James Chase - Safer Dead

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Safer Dead: краткое содержание, описание и аннотация

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The Editor of a monthly crime and detection magazine assigns to two of his staff writers, Sladen and Low, the investigation of the strange disappearance of an unknown showgirl. The disappearance was reported fourteen months earlier, but the trail is cold. The police, with nothing to work on, have lost interest. The assignment doesn't look hopeful. However, the investigators start asking questions and almost immediately things begin to happen. Witnesses are murdered, an attempt is made to do away with the investigators. The police once more open the case. The disappearance of the showgirl is found to be only a minor part of a ruthless murder plot. Safer Dead has the authentic James Hadley Chase touch, which has deservedly earned him the title of " Master of the Art of Deception ". It moves with the pace and power of forked lightning.

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‘Okay, Mr. Sladen,’ the policeman said. ‘Looks like we turned up about right. Sergeant Scaife’s sending another car. It should I be here any moment.’

‘Did you see a girl around?’ I asked.

‘Didn’t see anyone except those two punks.’

Then I caught sight of Lydia as she came out of the shadows.

She walked unsteadily and slowly towards me.

‘There she is,’ I said and ran over to her.

Before I could reach her, she folded at the knees and dropped on the grass. The two policemen joined me as I bent over her. For a moment I thought she had been shot, but there was no sign of blood. One of the policemen felt her pulse.

‘She’ll be okay,’ he said. ‘She’s fainted.’

By this time people were crowding out of the cabins and were forming groups around the two dead gunmen. Approaching sirens brought two more squad cars bouncing

down the drive-in.

‘I’ll get her to my car,’ I said, picking Lydia up.

With the two policemen either side of me, I carried her to the car park where the squad cars were unloading.

A sergeant came over to me.

‘Sladen?’

‘That’s right.’

‘The Captain wants you back at headquarters. Who’s the girl? Is she hurt?’

‘No; just fainted.’ I got Lydia into the Lincoln. ‘She’s part of the story. Are you going to give me an escort?’

‘I’ll send someone with you.’

He told one of his men to drive us to headquarters, then calling to his men, he went off down the cinder path.

It took us under an hour to reach headquarters. On the way, Lydia came out of her faint. She seemed pretty badly shocked and after I had assured her she had nothing to worry about, she relaxed against me, her head on my shoulder.

Scaife was waiting as we pulled up outside headquarters. He stared blankly at me as I helped Lydia out.

‘The guy hiding behind this moustache is your old pal Sladen,’ I said.

‘Pretty smart,’ he said, grinning. ‘You had me foxed for a moment. Looks as if you’ve been having fun. Come on in. The Captain’s just shown up. I got him out of bed. Better watch your step. He’s as mad as a bear with a boil.’

While he was talking he looked curiously at Lydia who leaned against me and stared at him with scared eyes.

‘Let’s go on in,’ I said.

We climbed the stairs to Creed’s office.

‘While I talk to the Captain, will you look after Miss Forrest?’ I said. ‘She’s had a shock and needs a rest.’

‘Sure,’ Scaife said. ‘You come with me.’ He went on to Lydia. ‘I’ll fix you up.’

Leaving them I rapped on the police captain’s door, pushed it open and walked in.

Creed sat at his desk. His heavy face was drawn and tired. The wall clock told me it was twenty minutes past three. I felt quite a wreck myself. For a moment he stared hard at me.

‘Sladen reporting,’ I said.

‘You seem to have got yourself into a pretty fine mess,’ Creed growled.

‘I guess I have,’ I said, hooking a chair towards me with my foot. ‘Mathis is after me, and I had to change my appearance to keep my freedom of movement. I’ve brought a witness along with me. Her name’s Lydia Forrest. She’s the ex-girlfriend of Hamilton Royce. Have you read my report?’

He nodded.

‘Let me bring you up to date,’ I said, sitting down. I gave him a detailed account of what had happened since writing the report and concluded by saying, ‘Miss Forrest can prove Royce and Fay knew each other, and I can get hold of this private investigator, Andrews, who can prove Royce fingered Fay to Flemming.’

Creed took out a cigar, bit off the end before saying, ‘That won’t do us much good. So long as he remains in Tampa City we can’t touch him. I’ve checked the gun you sent in. It was stolen from a gunshop in Frisco eight years ago. It could have belonged to anyone. There’re no prints on it.’ He lit his cigar, then asked, ‘What’s the motive behind Hartley’s murder?’

‘As far as I can make out the motive behind all these murders is panic,’ I said, shaking a cigarette from the pack and lighting it. ‘Since Fay disappeared there have been five murders that can be linked to her. Let’s look at them in rotation: first was Joe Farmer. He helped kidnap her. He was a lush; the kind of guy who might talk when he was drunk. He was dangerous, so he was knocked off by a hit and run car. Joan Nichols was next. She was a blackmailer, and it’s my bet she picked up some information when she was in Paris and tried to cash in on it. She too was silenced. Then fourteen months later, just when everything had quietened down, Jake Hesson made a mistake. He admitted to me he knew Fay. He was promptly knocked off before I could put pressure on him. Hartley offered you information. When I first called on him he hadn’t much to tell me, but later, he may have thought of something. Anyway, he called me and said he had a theory that might interest me. But he was knocked off before I could get to him. Probably his servant saw the killer and he had to go too. The whole setup smells to me of panic. Someone is desperately trying to keep a murder quiet. I have an idea it’s Van Blake’s murder and not Fay’s that the killer is trying to cover up. There must be a pretty good reason why six people have been murdered, and five million bucks is a good reason. That’s what Van Blake left his wife.’

Creed ran his fingers through his hair while he scowled at me.

‘You think Royce and the Van Blake woman are behind all these killings?’

‘I’m sure they are.’

‘But you’re guessing. Where’s the hook up between Van Blake’s murder and Fay Benson?’

‘If I knew that the case would be solved. There is a hookup. There must be. Look at it this way: Royce dropped his girlfriend for Fay. But he went around with Fay in secret. Why in secret? If Miss Forrest hadn’t had Fay watched no one would have known Royce and she had teamed up. Royce fingered Fay to Flemming. He then took her to Welden where no one knew her and he was careful not to be seen with her there. Flemming, Farmer and Hesson kidnapped her, and Flemming killed her. He took a lot of care about hiding her body. Mrs. Van Blake knew her. She must have done. You should have seen how she reacted when I showed her Fay’s photograph. Hartley employed Fay as his model. I think he remembered something about her that was dangerous to either Royce or Mrs. Van Blake. He got shot before he could talk. Of course there’s a hookup. We’ve got to find out what it is.’

‘Yeah,’ Creed said, impressed in spite of himself. ‘Well, how are we going to do it?’

‘There’s an essential clue missing,’ I said, getting to my feet. ‘Maybe Low will dig it up in Paris. I’ve sent him over there to trace Mrs. Van Blake’s movement. I’m hoping he’ll find out what Joan Nichols found out. I’m now going back to Tampa City. Royce was pretty anxious to silence Miss Forrest and he’s failed. He and Mrs. Van Blake might panic, and I want to be there if they do.’

‘You’re sticking your neck out, Sladen,’ Creed said seriously. ‘If Mathis arrests you for murder, there’s nothing I can do about it.’

‘I’ll chance it. The solution to this case is in Tampa City. Until we crack the case, don’t let Miss Forrest leave here. She’ll be an important witness, and we can’t afford to lose her.’

‘I keep telling you,’ Creed said impatiently, ‘we haven’t any say-so in Tampa City. Royce and the Van Blake woman could get away with this even if you got proof. I can’t see Doonan putting a millionairess on trial.’

‘He’ll put her on trial if I can prove she killed her husband,’ I said. ‘You might not be able to do anything about it, but I can. We’ll print the whole story with statements and photographs in Crime Facts. That’ll smoke Doonan out. He’ll have to put her on trial.’

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