Philippa Gregory - The Kingmaker's Daughter

He sends Richard regular reports and I have sight of one which tells of the queen – in a slip of the pen he calls her the queen, as if I did not exist, as if the law had not been passed – riding and dancing, commanding a troop of local musicians, attending the local church, educating her girls, and interfering in the running of the home farm, changing the dairy and moving the beehives, advising him as to the furnishing, and planting a private garden with her favourite flowers. He sounds flustered and pleased. She sounds as if she is revelling in being a country lady once more. Her girls are running wild, Sir John has given them ponies and they are galloping all over Wiltshire. The tone of Sir John’s report is indulgent, as if he is enjoying having his house turned upside down by a beautiful woman and two energetic girls. Most importantly he reports that she attends chapel daily and that she receives no secret messages. I should be glad that she is neither plotting nor casting spells, but I cannot rid myself of the wish that she was still in sanctuary, or locked in the Tower like her sons, or disappeared altogether like them too. There is no doubt in my mind that I would be at peace, that England would be at peace, if she had died with her husband or disappeared with her boys.

The three oldest Rivers girls come to court with their heads held high, as if their mother were not guilty of treason against us. Richard tells me that they will pay their respects to me in the morning, after chapel and breakfast, and I am conscious of arranging myself in the beautiful rooms of Greenwich Palace with my back to the bright light from the windows, in a dark gown of red and a high headdress of deep ruby lace. My ladies sit around me and the faces that they turn to the slowly opening door are not friendly. No woman wants three pretty girls beside her for comparison, and these are Rivers girls looking for husbands, as Rivers girls always are. Besides, half the court has knelt to these girls, and the other half kissed their baby fists and swore they were the prettiest princesses that had ever been seen. Now they are maids in waiting to a new queen, and they will never wear a crown again. Everyone is anxious that they understand their dive from grandeur to pauperdom, and everyone secretly hopes that they will misunderstand, and make fools of themselves. It is a cruel court, as all courts are, and nobody in my rooms has any reason to love the daughters of Elizabeth Woodville who queened it over all of us.

The door opens and the three of them come in. At once I understand why Richard forgave the mother and ordered the girls to court. It was for love of his brother. The oldest, Elizabeth, now eighteen years old, is the most complete combination of her mother’s exquisite beauty and her father’s warmth. I would know her anywhere for Edward’s daughter. She has his easy grace: she smiles around the room as if she thinks she is greeting friends. She has his height: she is tall and slender like a sapling from the oak tree where he was bewitched. She has his colouring: her mother was so fair that her hair is almost silvery, but this Elizabeth is darker like her father, with hair like a wheatfield, gold and bronze, one curl escaping from her headdress and coiling in a ringlet falling to her shoulder. I imagine that when she lets down her hair it is a tumble of honey curls.

She is wearing a gown of green as if she is spring herself, coming into this court of world-worn adults. It is a simple gown with long deep sleeves, and instead of a gold chain she has a green leather belt knotted around her slim hips. I imagine there was no money left to buy the girls gold or jewels for them to come to court. Elizabeth Woodville may have robbed half the treasury, but rebellions are expensive affairs and she will have spent all her money arming men against us. Her daughter, Princess Elizabeth – or, as I must remember to say, Mistress Elizabeth Grey – wears a neat cap on her head, nothing ostentatious, nothing like the little coronet she used to wear as the favoured oldest princess of indulgent parents, and the promised bride of the heir of France. Behind her come her sisters. Cecily is another beauty, only this Rivers girl is dark-haired and dark-eyed. She flaunts a merry smile, full of confidence, and wears a dark red that suits her. Behind her comes little Anne, the youngest, in palest blue like the edges of a sea, fair like her eldest sister; but quiet with none of the strutting confidence of the other two.

They stand in a row before me as if they were sentries presenting their arms, and I wish to God that I could send them back to the guardroom. But they are here, and they are to be greeted not as nieces but as wards. I rise from my throne and my ladies rise too, though the rustle of a dozen costly gowns does not trouble Elizabeth. She looks from one to another as if she would price the material. I can feel myself flush. She was raised at court by a queen who was a famous beauty, and I don’t need to see her scornful smile to know that she finds us drab. Even I, in my ruby gown, am a pale queen beside her memory of her mother. I know that for her, I will never be anything but a shadow.

‘I welcome you three, Mistress Elizabeth, Cecily and Anne Grey, to my court,’ I say. I see Elizabeth’s eyes flash as I give her the name of her mother’s first husband. She will have to get used to this. Parliament itself has declared her a bastard, and her parents’ marriage a bigamous sham. She will have to get used to being called ‘Mistress Grey’ and not ‘Your Grace’.

‘You will find me an easy queen to serve,’ I say pleasantly, as if we have never met before, as if I have not kissed their cool cheeks a dozen times. ‘And this a happy court.’ I sit down and extend my hand and the three of them, one after another, curtsey and kiss my cold fingers.

I think the welcome has been done well enough and is over as the door opens and my husband Richard chooses this moment to come in. Of course he knows that the girls are being presented this morning. So he has come to make sure that everything goes well. I conceal my irritation in my smile of welcome.

‘And here is the king . . .’

Nobody is listening to me. As the doors opened Elizabeth turned and when she sees my husband she rises from her curtsey and goes light-footed towards him.

‘Your Grace, my lord uncle!’ she says.

Her sisters, quick as weasels, snake after her: ‘My lord uncle,’ they chorus.

He beams at them, draws Elizabeth to him and kisses her on both cheeks. ‘Looking beautiful as I knew you would,’ he assures her. The other two get a kiss on the forehead. ‘And how is your mother?’ he asks Elizabeth conversationally, as if he inquires after the health of a witch and a traitor every morning. ‘Does she like Heytesbury?’

She simpers. ‘She likes it well, my lord uncle!’ she says. ‘She writes to me that she is changing all the furniture and digging up the gardens. Sir John may find he has a difficult tenant.’

‘Sir John may find his house improved beyond measure,’ he assures her, as if bold-faced impertinence needs reassurance. He turns to me: ‘You must be glad to have your nieces in your rooms,’ he says, a tone in his voice that reminds me that I must agree.

‘I am delighted,’ I say coolly. ‘I am so delighted.’

I cannot deny that they are pretty girls. Cecily is a ninny and a gossip, Anne barely out of the schoolroom, and I see that she has lessons in Greek and Latin every day in the morning. Elizabeth is a perfect piece of work. If you were to draw up the qualities of a Princess of England she would match the pattern. She is well read – her uncle Anthony Woodville and her mother took care of that, she had the new printed books made by their bookmaker Caxton dedicated to her when she was barely out of the cradle. She speaks three languages fluently and can read four. She plays musical instruments and sings with a sweet low voice of surprising quality. She can sew exquisite fine work and I believe she can turn out a shirt or hem a fine linen shift with confidence. I have not seen her in the kitchen since I – as the daughter of the greatest earl in England, and now queen of my country – never have much cause to go into the kitchen. But she, having been cooped up in sanctuary, and the daughter of a countrywoman, tells me that she can cook roasted meats and stewed cuts, and dainty dishes of fricassees and sweetmeats. When she dances no-one can take their eyes off her; she moves to the music as if it is inspiring her, half-closing her eyes and letting her body respond to the notes. Everyone always wants to dance with her because she makes any partner look graceful. When she is given a part in a play she throws herself into it and learns her lines and delivers them as if she believed them herself. She is a good sister to the two in her care, and sends little gifts to the ones who are in Wiltshire. She is a good daughter, writing weekly to her mother. Her service to me as a lady in waiting is immaculate; I cannot fault her.