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James Chase: Safer Dead

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James Chase Safer Dead

Safer Dead: краткое содержание, описание и аннотация

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The Editor of a monthly crime and detection magazine assigns to two of his staff writers, Sladen and Low, the investigation of the strange disappearance of an unknown showgirl. The disappearance was reported fourteen months earlier, but the trail is cold. The police, with nothing to work on, have lost interest. The assignment doesn't look hopeful. However, the investigators start asking questions and almost immediately things begin to happen. Witnesses are murdered, an attempt is made to do away with the investigators. The police once more open the case. The disappearance of the showgirl is found to be only a minor part of a ruthless murder plot. Safer Dead has the authentic James Hadley Chase touch, which has deservedly earned him the title of " Master of the Art of Deception ". It moves with the pace and power of forked lightning.

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‘I wish I knew,’ I said. I swerved past a truck, then went on, ‘What’s Creed like? Think he’ll let me work along with him?’

Marshall shrugged.

‘I guess so. There isn’t a cop on the coast who doesn’t want his picture in your rag. He’s a good guy, but he doesn’t like being kept out of things. You should have seen him before you went after Hesson.’

‘For the love of Mike!’ I exclaimed. ‘I only arrived yesterday. I was going to see him as soon as I had talked to Hesson.’

‘Just watch your step with him. By the way, you still working with that fat script writer from Hollywood?’

‘I wouldn’t call it working. He’s still drinking at the magazine’s expense.’

‘He’s a smart guy. You’d have thought he could have done something better than hack for Crime Facts.’

I laughed.

‘Everyone thinks that. It’s just the way his head’s shaped.’

It was around eight in the evening when I pulled up outside the Welden police headquarters.

‘I expect Creed will have gone home by now,’ Marshall said, getting out of the car. ‘Let’s see.’

But the desk sergeant said the captain was still in his office, and after he had put through a call, he told us to go on up. Police Captain Tom Creed was a tall, powerfully built man in his late fifties with a strong, hard face, piercing blue eyes and a shock of greying hair.

He shook hands with Marshall, and when Marshall introduced me, he smiled, seemingly pleased to meet me. ‘Your magazine does a fine job,’ he said. ‘You report from our angle, and that’s what I like.’

I grinned.

‘If we don’t keep in with the cops, we don’t eat. You want to hear what we think of you lot when we’re away from a typewriter.’

‘Don’t pay any attention to him,’ Marshall said. ‘He’s a great kidder. Captain, this guy has been doing our work for us. He’s turned up some new dope on the Fay Benson case.’

Creed sat down, motioned us to chairs and looked hard at me.

‘My editor thought it might be an idea if we did an article on the case,’ I explained. ‘I came down here to pick up the background and was lucky to stumble on something you haven’t got in the dossier. You probably know about it by now.’

‘Tell me,’ Creed said, and taking a pipe from his pocket, he began to fill it from a worn pouch.

I went over the story again.

Neither Creed nor Marshall interrupted, and when I had finished there was a long pause. I could see Creed didn’t like being scooped.

‘You should have reported this to me right away,’ he said. ‘I would have grabbed Hesson before he left town.’

‘I hadn’t anything on Hesson nor had you,’ I said. I took the gold apple out of my pocket and rolled it across the desk towards Creed. ‘By the time I found this, he was dead.’

Creed looked at Marshall.

‘What time did he die?’

‘Last night. He arrived at Hardy’s joint at one o’clock in the morning. He was knocked off between three and four.’

‘Any line on the killer?’

Marshall shook his head.

‘It’s a professional job. No fingerprints. No noise. No one saw anything. At four o’clock in the morning even the bums in Hardy’s place sleep.’

Creed picked up the miniature apple and studied it. Then he put it down and puffed smoke at it while he brooded.

‘Yes, it seems you’ve started something,’ he said, looking over at me. ‘Let’s go through the dossier again.’ He picked up the telephone and asked for the Benson dossier.

‘I’m sure Farmer was lying,’ he went on as we hung up. ‘I couldn’t see how the girl could have disappeared unless she had gone out past Farmer’s door. She had only eight minutes in which to do her disappearing act, and the stage door exit was the nearest to her room. That’s why we hammered away at Farmer, but we couldn’t move him from his story. It looks as if he and Hesson were working together.’

A tap came on the door and a policeman brought in a thick file which he gave to Creed.

‘Farmer and Hesson could have kidnapped the girl and have taken her to Hesson’s room. The charm under his bed points to it,’ Creed said as he opened the file. After turning some pages he read for a moment, then said, ‘She was wearing the charm bracelet when she disappeared.’

‘They wouldn’t have taken her to Hesson’s room,’ I said. ‘The only way up to the room is through the shop. They couldn’t have taken her there unless the owner of the shop was in it too, and I don’t think he was. He gave me Hesson’s address. It’s my guess. Farmer and Hesson were hired to kidnap the girl. Farmer got her into his office by telling her she was wanted on the telephone. She was expecting a call. He probably hit her on the head and bundled her into a waiting car. There must have been someone beside Farmer and Hesson in this to handle the car. Both Hesson and Farmer would have to stay in their jobs to alibi each other. Maybe the bracelet fell off Fay’s wrist when Farmer knocked her out. He might have given it to Hesson or he might

have gone to Hesson’s room later with it.’

Marshall nodded.

‘Yeah, it could have happened like that.’

‘We’ll start a hunt for the bracelet,’ Creed said. ‘It’s pretty hopeless after fourteen months, but we’ll have a try.’

‘Who’s this guy in the camel hair coat?’ Marshall asked. ‘We have a good description of him. We should be able to turn him up.’

‘Low’s looking for him right now,’ I said. ‘He may have already got on to him.’

Marshall grinned.

‘The two-man police force.’ He looked over at Creed. ‘I think this guy in the camel hair coat is important. We should get after him.’

Creed nodded.

‘Then there’s this Nichols girl,’ he said. ‘Where does she fit in?’

‘Anything on her death?’ I asked.

Creed reached for the telephone and called for the Nichols dossier.

‘I can’t remember what the coroner’s verdict was. We didn’t know she was connected with Fay Benson otherwise I’d have been a lot more interested.’

I picked up the miniature apple.

‘Who’s H.R.? Maybe he could tell us something about the girl. We don’t know a thing about her, do we? It seems to me she must have been hiding from someone.’

‘I thought so too,’ Creed said, leaning forward to take a file the policeman had brought in. He turned a page, glanced at it and put the file on his desk. ‘The coroner was satisfied Miss Nichols died accidentally. She apparently stepped on her dress while going downstairs, fell and broke her neck.’

‘Who was she?’

Creed looked at the file again.

‘She was in show business. She had just returned from a trip to Paris. She and nine other girls had gone out on a cabaret engagement, but the act flopped. She came back here broke, and was looking for work.’

‘Fay couldn’t have been one of the other nine girls, could she?’ I asked. ‘Might be worth checking.’

Creed nodded.

‘I’ll do that.’

‘I think Joan Nichols was murdered,’ I said. ‘I think Farmer was murdered too.’

Creed smiled grimly.

‘That’s because you write for Crime Facts. There’s not a shred of evidence either of them was murdered.’

‘When did Joan Nichols die?’

Creed glanced at the file again.

‘August 20th.’

‘She called at the Shad Hotel on the 20th inquiring after Fay. Then she goes home and falls downstairs. Come to that, wasn’t the 20th the night Farmer died?’

Creed looked sharply at me, consulted the Fay Benson dossier and then nodded.

‘Correct,’ he said, frowning.

‘It smells to high heaven to me; doesn’t it to you?’

‘You’re right, it does,’ Marshall broke in. ‘I think he’s got something, captain.’

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