J. Black - The Shop

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The Shop: краткое содержание, описание и аннотация

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In Aspen, Colorado, a pop star and her entourage are brutally murdered in their luxury chalet. The lead assassin, ex-Navy SEAL Cyril Landry, has no qualms about carrying out his mission until the instant before he kills the young star—an intense, shared moment that will ultimately drive him to find out why these people had to die. Landry transforms from mercenary to hunter as he delves into the depths of The Shop, the shadowy organization that has hired him to execute people across the country. Thousands of miles away, in a seedy motel in Gardenia, Florida, a local police chief is found shot to death. The scene has all the signs of a romantic rendezvous gone wrong, but Detective Jolie Burke isn’t so sure. As she digs for clues, the tangled threads of evidence lead to a disturbing place: Indigo, the lush tropical estate of the powerful Haddox clan and home of US Attorney General Franklin Haddox. As Jolie continues to pursue the truth, she quickly discovers that Haddox will do anything to protect his country’s ugly secrets—even kill. Landry’s quest to uncover The Shop’s motives throws him into the dark currents of Jolie’s investigation, and they find themselves working together as an unlikely duo: a cop and a killer, joining forces to expose a shocking conspiracy that ascends to the highest offices in the land. Intricate and fast-paced,
is a breathtaking thriller in the vein of Nelson DeMille and David Baldacci.

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He almost missed him—a small movement, disappearing almost instantly. His eye followed the trajectory, and after a very long time, he saw the tip of the man’s nose again. At the same moment he heard the whop-whop-whop of helicopter rotors in the distance. He wondered if the local news affiliate had a helicopter, or if the helo belonged to Cardamone.

No time to wonder—here was his chance. He kept low to the other side of the causeway, walking along riprap, his eye on the water, and hid opposite the junction box behind the rocks at the edge of the causeway. The swimmer would have a cable cutter and a knife—possibly two. But Landry had surprise, and he also had a knife.

His quarry came out of the water, hugging low to the rocks and slipping into the concealment of the bushes. Before he could hack all the way through the cable, Landry was on him. They toppled into the water and Landry piggy-backed on him, pinning the man’s back with his knee against the rocks beneath the surface. Holding the swimmer’s forehead with one hand and his chin with the other, Landry jerked the man’s head back with as much force as he could muster. But his bad hand slipped, losing purchase, and his quarry pried at his hands with strong fingers. Landry kept the swimmer’s head underwater, pushing him down into the silt and sharp rocks with his knee. This was incredibly hard to do—his legs felt as if heavy weights were tied to them. The swimmer’s legs scissored—aided by flippers—and he twisted like an eel in Landry’s grip—incredible strength driven by panic. One more time Landry took hold and jerked back, and this time he felt the neck go.

Even though he was sure the swimmer was dead, Landry held him a little longer, to make sure. They had a saying in the SEALs: “Never assume a frogman is dead until you find his body.”

Finally, he released him and kicked away along the causeway to the gatehouse, where the two black SUVs were parked cross-ways in front.

Thinking: One down.

The helo was overhead now, circling. A news copter after all? The Bell JetRanger had a big white “8” on the side with the call letters WFLA NEWS. But the letters didn’t look right—a rush job. The searchlight came on, blinding white and lighting up the ground around the gatehouse. Bursts of shot hit the water and came ever closer, smacking the pavement in a deadly pattern, smashing into the roof of the gatehouse.

He knew it was diversionary, but even so, they could hit him. He made it to the Suburban closest to the compound and crouched by the right front tire, hoping the engine block would stay between him and the helo until he could get into the vehicle. He’d left the keys in both vehicles for just this purpose. The helo hovered, like an angry dog poking its snout through a cat door. Landry launched himself in through the passenger side into the driver’s seat. He floored the Suburban across the causeway, shot pellets shattering the back window. Jammed the brakes, shot forward again, slewing right and left like a slalom skier. At the boathouse he rolled out, rolled all the way into the brush. Crawled to the shelter of the boathouse and peered out the small back window, checking to see if anyone was around. That was when he saw the Carolina skiff pulled up into the reeds on the shoreline.

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The cameras were out. Everything was out. It was the storm. Jolie hoped it was the storm. She listened, waited for the generator to kick in. Twenty seconds. Everything was dark. It was gloomy outside, the rain coming down hard, but in this shed it was very, very dark. Jolie rummaged around for the walkie-talkie.

A loud sputtering sound rent the heavily laden air. A cough, and the stench of gasoline. The lights flickered on. Automatically, she looked at the camera screens. Saw movement—two figures near the boathouse.

Just before the lights went out for a second time.

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Jolie couldn’t find the walkie-talkie. It had to be right near her. Her hand scoured the desktop. She needed to be able to communicate with Cyril. She could see the shapes of things in the gloom. Her fingers landed on the walkie-talkie, but she knocked it to the floor.

Reached down, feeling around her chair.

Hands running down the heavy links of the chain to the padlock.

Her fingers nudging the padlock as she fished around for the walkie-talkie.

Something sharp protruded from the lock. The key.

Relief poured over her, warm and welcoming. Followed by gratitude—Stockholm syndrome again. But the exhilaration of this moment was too great. Tears seeped from her eyes. He’d given her an out. He’d given her a chance to get away, or to go and protect her family.

Protect her family. Whatever their flaws, whatever they had done in the past, they were her responsibility now. They belonged to her, and she would see them through.

She held the chain, let it down to the floor quietly. She didn’t want to attract anyone to this building. Jolie debated turning on one of the flashlights, but decided against it. She felt around for the gear bag with the arsenal Cyril had brought with him. She took a knife along with its scabbard and hitched it to her belt. She strapped her own Walther PPK to her ankle. She pulled on a dark windbreaker, took another .45 and stuck it in one pocket, and put the walkie-talkie in the other. She emptied the gear bag of everything but the remaining weapons and added three Maglites. Took one of the sound suppressors and screwed it onto a Heckler & Koch .45 semiautomatic. Time to go.

Her eyes had adjusted to the gloom. There was nobody in the doorway. Jolie wished she had power, wished she could watch the cameras, but they were useless to her now.

She remained crouched—a smaller target—and followed the wall to the doorway. Worried. Wondered if the men coming for them had FLIR scopes. Any minute, she could be dead before she heard the crash of the bullet—

Couldn’t think like that. And in fact, she encountered no one. The shifting wind blew the rain against her back and then into her face, needles that were warm but somehow chilling, water trickling down her neck, but the windbreaker was good. She kept to the sides of the buildings, concealing herself wherever she could by bushes or trees, duck-walking where there was empty space.

She reached the octagon house and leaned against the side of the building away from the beach, away from the boat in the inlet. She’d have to work her way around to the basement entrance.

She heard something coming from the kitchen area directly in front of her—chains jingling, a ticking sound on the brick.

Small shapes, larger shapes, emerged from the gloom and into the blowing wind, coming through the mist toward her.

The dogs. They didn’t bark. They wriggled, they panted, they surrounded her.

They followed her as she made her slow half circuit of the octagon house.

Worried they would attract attention, she moved faster.

She reached the steps. Followed by the dogs, she went down into the darkness.

60

Maybe she should have used a flashlight. Creeping her way through the gloom, dogs at her heels, Jolie aimed for a slit of light ground-level in the approximate direction of her grandfather’s room. Their generator was still working. Her eyes adjusted to the darkness quickly, and she made out the heavy piece of furniture—a dresser—barricading them in.

She pushed away the dresser and opened the door.

Five pairs of eyes stared at her. Like a snapshot. Four of Cyril’s captives sitting on the floor against the wall. Kay with Zoe, Riley next to her by a body’s-width distance and still snuggled up close to her father. All of them stunned, except for Granddad in his hospital bed, sheet pulled up to his chin. His expression was vague—Jolie got the strong impression he’d gone back to wherever he’d come from.

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