Stephen (ed.) - The Mammoth Book of Best New Horror 18

“It seems to prove that one of the seminal images of horror fiction has yet to be driven underground by technology. Sometimes the old ideas are best, eh? But I hope I’ve brought it up to date.”

IT MUST HAVE BEEN QUITE a nightmare. It was apparently enough to make Coe drag the quilt around him, since he feels more than a sheeted mattress beneath him, and to leave a sense of suffocating helplessness, of being worse than alone in the dark. He isn’t helpless. Even if his fit of rage blotted out his senses, it must have persuaded the family. They’ve brought him home. There wasn’t a quilt on his hospital bed.

Who’s in the house with him? Perhaps they all are, to impress on him how much they care about him, but he knows how recently they started. There was barely space for all of them around his bed in the private room. Whenever they thought he was asleep some of them would begin whispering. He’s sure he overheard plans for his funeral. Now they appear to have left him by himself, and yet he feels hemmed in. Is the dark oppressing him? He has never seen it so dark.

It doesn’t feel like his bedroom. He has always been able to distinguish the familiar surroundings when any of his fears jerked him awake. He could think that someone – his daughter Simone or son Daniel, most likely – has denied him light to pay him back for having spent too much of their legacy on the private room. However much he widens his eyes, they remain coated with blackness. He parts his dry lips to call someone to open the curtains, and then his tongue retreats behind his teeth. He should deal with the bedclothes first. Nobody ought to see him laid out as if he’s awaiting examination. In the throes of the nightmare he has pulled the entire quilt under him.

He grasps a handful and plants his other hand against the padded headboard to lift his body while he snatches the quilt from beneath him. That’s the plan, but he’s unable to take hold of the material. It’s more slippery than it ought to be, and doesn’t budge. Did his last bout of rage leave him so enfeebled, or is his weight pinning down the quilt? He stretches out his arms to find the edges, and his knuckles bump into cushions on both sides of him. But they aren’t cushions, they’re walls.

He’s in some kind of outsize cot. The walls must be cutting off the light. Presumably the idea is to prevent him from rolling out of bed. He’s furious at being treated like this, especially when he wasn’t consulted. He flings up his hands to grab the tops of the walls and heave himself up to shout for whoever’s in the house, and his fingertips collide with a padded surface.

The sides of the cot must bend inwards at the top, that’s all. His trembling hands have flinched and bruised his sunken cheeks, but he lifts them. His elbows are still pressed against the bottom of the container when his hands blunder against an obstruction above his face. It’s plump and slippery, and scrabbling at it only loosens his nails from the quick. His knees rear up, knocking together before they bump into the obstacle, and then his feet deal it a few shaky kicks. Far too soon his fury is exhausted, and he lies inert as though the blackness is earth that’s weighing on him. It isn’t far removed. His family cared about him even less than he suspected. They’ve consigned him to his last and worst fear.

Can’t this be another nightmare? How can it make sense? However prematurely eager Simone’s husband may have been to sign the death certificate, Daniel would have had to be less than professional too. Could he have saved on the embalming and had the funeral at once? At least he has dressed his father in a suit, but the pockets feel empty as death.

Coe can’t be sure until he tries them all. His quivering fists are clenched next to his face, but he forces them open and gropes over his ribs. His inside breast pocket is flat as a card, and so are the others in the jacket. When he fumbles at his trousers pockets he’s dismayed to find how thin he is – so scrawny that he’s afraid the protrusion on his right hip is a broken bone. But it’s in the pocket, and in his haste to carry it to his face he almost shies it out of reach. Somebody cared after all. He pokes at the keypad, and before his heart has time to beat, the mobile phone lights up.

He could almost wish the glow it sheds were dimmer. It shows him how closely he’s boxed in by the quilted surface. It’s less than a hand’s breadth from his shoulders, and when he tilts his face up to judge the extent of his prison the pudgy lid bumps his forehead. Around the phone the silky padding glimmers green, while farther down the box it’s whitish like another species of mould, and beyond his feet it’s black as soil. He lets his head sink onto the pillow that’s the entire floor and does his desperate best to be aware of nothing but the mobile. It’s his lifeline, and he needn’t panic because he can’t remember a single number. The phone will remember for him.

His knuckles dig into the underside of the lid as he holds the mobile away from his face. It’s still too close; the digits merge into a watery blur. He only has to locate the key for the stored numbers, and he jabs it hard enough to bruise his fingertip. The symbol that appears in the illuminated window looks shapeless as a blob of mud, but he knows it represents an address book. He pokes the topmost left-hand key of the numeric pad, although he has begun to regret making Daniel number one, and holds the mobile against his ear.

There’s silence except for a hiss of static that sounds too much like a trickle of earth. Though his prison seems oppressively hot, he shivers at the possibility that he may be too far underground for the phone to work. He wriggles onto his side to bring the mobile a few inches closer to the surface, but before his shoulder is anything like vertical it thumps the lid. As he strives to maintain his position, the distant phone starts to ring.

It continues when he risks sinking back, but that’s all. He’s close to pleading, although he doesn’t know with whom, by the time the shrill insistent pulse is interrupted. The voice isn’t Daniel’s. It’s entirely anonymous, and informs Coe that the person he’s calling isn’t available. It confirms Daniel’s number in a different voice that sounds less than human, an assemblage of digits pronounced by a computer, and invites him to leave a message.

“It’s your father. That’s right, I’m alive. You’ve buried me alive. Are you there? Can you hear me? Answer the phone, you – Just answer. Tell me that you’re coming. Ring when you get this. Come and let me out. Come now.”

Was it his breath that made the glow flicker? He’s desperately tempted to keep talking until this chivvies out a response, but he mustn’t waste the battery. He ends the call and thumbs the key next to Daniel’s. It’s supposed to contact Simone, but it triggers the same recorded voice.

He could almost imagine that it’s a cruel joke, even when the voice composed of fragments reads out her number. At first he doesn’t speak when the message concludes with a beep, and then he’s afraid of losing the connection. “It’s me,” he babbles. “Yes, your father. Someone was a bit too happy to see me off. Aren’t you there either, or are you scared to speak up? Are you all out celebrating? Don’t let me spoil the party. Just send someone who can dig me up.”

He’s growing hysterical. These aren’t the sorts of comments he should leave; he can’t afford to antagonise his family just now. His unwieldy fingers have already terminated the call – surely the mobile hasn’t lost contact by itself. Should he ring his son and daughter back? Alternatively there are friends he could phone, if he can remember their numbers – and then he realises there’s only one call he should make. Why did he spend so long in trying to reach his family? He uses a finger to count down the blurred keypad and jabs the ninth key thrice.