Chalmers Johnson - Dismantling the Empire

The Baghdad archaeological museum has long been regarded as perhaps the richest of all such institutions in the Middle East. It is difficult to say with precision what was lost there in those catastrophic April days in 2003 because up-to-date inventories of its holdings, many never even described in archaeological journals, were also destroyed by the looters or were incomplete thanks to conditions in Baghdad after the Gulf War of 1991. One of the best records, however partial, of its holdings is the catalog of items the museum lent in 1988 to an exhibition held in Japan’s ancient capital of Nara entitled Silk Road Civilizations. But, as one museum official said to John Burns of the New York Times after the looting, “All gone, all gone. All gone in two days.”

A single beautifully illustrated, indispensable book edited by Milbry Polk and Angela M. H. Schuster, The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Ancient Mesopotamia , represents the heartbreaking attempt of more than a dozen archaeological specialists on ancient Iraq to specify what was in the museum before the catastrophe, where those objects had been excavated, and the condition of those few thousand items that have been recovered. The editors and authors have dedicated a portion of the royalties from the book to the Iraqi State Board of Antiquities and Heritage.

At a conference on art crimes held in London a year after the disaster, the British Museum’s John Curtis reported that at least half of the forty most important stolen objects had not been retrieved and that of some 15,000 items looted from the museum’s showcases and storerooms about 8,000 had yet to be traced. Its entire collection of 5,800 cylinder seals and clay tablets, many containing cuneiform writing and other inscriptions some of which go back to the earliest discoveries of writing itself, was stolen. Since then, as a result of an amnesty for looters, about 4,000 of the artifacts have been recovered in Iraq, and over 1,000 have been confiscated in the United States. Curtis noted that random checks of Western soldiers leaving Iraq had led to the discovery of several in illegal possession of ancient objects. Customs agents in the United States then found more. Officials in Jordan have impounded about 2,000 pieces smuggled in from Iraq; in France, 500 pieces; in Italy, 300; in Syria, 300; and in Switzerland, 250. Lesser numbers have been seized in Kuwait, Saudi Arabia, Iran, and Turkey. None of these objects has as yet been sent back to Baghdad.

The 616 pieces that form the famous collection of “Nimrud gold,” excavated by the Iraqis in the late 1980s from the tombs of the Assyrian queens at Nimrud, a few miles southeast of Mosul, were saved, but only because the museum had secretly moved them to the subterranean vaults of the Central Bank of Iraq at the time of the first Gulf War. By the time the Americans got around to protecting the bank in 2003, its building was a burnt-out shell filled with twisted metal beams from the collapse of the roof and all nine floors under it. Nonetheless, the underground compartments and their contents survived undamaged. On July 3, 2003, a small portion of the Nimrud holdings was put on display for a few hours, allowing a handful of Iraqi officials to see them for the first time since 1990.

The torching of books and manuscripts in the Library of Korans and the National Library was in itself a historical disaster of the first order. Most of the Ottoman imperial documents and the old royal archives concerning the creation of Iraq were reduced to ashes. According to Humberto Márquez, the Venezuelan writer and author of Historia Universal de La Destrucción de Los Libros , about a million books and ten million documents were destroyed by the fires of April 14, 2003. Robert Fisk, the veteran Middle East correspondent of the Independent of London, was in Baghdad the day of the fires. He rushed to the offices of the U.S. Marines’ Civil Affairs Bureau and gave the officer on duty precise map locations for the two archives and their names in Arabic and English, and pointed out that the smoke could be seen from three miles away. The officer shouted to a colleague, “This guy says some biblical library is on fire,” but the Americans did nothing to try to put out the flames.

THE BURGER KING OF UR

Given the black market value of ancient art objects, U.S. military leaders had been warned that the looting of all thirteen national museums throughout the country would be a particularly grave danger in the days after they captured Baghdad and took control of Iraq. In the chaos that followed the Gulf War of 1991, vandals had stolen about four thousand objects from nine different regional museums. In monetary terms, the illegal trade in antiquities is the third most lucrative form of international trade globally, exceeded only by drug smuggling and arms sales. Given the richness of Iraq’s past, there are also more than ten thousand significant archaeological sites scattered across the country, only some fifteen hundred of which have been studied. Following the Gulf War, a number of them were illegally excavated and their artifacts sold to unscrupulous international collectors in Western countries and Japan. All this was known to American commanders.

In January 2003, on the eve of the invasion of Iraq, an American delegation of scholars, museum directors, art collectors, and antiquities dealers met with officials at the Pentagon to discuss the forthcoming invasion. They specifically warned that Baghdad’s National Museum was the single most important site in the country. McGuire Gibson of the University of Chicago’s Oriental Institute said, “I thought I was given assurances that sites and museums would be protected.” Gibson went back to the Pentagon twice to discuss the dangers, and he and his colleagues sent several e-mail reminders to military officers in the weeks before the war began. However, a more ominous indicator of things to come was reported in the April 14, 2003, London Guardian . Rich American collectors with connections to the White House were busy “persuading the Pentagon to relax legislation that protects Iraq’s heritage by prevention of sales abroad.” On January 24, 2003, some sixty New York–based collectors and dealers organized themselves into a new group called the American Council for Cultural Policy and met with Bush administration and Pentagon officials to argue that a post-Saddam Iraq should have relaxed antiquities laws. Opening up private trade in Iraqi artifacts, they suggested, would offer such items better security than they could receive in Iraq.

The main international legal safeguard for historically and humanistically important institutions and sites is the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, signed on May 14, 1954. The United States is not a party to that convention, primarily because, during the Cold War, it feared that the treaty might restrict its freedom to engage in nuclear war, but during the 1991 Gulf War the elder Bush’s administration accepted the convention’s rules and abided by a “no-fire target list” of places where valuable cultural items were known to exist. UNESCO and other guardians of cultural artifacts expected the younger Bush’s administration to follow the same procedures in the 2003 war.

Moreover, on March 26, 2003, the Pentagon’s Office of Reconstruction and Humanitarian Assistance (ORHA), headed by Lt. Gen. (ret.) Jay Garner—the civil authority the United States had set up for the moment hostilities ceased—sent to all senior U.S. commanders a list of sixteen institutions that “merit securing as soon as possible to prevent further damage, destruction, and/or pilferage of records and assets.” The five-page memo dispatched two weeks before the fall of Baghdad also said, “Coalition forces must secure these facilities in order to prevent looting and the resulting irreparable loss of cultural treasures” and that “looters should be arrested/detained.” First on Gen. Garner’s list of places to protect was the Iraqi Central Bank, which is now a ruin; second was the Museum of Antiquities. Sixteenth was the Oil Ministry, the only place that U.S. forces occupying Baghdad actually defended. Martin Sullivan, chair of the President’s Advisory Committee on Cultural Property for the previous eight years, and Gary Vikan, director of the Walters Art Museum in Baltimore and a member of the committee, both resigned to protest the failure of CENTCOM to obey orders. Sullivan said it was “inexcusable” that the museum should not have had the same priority as the Oil Ministry.