Jefferson Bass - Cut to the Bone - A Body Farm Novel

He shifted his grip slightly, propping the statue on the patio as he did, the tips of the wings and the sword forming a temporary tripod. The fall of Lucifer, he thought; then—straightening and lifting once more— Angels and ministers of grace defend us!

He did a test throw in slow motion, mentally coaching himself through the movements: the swaying windup, then the four-and-a-half spins—the accelerating dervish dance needed to power the flight of the angel, the hammer of God. Halfway through the practice spins, he stumbled and nearly fell, regaining his balance just in time to avoid a noisy crash. Who are you kidding? he asked himself scornfully, but then he heard another voice—a kinder voice: his high-school coach’s voice wafting across a decade, cheerfully scolding him in exactly the same words he’d used a hundred times or more at practice: Turn off your brain, Tyler. It’s like making love, son—if you’re thinking, you’re not doing it right.

The remembered admonition calmed Tyler; it even made him smile briefly. He drew a long, slow breath, feeling and hearing the air: rushing through his nostrils, flowing down the back of his throat, filling his lungs. He drew another, and a familiar, distinctive mixture of oxygen and adrenaline made its way into his muscles, awakening sensations and skills that lay deep and dormant within him. Turning his back on the window, he began to rock, swinging the statue to and fro, in pendulum arcs that gradually rose higher and higher: left, right, left, right, the wingtips and sword almost grazing the ground at the bottom of each arc. After half a dozen swings, the arc reached shoulder height on each side, and Tyler boosted the angel over the top: above his left shoulder, over his head, and then swooping down to the right. As it swooped he began to spin, shifting the plane of the statue’s motion from vertical toward horizontal. It swung outward now, angling away from his body as he spun. Whirling faster and faster, he leaned back, leaned into the turns, he and the angel counterbalancing one another like skaters or dancers in a dizzying duet—two turns, three turns, four—the winged figure straining to take flight.

As Tyler completed his fourth turn, the back of his left shoe came down on a pea-sized pebble. Pinched between his heel and the patio, the pebble shot free, pinging against the glass of the sliding door. It hit just as Tyler came out of the turn, whirling toward the house, toward his release point—the point where he would relax his fingers and release the statue; where he would let the angel take flight.

At the edge of his whirling field of vision, Tyler suddenly saw Satterfield spinning, too: spinning toward Tyler, a nightmarish reflection of Tyler’s own motion.

Time slowed; Tyler’s vision narrowed, tunneled, excluding all but three things: the sheen of the glass door, the malice on Satterfield’s face, and the pistol in the outstretched, tightening grip.

CHAPTER 52

Brockton

AS I WATCHED INhorror, Satterfield spun toward Tyler, raised the pistol, and fired.

The glass exploded—the room itself seemed to explode—and then Satterfield was lifted off his feet. He flew backward, slamming against the far wall of the dining room, hurled there— pinned there—by the angel from the garden. The wing tips pierced his wrists, pinning him to the wall like Christ on the cross, like the woman against the tree. The angel’s head was pressed tightly against Satterfield’s chest, the tip of the sword nestled in the hollow of his throat.

I glanced across the table at Kathleen, who was staring at the bizarre tableau, her shock at losing her finger momentarily forgotten, it seemed. Then, out of the corner of my eye, I glimpsed more movement outside. A man—his running shorts and T-shirt seeming surreally out of place here amid the carnage—stepped through the jagged, glass-fringed opening where the sliding door had just exploded. It was Tyler, looking as startled and stunned as I felt.

“It’s okay, it’s okay,” he gasped. “You’re gonna be okay.”

“Tyler, thank God,” I said. “Are you hit? Are you hurt?”

“I don’t think so.”

He knelt beside Kathleen and lifted her dangling, dripping hand. “Jesus. Jesus, Mrs. B, I can’t believe he did that.” He snatched a napkin from the floor and wrapped it around the stump of her finger, then raised the hand and angled it across her chest, resting it on her left shoulder. “Can you hold it here?” She stared, wild-eyed and confused. “Can you hold your hand up like that—just for a minute?—while I find something better to stop the bleeding?” Slowly her eyes focused on his face, and she nodded. “Good. That’s really, really good, Mrs. B. Hang in there. You’re gonna be just fine.” Standing, he scanned the kitchen, then headed to the freezer. He opened the door, and I heard ice clattering as he rummaged in the bin.

Satterfield groaned and twitched. I was surprised that he was alive; I had thought—and hoped—that the statue had struck him with enough force to crush his chest and stop his heart. But no: Satterfield shook his head and opened his eyes, staring at the angel that pinned him to the wall. I saw him wince as he strained to free his arms, then—to my horror—I saw him lift his feet from the floor, flexing his legs to bring his feet up to the base of the statue, working them underneath it for leverage. “Tyler!” I yelled.

Tyler turned, the freezer door still open. “ Shit, ” he said, skidding back across the kitchen in a trail of ice cubes. He scooped up the gun that had flown from Satterfield’s hand when the statue slammed into him. “ Stop, ” he ordered, raising the gun. Satterfield froze, but he didn’t lower his legs. “I will totally shoot you, asshole,” Tyler added. “Put your feet down— now —or I will gladly shoot your balls off.”

Satterfield’s feet slid from the statue and his legs eased down to the floor. Tyler kept the pistol trained on him, his hand shaking.

Suddenly I saw another flicker of movement in the back doorway—a face appearing and quickly withdrawing. Then a man in green military fatigues—a soldier? a cop?—stepped into the opening, dropped into a shooter’s crouch, and aimed a pistol at Tyler’s head. “ No! ” I screamed again. Tyler stared at me in confusion. I flung my head and shoulders backward, rocking the front legs of my chair off the floor, then jerked forward with all the strength I possessed. The chair bucked onto its front legs; I hung there, balanced at the tipping point, then—with agonizing slowness—toppled forward: toppled toward Tyler, falling against him, my head slamming into his belly just as I heard a gunshot from the doorway, and another, and three more in quick succession.

Tyler doubled over and collapsed onto me. Facedown on the floor, I could not see if he was alive or dead.

CHAPTER 53

Decker

DECKER STEPPED THROUGH THEdoorway, the gun still raised, wondering what the hell had just happened; wondering what the hell was happening still . Brockton and Satterfield lay tangled together on the floor, thanks to Brockton spoiling his shot, knocking Satterfield down, the guy’s head snapping downward just as Deck was squeezing off the shots. All five rounds had missed; all five had burrowed instead into—what the fuck? —an angel, a goddamned angel, which was holding someone, was pinning someone, against the back wall of the dining room. Someone who had tats on both of his raised forearms; someone who had the face of the suspect, Satterfield. Christ, Deck realized, nearly throwing up when it hit him, I almost shot the wrong guy .