Stephen (ed.) - The Mammoth Book of Best New Horror 18

Здесь есть возможность читать онлайн «Stephen (ed.) - The Mammoth Book of Best New Horror 18» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Старинная литература, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Mammoth Book of Best New Horror 18: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Mammoth Book of Best New Horror 18»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Mammoth Book of Best New Horror 18 — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Mammoth Book of Best New Horror 18», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The author’s short stories have appeared in magazines such as Heavy Metal, Twilight Zone, Isaac Asimov’s Science Fiction Magazine, Realms of Fantasy, Analog and Amazing , as well as in anthologies such as The Year’s Best Horror Stories, Visions of Fantasy: Tales from the Masters, Great Ghost Stories and The Best of Shadows .

Upcoming publications include a new horror collection, Halloween and Other Seasons , a limited edition of Moonbane , and a new “Orangefield” novel, Halloweenland , all from Cemetery Dance Publications, as well as a paperback edition of Halloweenland from Leisure Books. He currently lives in New York’s historic Hudson Valley region with his family.

“Unless I’m mistaken,” reveals Sarrantonio, “ ‘Summer’, an unabashed homage to Ray Bradbury, presents one of the very few ideas that Bradbury never covered in his Weird Tales and Thrilling Wonder Stories days: Namely, what if the glorious season of summer came but never ended?

“Not to say that he’s never touched on the season: His ‘Rocket Summer’ and ‘All Summer in a Day’ (you may notice my clumsy and roundabout paraphrase of that title in the first line of my story) are wonderful evocations of the warm months.

“Regardless, I’d like to think there’s a little salt and pepper of the Old Master in my tale. Perhaps if Ray had had that idea before me, it would have looked a little bit like my story.”

IT WAS A SUMMER DAY that was all of summer. Dry heat rose from the cracks in the sidewalks, brushing the brown grass that grew there as it shimmered by. There was a hush in the stilted air, high and hanging, the sun like a burnt coin frozen in the pale and cloudless sky, the trees still, green leaves dried and baked, panting for a breeze.

Rotating window fans moved hot air from outside to inside. Newspapers rustled on kitchen tables, their pages waving until the artificial breeze moved on, then settling hot and desultory back into unread place. The breakfast plates sat unstacked, forgotten; lunch plates with uneaten lunch – curling pumpernickel, wilted lettuce, an inkblot of mustard dry as paper – sat nearby. Morning coffee milled in two mugs, still tepid from the afternoon warmth.

“My Gosh, Mabel, has it ever been this hot before?” George Meadows said from his easy chair; he sat arranged like a man who had eaten a great meal, with his shirt and trousers loosened, but only against the heat.

His wife Mabel, prostrate on the nearby couch, the faded sunflowers of her house dress clashing and merging in a wilted riot with the worn daisies of the sofa print, tried to say something but failed. Her right hand continued to weakly fan herself with its magazine and she tried again.

“Hot as it’s . . . ever been,” she managed to get out in a croak, and then closed her eyes and ears, discouraging further comment.

“Yep,” George managed to answer before closing his own eyes. He couldn’t resist, he never could, getting the last word in. He rallied to add, even though Mabel was already perfectly aware: “Man on the radio said it might get hotter still.”

Three twelve-year-old boys hated Summer.

They hadn’t always. At one time, Summer had belonged to them. From the first day of school letting out, until the dreaded bell sounded again, they had ruled summer as if they owned it. There had been baseball and bad tennis, and miniature golf and marbles in the hot dust. There had been butterfly hunts with orange black monarchs big as pterodactyls and just as difficult to catch. Trips to the secret pond with jars, and pondwater drops under Lem’s microscope to watch the amoebas within. And their own swimming, from dawn to dusk some days, emerging at the end waterlogged beings, raisin boys, to dry and unwilt in the setting sun. And Monk’s telescope at night, the fat dry cold moon sliding across the eyepiece like a pockmarked balloon; Saturn hanging silent and majestic with its golden split ring. Backyard campouts, the walls of Shep’s pup tent lit from within not with fireflies but with the flashlights of boys with comic books, the smell of Sterno and pancake batter the next morning, the metal taste of warm water in boy scout canteens.

Summer had been their time – the time away from schoolbooks and parents’ waggling fingers, the time to be boys. And this year it had started the same – the banishment of black-and-white marble notebooks, pencils thrown under beds spearing dust bunnies, school clothes in the backs of closets.

And out with the baseball glove! Oiled, smelling like new wet leather, sneakers that smelled of dirt, short pants, the dewy morning giving way to a fresh hot feeling and late afternoon thunderstorms scattering the ballplayers with warm wet drops big as knuckles and the temperature dropping and making them shiver. And swimming, and more swimming, and more swimming still, and the cool-warm nights, the sharp cold taste of ice cream, of a bottle of cola drawn from an iced bucket, of a hot dog steaming, hiding under hot sauerkraut. A drive-in movie in Uncle Jed’s pickup truck: two hiding under the tarp until they were in.

Morning noon and night it was summer.

Real summer.

Until:

Something . . .

. . . began to change.

It was Shep who noticed it first: in the dangerous treehouse on a mid-August afternoon. They had finished trading baseball cards, arguing over how many cards (always doubles!) to attach to bicycle spokes to make them clack and were halfway through another argument about who was prettier, Margaret O’Hearn or Angie Bernstein, when Shep’s head went up and he sniffed, just like a hound dog might. His leg, swinging through one of the hut’s many floor holes, pendulumed to a frozen stop.

“What’s wrong?” Lem asked, and Monk looked up from his new copy of Vault of Horror with a frown.

“Turn off your brain, Shep,” Monk growled. “It’s summer.”

“Just because you don’t want to talk about girls or leg hair or B.O.—” Lem began, but he stopped dead at the look on Shep’s face.

“Something’s different,” Shep said, and he still held that pointer-at-a-bird look.

Lem tried to laugh, but stopped abruptly, a hiccup of seriousness at the look in Shep’s eyes.

A whisper: “What do you mean: different?”

Shep spoke without breaking his concentration. “Don’t you feel it?”

Monk shook his head with finality and went back to his comic, but Lem’s face had taken on a worried look.

Shep was never wrong about these kinds of things.

“I . . . don’t feel anything . . .” Lem offered mildly.

Idly, still scanning his Vault of Horror , Monk kicked out his sneaker and caught Lem on the shin. A scatter of orange infield dust, dislodged from the sculpted sole, trickled down the other boy’s bare leg.

“You feel that , Lemnick?”

“Be quiet—” Shep said abruptly, and it was not a request.

The other two boys were silent – and now Monk sat up, his butt easily finding the structure’s largest hole, which they inevitably called “the crapper.”

Something like a faint hiss, something like the eerie castanet sound cicadas make, passed by his ears and brushed him on one cheek, but there was not so much as a breeze in the early hot afternoon.

“What was—?”

“It’s getting hotter,” Shep said simply.

“Maybe it’s because of Hell’s Cave,” Monk laughed, but nobody joined him.

That afternoon it was too hot to swim. It stayed that way the next three days. They abandoned the treehouse, leaving its lopsided openwork collection of mismatched boards and tattooed, badly nailed orange crates, and moved into Monk’s cellar, which was damp but cool.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Mammoth Book of Best New Horror 18»

Представляем Вашему вниманию похожие книги на «The Mammoth Book of Best New Horror 18» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Mammoth Book of Best New Horror 18»

Обсуждение, отзывы о книге «The Mammoth Book of Best New Horror 18» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x