Jean Stine - Legendary Women Detectives

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SHERLOCK HOLMES' FEMALE RIVALS! This unique collection for connoisseurs of detection done female style brings back six of the greatest fictional women sleuths of the era of gaslights and horseless carriages. Fans of Kinsey Milhone and other contemporary women detectives, as well as of Agatha Christie and Honey West, will love this collection featuring the foremothers of today's fictional female crime-fighters. Long out of print and unobtainable, these celebrated women 'tecs --Baroness Orczy's Lady Molly of Scotland Yard, Anna Katharine Green's Violet Strange, Arthur B. Reeve's Constance Dunlap, C. L. Pirkis' Loveday Brooke, Valentine's Daphne Wrayne, and Edgar Jepson and Robert Eustace's Ruth Kelstern – were once nearly as famous as fictional sleuth of Baker Street himself. Their fame waned in the long decades of the 1930s through the '80s, when female sleuths took a backseat to Sam Spade, Nero Wolfe, and the like. But, they are back to baffle and thrill contemporary readers in The Legendary Women Detectives edited by Jean Marie Stine.

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Loveday explained that she was not, and asked if the room at the extreme end of the north wing was the one assigned to “Madam and Master Harry.”

“Yes,” said the man, “it’s convenient for sick nursing; there’s a flight of stairs runs straight down from it to the kitchen quarters. We put all Madam wants at the foot of these stairs and Moggie comes down and fetches it. Moggie herself never enters the sick-room. I take it you’ll not be seeing Madam for many a day, yet awhile.”

“When shall I see Mr. Craven? At dinner tonight?”

“That’s what naebody could say,” answered Hales. “He may not come out of his study till past midnight; sometimes he sits there till two or three in the morning. Shouldn’t advise you to wait till he wants his dinner – better have a cup of tea and a chop sent up to you. Madam never waits for him at any meal.”

As he finished speaking he deposited the portmanteau outside one of the many doors opening into the gallery.

“This is Miss Craven’s room,” he went on; “cook and me thought you’d better have it, as it would want less getting ready than the other rooms, and work is work when there are so few hands to do it. Oh, my stars! I do declare there is cook putting it straight for you now.”

The last sentence was added as the opened door laid bare to view, the cook, with a duster in her hand, polishing a mirror; the bed had been made, it is true, but otherwise the room must have been much as Miss Craven left it, after a hurried packing up.

To the surprise of the two servants Loveday took the matter very lightly.

“I have a special talent for arranging rooms and would prefer getting this one straight for myself,” she said. “Now, if you will go and get ready that chop and cup of tea we were talking about just now, I shall think it much kinder than if you stayed here doing what I can so easily do for myself.”

When, however, the cook and butler had departed in company, Loveday showed no disposition to exercise the “special talent” of which she had boasted.

She first carefully turned the key in the lock and then proceeded to make a thorough and minute investigation of every corner of the room. Not an article of furniture, not an ornament or toilet accessory, but what was lifted from its place and carefully scrutinized. Even the ashes in the grate, the debris of the last fire made there, were raked over and well looked through.

This careful investigation of Miss Craven’s late surroundings occupied in all about three quarters of an hour, and Loveday, with her hat in her hand, descended the stairs to see Hales crossing the hall to the dining-room with the promised cup of tea and chop.

In silence and solitude she partook of the simple repast in a dining-hall that could with ease have banqueted a hundred and fifty guests.

“Now for the grounds before it gets dark,” she said to herself, as she noted that already the outside shadows were beginning to slant.

The dining-hall was at the back of the house; and here, as in the front, the windows, reaching to the ground, presented easy means of egress. The flower-garden was on this side of the house and sloped downhill to a pretty stretch of well-wooded country.

Loveday did not linger here even to admire, but passed at once round the south corner of the house to the windows which she had ascertained, by a careless question to the butler, were those of Mr. Craven’s study.

Very cautiously she drew near them, for the blinds were up, the curtains drawn back. A side glance, however, relieved her apprehensions, for it showed her the occupant of the room, seated in an easy-chair, with his back to the windows. From the length of his outstretched limbs he was evidently a tall man. His hair was silvery and curly, the lower part of his face was hidden from her view by the chair, but she could see one hand was pressed tightly across his eyes and brows. The whole attitude was that of a man absorbed in deep thought. The room was comfortably furnished, but presented an appearance of disorder from the books and manuscripts scattered in all directions. A whole pile of torn fragments of foolscap sheets, overflowing from a waste-paper basket beside the writing-table, seemed to proclaim the fact that the scholar had of late grown weary of, or else dissatisfied with his work, and had condemned it freely.

Although Loveday stood looking in at this window for over five minutes, not the faintest sign of life did that tall, reclining figure give, and it would have been as easy to believe him locked in sleep as in thought.

From here she turned her steps in the direction of Sandy’s lodge. As Griffiths had said, it was gravelled up to its doorstep. The blinds were closely drawn, and it presented the ordinary appearance of a disused cottage.

A narrow path beneath the over-arching boughs of cherry-laurel and arbutus, immediately facing the lodge, caught her eye, and down this she at once turned her footsteps.

This path led, with many a wind and turn, through a belt of shrubbery that skirted the frontage of Mr. Craven’s grounds, and eventually, after much zigzagging, ended in close proximity to the stables. As Loveday entered it, she seemed literally to leave daylight behind her.

“I feel as if I were following the course of a circuitous mind,” she said to herself as the shadows closed around her. “I could not fancy Sir Isaac Newton or Bacon planning or delighting in such a wind-about-alley as this!”

The path showed greyly in front of her out of the dimness. On and on she followed it; here and there the roots of the old laurels, struggling out of the ground, threatened to trip her up. Her eyes, however, had now grown accustomed to the half-gloom, and not a detail of her surroundings escaped her as she went along.

A bird flew out the thicket on her right hand with a startled cry. A dainty little frog leaped out of her way into the shrivelled leaves lying below the laurels. Following the movements of this frog, her eye was caught by something black and solid among those leaves. What was it? A bundle – a shiny black coat? Loveday knelt down, and using her hands to assist her eyes, found that they came into contact with the dead, stiffened body of a beautiful black retriever. She parted, as well as she was able, the lower boughs of the evergreens, and minutely examined the poor animal. Its eyes were still open, though glazed and bleared, and its death had, undoubtedly, been caused by the blow of some blunt, heavy instrument, for on one side its skull was almost battered in.

“Exactly the death that was dealt to Sandy,” she thought, as she groped hither and thither beneath the trees in hopes of lighting upon the weapon of destruction.

She searched until increasing darkness warned her that search was useless. Then, still following the zigzagging path, she made her way out by the stables and thence back to the house.

She went to bed that night without having spoken to a soul beyond the cook and butler. The next morning, however, Mr. Craven introduced himself to her across the breakfast table. He was a man of really handsome personal appearance, with a fine carriage of the head and shoulders, and eyes that had a forlorn, appealing look in them. He entered the room with an air of great energy, apologized to Loveday for the absence of his wife, and for his own remissness in not being in the way to receive her on the previous day. Then he bade her make herself at home at the breakfast-table, and expressed his delight in having found a coadjutor in his work.

“I hope you understand what a great – a stupendous work it is?” he added, as he sank into a chair. “It is a work that will leave its impress upon thought in all the ages to come. Only a man, who has studied comparative philology as I have for the past thirty years, could gauge the magnitude of the task I have set myself.”

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