Пользователь - WORLD'S END

Lanny had been officially taught the "facts of life," and so was beginning to know his way about in society. He had come to know who was whose, so to speak, and at the same time he knew that he wasn't supposed to know - unless the persons themselves allowed him to. There were things he mustn't say to them, and others he must never say to anyone. The persons he met might be doing something very evil, but if there hadn't been "a scandal," they would be received in society, and it wasn't his privilege to set up a code and try to enforce it.

It had never before occurred to Lanny to find any serious fault with his darling Beauty. But now his quick mind could not fail to put two and two together. For years he had been hearing her tell her friends that she refused to "pay the price"; and now, how could he keep from believing that she was changing her mind? It was painful to have to face the idea that his adored mother might be selling herself to a handsome young millionaire in order to be able to have her gowns made by Paquin or Poiret, and to wear long ropes of genuine pearls as her friend Emily Chattersworth did! He told himself that there must be some reason why she was no longer happy with Marcel. The only thing he could think of was the painter's efforts to keep her from gambling, and from running into debt and losing her sleep. But Lanny had decided that Marcel was right about that.

VII

"I must go and see Isadora," said Mrs. Emily. "Maybe Lanny would like to go along."

Lanny cried: "Oh, thank you! I'd love it - more than anything." For years he had been hearing about Isadora, and once he had seen her at a lawn party at Cannes, but he had never had an opportunity to meet her or even to see her dance. People raved about her in such terms that to the boy she was a fabulous being.

Harry Murchison telephoned, and when Beauty told him about the proposed trip, he begged to be allowed to drive them. Mrs. Emily gave her consent; it appeared that she was promoting the affair between Harry and Beauty, giving the latter what she considered sensible advice.

They set out, Lanny riding in the front seat beside the young scion of plate glass, who laid himself out to be agreeable. But Lanny was hard to please; he was polite, but reserved; he knew quite well that he wasn't being wooed for his own beautiful eyes. Harry Murchison was well dressed and dignified, and had been to college and all that, but his best friend couldn't have claimed that he was a brilliant talker. When it came to questions of art and the imagination, he would listen for a while, trying to find something to say that was safe.

For example, Harry had seen Isadora Duncan dance; and what could he say about it? He said that she danced on an empty stage, and with bare feet, and that people in Pittsburgh had considered that decidedly risquй . He said that she had an orchestra, and danced "classical" music - as if anybody had imagined her dancing a cake-walk! If you made him search his memory he might add that she had blue velvet curtains at the back of the stage, and wore draperies of different colors according to the music, and that people clapped and shouted and made her come on again and again.

But imagine Marcel Detaze talking about Isadora! In the first place, he would know what was unique in her art, and how it was related to other dancing. He would know the difference between free gestures and any sort of conventionalized form. He would know the names of the compositions she danced, and what they expressed - poignant grief, joy of nature, revolt against fate, springtime awakening - and as Marcel told you about them he would grieve, rejoice, revolt, or awaken. He would use many gestures, he would make you realize the feat that was being performed - one small woman's figure, alone and without the aid of scenery, embodying the deepest experiences of the human soul; struck down with grief, lifted up in ecstasy, sweeping across the stage in such a tumult that you felt you were watching a great procиssion.

In short, Lanny was all for French temperament, as against American common sense. Of course, plate glass was useful, perhaps even necessary to civilization; but what did Harry Murchison have to do with it, except that he happened to be the grandson of a man who had known about it? Harry got big dividend checks, and would get bigger ones when his father and mother died; but that was all. He had sense enough to find Pittsburgh smoky and boring, and had come to Paris in search of culture and beauty. And that was all right - only let him find some other beauty than that upon which Lanny and Marcel had staked their claims!

Mrs. Emily in the back seat was telling about the affaires of Isadora, and Lanny turned his head to listen. The dancer was another person who had been experimenting with the sex life. She was a "free lover" - a new term to Lanny. He gathered its meaning to be that she refused to conceal what she did. Defying the dreadful thing called "scandal," she had had two children, one by a son of Ellen Terry, the actress, and the other by an American millionaire whom she called "Lohengrin." The smart world could not overlook such an opportunity for entertaining itself, and delighted in a story that Isadora had once offered to have a child by Bernard Shaw, saying that such a child would have her beauty and his brains; to which the skeptical playwright had replied: "Suppose it should have my beauty and your brains?"

The jealous fates would not permit a woman to believe too much in happiness, or to practice what she preached. Early in the previous year a dreadful tragedy had befallen those two lovely children. They had been left in an automobile, and apparently the chauffeur had failed to set the brakes properly. The car had rolled down hill, crashed into a bridge, and plunged into deep water; the children had been taken out dead. The distracted mother had wandered over Europe, hardly knowing what she did; but now her friend "Lohengrin" had taken charge of her, and had purchased a great hotel in the environs of Paris, and Isadora was trying to restore herself to life by teaching other people's children to dance - and incidentally, so Mrs. Emily revealed, by having another child of her own.

VIII

The hotel at Bellevue was a large place with several hundred rooms; a commonplace building, but with lovely gardens sloping to the river, and from the terrace in front of it a view over the whole of Paris. The dining room had been turned into the dancing room, and there were Isadora's blue velvet curtains. Tiers of seats had been built on each side, where the pupils sat while the lessons were given on the floor. The teachers were the older pupils; the school had been going for only a few months, but already they had been able to give a festival at the Trocadйro and rouse an audience to transports of delight.

Isadora Duncan was a not very large woman, with abundant dark brown hair, regular features, a gentle, sad expression, and a figure of loveliness and grace. She had come from California, unknown and without resources, except her genius, and had created an art which held vast audiences spellbound in all the capitals of Europe and America. Even now, expecting a baby in a few days, she would step forward to show her troop of children some gesture; she would make a few simple movements against the background of her blue curtains, and something magical would happen, a spirit would be revealed, an intimation of glory. Even reclining on a couch, making motions with arms and hands, Isadora was noble and inspiring.

The music of a piano sounded and a group of children swung into action, eager, alert, radiating joy. Lanny Budd's whole being leaped with them. It took him back to Hellerau, but it was different, more spontaneous, lacking the basis of drill. In "Dalcroze" there was science; but these children caught a spirit - and Lanny, too, had that spirit; he knew instantly what they were doing. He could hardly keep his seat; for dancing is not something to be watched, it is something to be done.