Dashiell Hammett - Afraid Of A Gun and Other Stories

"I'm going to sleep a while," he said thickly, "out in the shed where the horse is at. I'll be turning out every now and then for a look around, and I don't want to find nobody missing. Understand?"

She nodded, and made a suggestion.

"If any strangers show up, I guess you want to be woke up before they see you?"

His sleep-dull eyes became alive again, and he came unsteadily back to thrust his face close to hers, trying to peer behind the faded surfaces of her eyes.

"I killed a fellow in Jingo last week," he said after a while, talking slowly, deliberately, in a monotone that was both cautioning and menacing. "It was fair shooting. He got me in the shoulder before I downed him. But he belonged in Jingo and I don't. The best I could expect is the worst of it. I got a chance to get away before they took me to Great Falls, and I took it. And I ain't figuring on being took back there and hung. I ain't going to be here long, but while I am—"

The woman nodded again.

He scowled at her and left the shack.

He tied the horse in one corner of the hut with shortened rope and spread his blankets between it and the door. Then, with the marshal's revolver in his hand, he lay down and slept.

The afternoon was far gone when he woke, and the rain was still falling. He studied the bare yard carefully, and reconnoitred the house before re-entering it.

The woman had swept and tidied the room; had put on a fresh dress, which much washing had toned down to a soft pink; had brushed and fluffed her hair. She looked up at his entrance from the sewing that occupied her, and her face, still young in spite of the harshness that work had laid upon it, was less sallow than before.

"Where's the kid?" the man snapped.

She jerked a thumb over her shoulder.

"Up on the hill. I sent him up to watch the coulee."

His eyes narrowed and he left the building. Studying the hill through the rain, he discerned the outline of the boy, lying face-down under a stunted red cedar, looking toward the east. The man returned indoors.

"How's the shoulder?" she asked.

He raised an experimental arm.

"Better. Pack me some grub. I'm moving on."

"You're a fool," she said without spirit as she went into the kitchen. "You'd do better to stay here until your shoulder's fit to travel."

"Too close to Jingo."

"Ain't nobody going to fight all that mud to come after you. A horse couldn't get through, let alone a car. And you don't think they'd foot it after you even if they knew where to find you, do you? And this rain ain't going to do your shoulder no good."

She bent to pick up a sack from the floor. Under the thin pink dress the line of back and hips and legs stood out sharply against the wall.

As she straightened she met his gaze, her lids dropped, her face flushed, her lips parted a little.

The man leaned against the jamb of the door and caressed the muddy stubble of his chin with a thick thumb.

"Maybe you're right," he said.

She put away the food she had been bundling, took a galvanized pail from the corner, and made three trips to the spring, filling an iron tub that she had set on the stove. He stood in the doorway watching.

She stirred the fire, went into the living-room, and took a suit of underwear, a blue shirt, and a pair of socks from the bureau, a pair of gray trousers from one of the hooks, and a pair of carpet slippers from the pile of footwear. She put the clothing on a chair in the kitchen.

Then she returned to the living-room, closing the connecting door.

As the man undressed and bathed, he heard her humming softly. Twice he tiptoed to the connecting door and put an eye to the crack between it and the jamb. Each time he saw her sitting on the cot, bending over her sewing, her face still flushed.

He had one leg in the trousers she had given him when the humming stopped suddenly.

His right hand swept up the revolver from a convenient chair, and he moved to the door, the trousers trailing across the floor behind the ankle he had thrust through them. Flattening himself against the wall, he put an eye to the crack.

In the front door of the shack stood a tall youth in a slicker that was glistening with water. In the youth's hands was a double-barrelled shotgun, the twin muzzles of which, like dull, malignant eyes, were focused on the centre of the connecting door.

The man in the kitchen swung his revolver up, his thumb drawing back the hammer with the mechanical precision of the man who is accustomed to single-action pistols.

The lean-to's rear door slammed open. "Drop it!"

The fugitive, wheeling with the sound of the door's opening, was facing this new enemy before the order was out.

Two guns roared together.

But the fugitive's feet, as he wheeled, had become entangled in the trailing trousers. The trousers had tripped him. He had gone to his knees at the very instant of the two guns' roaring.

His bullet had gone out into space over the shoulder of the man in the doorway. That one's bullet had driven through the wall a scant inch over the falling fugitive's head.

Floundering on his knees, the fugitive fired again.

The man in the door swayed and spun half around.

As he righted himself, the fugitive's forefinger tightened again around the trigger—

From the connecting doorway a shotgun thundered.

The fugitive came straight up on his feet, his face filled with surprise, stood bolt upright for a moment, and wilted to the floor.

The youth with the shotgun crossed to the man who leaned against the door with a hand clapped to his side. "Did he get you, Dick?"

"Just through the flesh, I reckon—don't amount to nothing. Reckon you killed him, Bob?"

"I reckon I did. I hit him fair!"

The woman was in the lean-to. "Where's Buddy?"

"The kid's all right, Mrs. Odams," Bob assured her. "But he was all in from running through the mud, so Ma put him to bed."

The man who lay still on the floor made a sound then, and they saw that his eyes were open.

Mrs. Odams and Bob knelt beside him, but he stopped them when they tried to move him to examine the wreckage the shotgun had made of his back.

"No use," he protested, blood trickling thinly from the corners of his mouth as he spoke. "Let me alone."

Then his eyes—their red savageness glazed—sought the woman's.

"You—Dan—Odams's—woman?" he managed.

There was something of defiance—a hint that she felt the need of justification—in her answer. "Yes."

His face—thick-featured and deep—lined without the mud—told nothing of what was going on in his mind.

"Dummy," he murmured to himself presently, his eyes flickering toward the hill on whose top he had seen what he had believed to be a reclining boy.

She nodded.

The man who had killed Dan Odams turned his head away and spat his mouth empty of blood. Then his eyes returned to hers.

"Good girl," he said clearly—and died.

-- End—

DEATH ON PINE STREET

Aplump maid with bold green eyes and a loose, full-lipped mouth led me up two flights of steps and into an elaborately furnished boudoir, where a woman in black sat at a window. She was a thin woman of a little more than thirty, this murdered man's widow, and her face was white and haggard.

"You are from the Continental Detective Agency?" she asked before I was two steps inside the room.

"Yes."

"I want you to find my husband's murderer." Her voice was shrill, and her dark eyes had wild lights in them. "The police have done nothing. Four days, and they have done nothing. They say it was a robber, but they haven't found him. They haven't found anything!"