes chillingly clear that a circling predator has more than one victim in mind.
Joining forces with her trusted partner, medical examiner Maura Isles, Jane is determined to keep these orphans safe from harm. But an unspeakable secret dooms the children’s fate—unless Jane and Maura can finally put an end to an obsessed killer’s twisted quest.

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“How the hell did she get these?” Randy said.

Dr. Owen called out: “Dr. Isles, you’ll want to look at this.”

Maura crossed to the table. They had unbuttoned the top of Anna’s dress, but had not yet peeled it off the hips. The corpse was still wearing a bra, a practical white D-cup with no lace, no frills. They all stared at the exposed skin.

“These are the weirdest scars I’ve ever come across,” said Dr. Owen.

Maura stared, stunned by what she saw. “Let’s get the rest of her clothes off,” she said.

With three of them working together, they quickly removed the bra, pulled the dress down. As they peeled the underwear waistband over the hips, Maura remembered the pelvic fractures that she had just seen on X-ray and grimaced at the thought of those bony fragments grinding together. Thought of the screams she’d once heard in the ER from a young man whose pelvis had been crushed in a barge accident. But Anna was beyond pain, and she surrendered her clothes without a whimper. Stripped naked, she now lay exposed, her body bruised and deformed by broken ribs and skull and pelvis.

Yet it was the marks on her skin that they stared at. Marks that were invisible to the X-ray machine, and revealed only now. The scars were spread across the front of her torso, an ugly grid of knots on her breasts, her abdomen, even her shoulders. Maura thought about the modest Mother Hubbard gowns that Anna wore even on warm days, dresses chosen not because of her eccentric sense of style, but for concealment. She wondered how many years it had been since Anna had donned a bathing suit or sunbathed on a beach. These scars looked old, permanent souvenirs of some unspeakable ordeal.

“Could these be some kind of skin grafts?” asked Randy.

“These aren’t skin grafts,” said Dr. Owen.

“Then what are they?”

“I don’t know.” Dr. Owen looked at Maura. “Do you?”

Maura didn’t answer. She turned her attention to the lower extremities. Reaching up for the light, she redirected it to the shins, where the skin was darker. Thicker. She looked at Randy. “We need detailed X-rays of the legs. The tibias in particular, and both ankles.”

“I already did the skeletal survey,” said Randy. “The films are hanging there right now. You can see all the fractures.”

“I’m not concerned about new fractures. I’m looking for old ones.”

“How does this help us with cause of death?” said Dr. Owen.

“It’s about understanding the victim. Her past, her state of mind. She can’t talk to us, but her body still can.”

Maura and Dr. Owen retreated to the anteroom, where they watched through the viewing window as Randy, now garbed in a lead apron, positioned the body for a new set of X-rays. How many scars were you hiding, Anna? The marks on her skin were obvious, but what of the emotional wounds that never heal, that cannot be closed over with fibrosis and collagen? Was it old torments that finally drove her to step out onto the roof walk and surrender her body to gravity and the hard earth?

Randy clipped a new set of films onto the light box and waved to them. As Maura and Dr. Owen reentered the lab, he said: “I don’t see any other fractures on these views.”

“They’d be old,” said Maura.

“No scar formation, no deformities. You know, I can recognize those.”

There was no missing the irritation in his voice. She was the interloper, the high-and-mighty expert from the big city who’d questioned his competence. She chose not to engage him and focused instead on the X-rays. What he had said was correct: At first glance, there were no obvious old fractures of the arms or legs. She moved closer to study first the right tibia, then the left. The darker skin on Anna’s shins had raised her suspicions, and what she saw on these films confirmed her diagnosis.

“Do you see this, Dr. Owen?” Maura pointed to the outline of the tibia. “Notice the layering and the thickness.”

The young pathologist frowned. “It is thicker, I agree.”

“There are endosteal changes here as well. Do you see them? These are highly suggestive.” She looked at Randy. “Can we see the ankle films now?”

“Suggestive of what?” he asked, still unconvinced by this expert from Boston.

“Periostitis. Inflammatory changes of the membrane covering the bone.” Maura pulled down the tibia X-rays. “Ankle films, please.”

Tight-lipped, he shoved the new X-rays under the clips, and what Maura saw in those films swept away any doubts she’d had. Dr. Owen, standing beside her, murmured a troubled: Oh .

“These are classic bony changes,” said Maura. “I’ve seen them only twice before. Once in an immigrant from Algeria. The second was a corpse that turned up in a freighter, a man from South America.”

“What are you looking at?” said Randy.

“The changes in the right calcaneus,” said Dr. Owen. She pointed to the right heel bone.

Maura said, “You can see them in the left calcaneus, too. Those deformities are from multiple old fractures that have since healed.”

Both her feet were broken?” said Randy.

“Repeatedly.” She stared at the X-rays and shuddered at their significance. “Falaka,” she said softly.

“I’ve read about it,” said Dr. Owen. “But I never thought I’d see a case in Maine.”

Maura looked at Randy. “It’s also known as bastinado. The feet are beaten on the sole, which breaks bones, ruptures tendons and ligaments. It’s known in many places around the world. The Middle East, Asia. South America.”

“You mean someone did this to her?”

Maura nodded. “And those changes in the tibias that I pointed out are also from repeated beatings. Something heavy was slammed against the shins. It may not be enough to actually fracture bone, but it leaves permanent changes in the periosteum from repeated hemorrhages.” Maura went back to the table, where Anna’s broken body lay. She understood, now, the significance of that grid of scars on the breasts, the abdomen. What she did not understand was why any of this had been done to Anna. Or when.

“It still doesn’t explain why she killed herself,” said Dr. Owen.

“No,” Maura admitted. “But it makes you wonder, doesn’t it? If her death is somehow connected to her past. To what caused these scars.”

“You’re now questioning whether this was a suicide?”

“After seeing this, I question everything. And now we have another mystery.” She looked at Dr. Owen. “Why was Anna Welliver tortured?”

A jail cell diminishes any man, and so it was with Icarus .

Viewed through the bars, he seemed smaller, inconsequential. Now stripped of his Italian suit and his Panerai wristwatch, he wore a lurid orange jumpsuit and rubber flip-flops. His solitary cell was furnished only with a sink, a toilet, and a concrete shelf bed with a thin mattress, on which he was now sitting .

“You know,” he said, “that every man has his price.”

“And what would yours be?” I asked .

“I have already paid it. Everything I ever valued has been lost.” He looked up at me with bright blue eyes, so unlike the soft brown eyes of his dead son Carlo. “I was speaking of your price.”

“Me? I can’t be bought.”

“Then you are merely a simpleminded patriot? You do this for love of country?”

“Yes.”

He laughed. “I’ve heard that before. All it means is that the alternative offer was not high enough.”

“There isn’t any offer high enough to make me sell out my country.”

He gave me a look akin to pity, as if I were feebleminded. “All right, then. Go back to your country. But you do know, you’ll go home poorer than you need to be.”

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