Clive Cussler - The Navigator

Carina had a sad look in her eyes. She gave the statue a kiss on both cheeks. She patted the bronze forehead and got back into the skiff. Back on the boat, Austin asked Mustapha the depth of the water in the cove. The Turk said it was around fifty to sixty feet deep.

Austin and Zavala rowed back to the launch platform and, bracing their backs, shoved the statue with their feet. The statue teetered on the edge. One final push sent it over the side. The Navigator plunged into the depths, as if eager to return to the sea, and quickly disappeared from sight.

Chapter 30

THOUSANDS OF MILES FROM Turkish waters, the Navigator ’s twin rotated slowly on a circular pedestal about a foot high, shimmering like an angry god under the battery of lights that bathed its bronze skin in a polarized glow.

A ghostly white, three-dimensional X-ray image of the Navigator pivoted on a large wall screen. Arrays of electronic probes surrounded the ancient statue.

Three men sat in leather chairs facing the screen. Baltazar was enthroned in the center. At his right was Dr. Morris Gray, an expert in the use of computed tomography. On Baltazar’s left was Dr. John Defoe, an authority in Phoenician history and art. Both scientists had been absorbed into Baltazar’s corporate empire with the expectation that the statue eventually would be found.

Gray aimed his laser pointer at the screen. “The X-ray technique we’re using here is similar to the CT scans employed in hospitals,” he said. “We take photographic slices of the object. The computer renders the photos into a 3-D image.”

Baltazar was slouched in his chair, his thick fingers entwined, his gaze fixed on the pale image projected against a dark blue background. He had waited for this moment for years.

“And what does your magic lantern tell us, Dr. Gray?” he rumbled.

Gray smiled slightly. He moved the laser’s red dot to a display panel, one of several that ran from top to bottom along the right side of the monitor.

“Each box shows information taken from the probes. This displays the statue’s metal composition. The bronze is the standard ninety percent copper and ten percent tin. The other boxes deal with thickness, tensile strength, as well as information that’s not pertinent.”

“What are those dark areas on the statue?” Baltazar asked.

“The statue was made with the lost wax process,” Defoe said. “The artist made a clay form, which was encased in wax, then clay again. The X-ray shows the channels and vents that were drilled in the outer shell to allow wax and gas to escape and molten metal to be poured in. The statue was fabricated in pieces, so we’re also looking at rivet points and hammer marks.”

“All very interesting,” Baltazar said. “But what is inside the statue?”

“The X-ray shows nothing behind the bronze exterior except for a hollow space,” Gray answered.

“What about the exterior?”

“A lot more promising.” Gray produced a slim remote control from his suit jacket and pointed it at the screen. The ghostly figure disappeared. Filling the screen was a close-up of the statue’s face. “I’ll let Dr. Defoe deal with this area.”

Defoe squinted at the screen through round-framed glasses. “The damage makes it difficult to gauge the subject’s age, but, judging from the muscular body, he is probably in his twenties.”

“Forever young,” Baltazar observed in a rare poetic moment.

“The conical hat is similar to that we see in pictures and sculptures of Phoenician sailors. The beard and hair have me puzzled. The way they are layered denotes someone of upper-class Phoenician society, yet he is garbed in the kilt and sandals of a simple sailor.”

“Go on,” Baltazar said. There was no discernible change in his expression despite his growing excitement.

The image morphed into a close-up view of the pendant around the Navigator ’s neck. “This pendant replicates a Phoenician coin design,” Defoe said. “The horse is the symbol for Phoenicia. The uprooted palm tree to its right denotes a colony. Here’s where things get intriguing.”

The red dot jumped to a semicircular space below the horse head and palm tree where there was a horizontal line of squiggles.

“Runes?” Baltazar said.

“That was the common assumption when figures like these were seen on the coins. However, none matched any known Phoenician script. The markings remained a puzzle for years. Then a geologist at MountHolyokeCollege named Mark McMenamin came up with a startling new theory. He submitted the symbols to computer enhancement, which I will do here.”

The symbols on the screen became sharper and more defined.

“This pattern looks familiar,” Baltazar said.

“Perhaps this will help.” The shapes on the screen were set off by familiar continental outlines.

Baltazar leaned forward. “Incredible. They’re continents!”

“That was McMenamin’s conclusion. As a geologist, he recognized the landmasses for what they are. You can make out the rectangular shape of the Iberian Peninsula projecting down at an angle from Europe, which with North Africa encloses the Mediterranean. That’s Asia off to the right. Those smaller symbols west of Europe could be the British Isles. North America is the landmass on the left. South America seems to be missing or absorbed into the northern continent. Computer enhancement can be subject to different interpretations. But if McMenamin is right, this pendant indicates the range and scope of Phoenician colonies.”

“A bloody map of the world,” Baltazar said with a grin.

“Not just any map of the world. The gold coins I mentioned were minted around 300 B.C. The bronze in this statue is about three thousand years old, making this the oldest world map we know of. More important, it indicates travel to the New World as early as 900 B.C., when the statue was made.”

Baltazar felt a rush of blood through his veins.

“I want to take a closer look at North America,” he said.

The enlarged symbol that appeared on the screen looked like an obese saguaro cactus. A pair of thick arms were upraised from a wide trunk.

Baltazar snorted. “You must admit that it takes a stretch of the imagination to see that amorphous blob as the North American continent.”

“Maybe this will help,” Defoe said. An outline of North America was superimposed over the symbol. “The trunk becomes the main continent. That’s Alaska off on the left and Newfoundland on the right.”

“Any evidence of trade routes between the Eastern and Western Hemispheres?”

“Not specifically. But that shouldn’t come as any surprise given the Phoenician penchant for secrecy, and the fact that ocean routes consisted of astronomical readings that could be committed to memory. But if we look at the compass in the statue’s hand,” he said with a flick of the remote, “we can deduce that east–west, west–east trade routes are suggested. The position of the statue relative to the north point of the compass rose indicates that he is looking toward the west.”

“Toward the Americas,” Baltazar said.

“Correct.”

“Can you pinpoint a landfall?”

Defoe shook his head. “This statue is the equivalent of the world maps you see in the airline magazines. Informative, but in no way useful to an airplane pilot.”

“They would have needed a more detailed chart when close to shore,” Baltazar pointed out.

“That’s right. Maps had limited value at sea. They would have needed a coastal pilot that showed the location of prominent points, so the travelers could check position. Directions rather than distance become paramount close to shore.”

“Is there any evidence of a coastal pilot?”