Пользователь - WORLD'S END
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- Название:WORLD'S END
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WORLD'S END: краткое содержание, описание и аннотация
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II
The explanation of all this was obvious. Beauty Budd was a social being, who could not live without the stimulus of rivalry. When she was going out among people, she would be all keyed up, and when food was put before her, she would be so absorbed in conversation that she would take only absentminded nibbles. But when she was shut up in the house alone, or with people upon whom she did not need to "make an impression," then, alas, she had time to realize that she was hungry. Not even the thought of a world at war, and the sufferings of millions of men, could save her from that moral decline.
There were friends she might have seen; but in the tumult of fear which had seized the world she preferred to keep to herself. All the Americans in France were hating the Germans; but Beauty hated war with such intensity that she didn't care who won, if only the fighting would end. As for Lanny, he was doing what his father advised, keeping himself neutral. This being the case, they couldn't even speak to their own servants about the terror that was sweeping down upon Paris.
Lanny had to be "society" to his adored mother. He would invite her to a the dansant; putting a record on the phonograph, and letting her show him the fine points of the fashionable dances. He in turn would teach her "Dalcroze," and make her do "plastic counterpoint"; she would be required to "feel" the music, and they would experiment and argue, and have a very good time. Then he would invite her to a concert, in which they would be both performers and audience; they would play duets, and he would make her work at it. No fun just playing the same things over; if you were going to get anywhere you had to be able to read. He would put a score before her and exhort and scold like a music master.
When Beauty was exhausted from that, he wouldn't let her lie down by the box of chocolates; no, it was time for their swim. When she got into her suit, he would walk behind her to the beach and survey the shapely white calves, and worry her by saying: "They are undoubtedly getting thicker!" The water was warm, and Beauty would want to float and relax, and let him swim around her; but no again, he would challenge her to a race along the shore. He would splash and make her chase him. But he never did succeed in persuading her to put on Robbie's goggles and sink down among the fishes.
They would read aloud, taking turns. Beauty couldn't concentrate upon a book very long, she was too restless - or else too sleepy. But when she had someone to read to her, that was a form of social life. She would interrupt and talk about the story, and have the stimulus of another person's reactions. In course of the years many books had accumulated in the house; friends had given them, or Beauty had bought them on people's recommendation, but had seldom found time to look at them. But now they would enjoy the company of M. France, whom they had met so recently. Lanny found Le Lys Rouge on the shelves, a fashionable love story treated with touches of the worldling's playful mockery. It had been his popular success, and proved a success with Beauty. It took her back to the happy days, the elite of the world enjoying the impulses of what they politely termed their hearts - the glands having not as yet been publicly discovered. Without difficulty Beauty saw herself in the role of a heroine who had become involved with three men, and couldn't figure out what to do. Having visited in Florence, she recalled the lovely landscapes, and they discussed the art treasures and art ideas in the book.
Lanny remembered that M. Priedieu, the librarian, had spoken about Stendhal. A copy of La Chartreuse de Parme had got onto the shelves, they had no idea how. Once more Beauty saw herself as a heroine, a woman for whom love excused all things. She was enraptured by detailed and precise analysis of the great passion. "Oh, that is exactly right!" she would exclaim, and the reading would stop while she told Lanny about men and women, and how they behaved when they were happy in love, or when they were sad; of different types of lovers, and what they said, and whether they meant it or not; how it felt to be disappointed, and to be jealous, and to be thwarted; how love and hatred became mixed and intertangled; the part that vanity played, and love of domination, and love of self, and love of the world and its applause. Beauty Budd had had a great deal of experience, and the subject was one of unending fascination.
Perhaps not all moralists would have approved this kind of conversation between a mother and a son. But she had told Lanny in Paris that if they came back to Juan, he would be a French boy. So he would have to know the arts of love, if only to protect himself. There were dangerous kinds of women, who could wreck the happiness of a man, old or young, and care not a flip of the fan about it. One should know how to tell the good ones from the bad - and generally, alas, it was not possible until it was too late.
There was another purpose, too; Beauty was defending herself, and Marcel, and Harry, or rather what she had done to Harry. Perhaps her conscience troubled her, for she talked often about the plate-glass man, and what might be happening to him in Pittsburgh. Love was bewildering, and many times you wouldn't be happy if you did and wouldn't be if you didn't. You might make a resolve to go off by yourself and have nothing more to do with love; but men had refused to let Beauty do it, and some day soon women would be refusing to let Lanny do it.
After which they would go back to Henri Beyle, soldier, diplomat, and man of the world, who had written under the pen name of Stendhal, and who would tell them how love had fared in the midst of the last World War - just a hundred years earlier, not so long ago in Europe's long story.
III
There came post cards from Marcel Detaze; he was well, busy, and happy to know they were safe at home. He was not permitted to say where he was, but gave the number of his regiment and battalion. The censoring of mail was strict, but no censor in France would object to a painter's declaring that he loved his beautiful blond mistress or to her replying that the sentiments were reciprocated. Beauty fed her soul upon these messages - plus Robbie's assurance that the war couldn't last more than three or four months. Maybe Marcel wasn't going to see any fighting; he would come home with a story of interesting adventure, and life would begin again where it had left off.
Everybody they had met in Paris, and everybody they met now, was confident that the French armies were going to hold the Germans while the Russian steam roller hurtled over Prussia and captured Berlin. The French military authorities had been so confident that they had planned a giant movement of their forces through Alsace and Lorraine; they would break the German lines at the south, then, sweeping north, cut the communications of the enemy advancing through Belgium and northern France. The papers told about the beginning of this counterattack and what it was intended to do; then suddenly they fell silent, and the next reports of fighting in this district came from places in France. Those who understood military affairs knew what this meant - that the armies of la patrie had sustained a grave defeat.
As to what was happening farther north, not all the censorship in the land could hide the facts from the public. One had only to take a map and mark on it the places where fighting was reported, and he would see that it was the German steam roller which was hurtling - and at the rate of ten or twenty miles a day. The little Belgian army was fighting desperately, but was being swept aside; its forts were being pulverized by heavy artillery, and towns and villages in the path of the invasion were being wrecked and burned. The still smaller British army which had been landed at the Channel ports was apparently meeting the same fate. The Kaiser was on his way to Paris!
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