Clive Cussler - The Navigator

Since boarding at Salerno, Carina had arisen early each morning and descended from her cabin on the third level of the bridge house to go on a brisk walk before breakfast. Her compulsion was fueled by an unnecessary obsession with keeping her lithe figure in shape and to sooth her impatience at reaching her destination. The number of laps varied according to the weather, which ranged from raw dampness to the bitingly cold air off the coast of Newfoundland.

The Ocean Adventure inspired little of the romance immortalized by Joseph Conrad’s tales of the doughty tramp steamers that plied the world’s oceans in a bygone age. The ship was a seagoing platform that carried steel container units twenty feet long by about eight feet tall. They were stacked six high and covered most of the deck, except for fore and aft, and narrow aisles on either side. Hundreds more containers were stored belowdecks.

As Carina made her way along the starboard rail, she recalled the chain of events that had brought her to a ship plowing its way across the Atlantic. The murder of Ali Babbas some years before in Baghdad had shocked but not surprised her. Violence always lurked behind the scenes in the high-stakes trade in illegal antiquities. It was a shadowy world where enormous sums of money flowed and gentlemen were rarely found. Ali had probably double-crossed the wrong person.

She had mourned his death nonetheless. Without Ali, it was doubtful she would ever recover the lost cache of antiques. Ali had been the middleman who moved stolen goods to market. He had committed nothing to paper. The names of his buyers and sellers had been in his head. With the sleazy dealer out of the picture, the antiquities she had sought had been scattered to the four winds.

Carina had had plenty to keep her busy once she left Iraq and returned to her UNESCO office in Paris. Months after leaving Baghdad, she’d been was on the trail of a rare Etruscan statue when Auguste Benoir visited her office and presented his card. Benoir was a prim, perfidious man who reminded Carina of Agatha Christie’s fictitious detective Hercule Poirot.

Benoir was a partner in a prestigious Paris law firm, and he got right to the point. “My firm has been retained to represent the Baltazar Foundation,” he said. “Mr. Baltazar is a wealthy businessman and philanthropist. He was quite saddened when he heard about the looting of the BaghdadMuseum. Mr. Baltazar had read an article describing your efforts to find a cache of stolen antiquities, and he is hopeful that with funding from his foundation you could devote your talents to restoring these objects to the Iraqi collection.”

“That’s very kind of Mr. Baltazar,” Carina had replied. “However, I believe I can be more valuable working with a worldwide organization like UNESCO.”

“Forgive me for not being clear about Mr. Baltazar’s proposition. You would not be required to leave UNESCO.”

Carina glanced at the folders piled up on her desk. “As you can see, I am buried in UNESCO work.”

“Understandable.” Benoir produced a single sheet of paper from his briefcase. “This is the agreement that is being proposed. The foundation would donate an ongoing grant in a bank of your choice. You could draw on the bank account at any time for any purpose, with one stipulation: The money must be spent to recover the Iraqi artifacts. There is no current limit on the funds available.”

Suddenly interested, Carina considered the offer. “Mr. Baltazar is most generous.”

Benoir beamed. “Well, Mademoiselle Mechadi?”

Carina was in a quandary. She was balancing several UNESCO assignments, but she couldn’t let a chance like this pass. She scanned the agreement. “Let me study this proposal and I’ll call you tomorrow with my answer.”

The next day she called Benoir and told him her answer was yes. In her UNESCO job, Carina had worked with governments, international police, museum people, and archaeology experts, but the possibilities of unlimited funding opened up whole new worlds. With wads of cash in her hand, she would be able to buy access to the unsavory characters who populated the antiquities trade. And so it was. Soon she developed an effective network of police and underworld informants who often gave her leads on antiquities missing from countries other than Iraq.

One of her more reliable sources was a crooked Egyptian army officer she knew only as the Colonel. Less than a week before, he had called her out of the blue with the news that the cache of Iraqi objects she had been looking for was being put up for sale by a petty thief named Hassan. She told the officer that she would see him within forty-eight hours, wired him a deposit, and told him to make the buy sight unseen.

The agreement with the Baltazar Foundation required that she keep it informed of immediate developments. She called Benoir with the news about Hassan, and Benoir said he would pass the news along. Before flying to Cairo, she called Professor Nasir in Baghdad and told him that she was close to recovering the cache.

Nasir was delighted, but conditions were still chaotic in Iraq and he was worried about the safety of the collection. He was trying to find funds to set up an efficient record-keeping system for the museum’s existing collection. Nasir enthusiastically embraced Carina’s suggestion that the artifacts be used to leverage donations. He would sign a waiver allowing her to keep the artifacts temporarily in her possession and would contact the Iraqi embassy in Washington to alert the diplomatic staff to the possibility of a tour.

Events moved quickly when she got to Egypt. Over lunch at the Nile Sheraton Hotel, the Colonel said he had already acquired the collection. He gallantly bought her lunch after she had paid him his full fee. That night, in a warehouse on the docks of Port Said, she had waited with growing excitement for the truck that pulled in shortly after midnight.

The artifacts in the truck were covered with dirt, but they were in more or less decent condition. She did a quick inventory by flashlight, writing down a description and number for each item. One of the larger pieces was a tall statue of a man wearing a kilt and conical cap. The bronze surface was caked from grime from the bearded face to the cat at the feet of the figure. The statue didn’t appear on her original artifact list, but a wrinkled paper tag affixed to one arm by a string identified the work as the Navigator . After spreading more of Baltazar’s wealth around the waterfront and the customs office, she had the load put on a freighter that was leaving for Italy.

Flying ahead of the freighter to Salerno, she arranged for the trans-shipment of the cargo to the United States on the Ocean Adventure, and, during the nervous wait, she nailed down the tour plans with Nasir and the embassy. When the freighter finally arrived, she called Benoir and told him she had taken possession of the antiquities in preparation for a tour. He sounded strangely disappointed but called back later, saying he had consulted with Baltazar, who congratulated her on the find. Carina decided not to let the artifacts out of her sight again and had booked a cabin on the containership.

She stopped during her walk now and peered down an alley between stacks to make sure that the blue-painted container was still there. She continued on to the bow, where a blast of icy air hit her as she stepped out onto the open deck.

The captain had told her over dinner the night before that the ship’s cruising speed was eighteen knots. He would reduce that as they neared Newfoundland and entered the area known as “Iceberg Alley.” The warning made her more curious than fearful.

She paused at the bow to look for icebergs. Only trunk-sized chunks floated in the gray sea. Several layers of clothing were still not enough to keep the icy fingers of wind from tickling her ribs. Hot coffee and scrambled eggs would be waiting in the mess hall. She turned her back to the open sea and headed along the ship’s port side.