Powers, Richard - Orfeo

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Orfeo: краткое содержание, описание и аннотация

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Longlisted for the 2014 Man Booker Prize. "If Powers were an American writer of the nineteenth century he'd probably be the Herman Melville of
. His picture is that big," wrote Margaret Atwood (
). Indeed, since his debut in 1985 with
, Richard Powers has been astonishing readers with novels that are sweeping in range, dazzling in technique, and rich in their explorations of music, art, literature, and technology.
In
, Powers tells the story of a man journeying into his past as he desperately flees the present. Composer Peter Els opens the door one evening to find the police on his doorstep. His home microbiology lab the latest experiment in his lifelong attempt to find music in surprising patterns has aroused the suspicions of Homeland Security. Panicked by the raid, Els turns fugitive. As an Internet-fueled hysteria erupts, Els the "Bioterrorist Bach" pays a final visit to the people he loves, those who shaped his musical journey. Through the help of his ex-wife, his daughter, and his longtime collaborator, Els hatches a plan to turn this disastrous collision with the security state into a work of art that will reawaken its audience to the sounds all around them. The result is a novel that soars in spirit and language by a writer who may be America s most ambitious novelist (Kevin Berger,
).

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He didn’t need cash so much as he needed protection from the psych ward. Structured activity might keep at bay all the thoughts brought on by extended silence.

Verrata saved him and gave him the sustainable oblivion he needed. He moved back down to the Mid-Atlantics and took up the gristmill work of an adjunct professor. He taught five courses a semester: a mix of ear training, sight singing, and basic theory and harmony. His days were a gauntlet of Fixed-Do slogs, with him as tonality’s drill sergeant. Like every adjunct, he was a stone-dragging serf helping to build a very wide pyramid. But exploitation suited his need for penitence.

He threw himself into the crushing routine. A few semesters of teaching the rudiments of music made him realize how little of the mystery of organized vibrations he’d ever understood. The whole enigma unfolded in front of him, and he stood back from it as baffled as a beginner. He tried to tell his freshmen the simplest things — why a deceptive cadence makes a listener ache or how a triplet rhythm creates suspense or what makes a modulation to a relative minor broaden the world — and found he didn’t know.

Not knowing felt good. Good for his ear.

He still composed sometimes, at his desk between student conferences, or sitting in the thick of the college commons, although he never bothered to put any notes to paper. Tiny haiku microcosms spilled out of him, five-finger exercises in peace that fragmented into lots of beautiful, fermata-held rests.

Students came, learned, and left. Some suffered through their solfeggio exercises, masters of the taciturn eye-roll. But others he changed forever. To the best of his student composers, Els said, Do not invent anything; simply discover it. One or two of them understood him.

The years went by, and he worked as hard and well as he could. He gardened. He learned how to cook. He took up long morning walks. One day, his daughter called him out of the blue. She was passing through Philadelphia for a conference her start-up was attending. Els met her at a noisy chowder house. The diffident girl of twenty who’d spent long, secluded hours on dial-up bulletin boards in multi-user dimensions was having a ball inventing whole new imaginary worlds again. Only this time it was called entrepreneurship.

Five minutes of conversation with this short-haired, soft-suited, velvet-shirted stranger, and he was in love all over again. And weirdly comfortable, as if they’d gone on chatting away in their own language for all those missing years.

So what exactly is data mining? he asked.

Okay, Sara said, wiping the white linen napkin across her twisting lips. Say you wanted to know how many hours a week midwestern urban professionals between the ages of twenty-five and thirty spend listening to crunk.

Wait, her father said. Start from the beginning.

A very good place to start.

She’d ended up much like her mother: solid, flourishing, in love with work. She came back out East four months later, and they went to New York to look at paintings together. Then the calls started. First every Sunday evening, then expanding to two or three times a week. She did enjoy him. But he was her project, really. She seemed to feel some need to look after him, a fix for all those years when he failed to look after her. She sent him a dog for his birthday. She bought him books and sent him discs and concert tickets. She vetted his television viewing and took him with her once to Hamburg. She did everything but say: Let’s make something, Daddy. Something good.

All the while, he worked. He had the esteem of his colleagues, the respect of his neighbors, and the occasional affection of his better students. After some years, it shocked Els to discover that, for the first time in his life, he was almost happy.

I bequeath myself to the dirt.

Near Amarillo, the sun dropped huge and bronze below the horizon. Els kept to the radio. One hundred outbreaks of avian flu throughout Bangladesh and Southeast Asia. Fatal cases in Egypt and Indonesia and Cambodia and Bangladesh and Dakahlia. Infected wild birds were showing up in the abandoned radioactive wasteland zones around Fukoshima. The newsreader couldn’t suppress the thrill in his voice. Something was happening, at last. If not this flu season, then the next.

Els pressed on past the city. The plan was to make it to Phoenix in one more push the next day. Anxiety stained his clothes, and he would have no fresh ones anytime soon. Home and comfort were no more than nostalgic folk songs. He’d badly misjudged the vast, callous vacancy of the West. The featureless Panhandle stretched out in front of him, da capo ad nauseum.

A flyspeck town near the New Mexico border beckoned, and he pulled off. A mile and a half up a dark road he found a mom-and-pop place with a sign whose half-darkened neon letters read like Martian script. A Holiday Inn Express beckoned from across the way, but Els chose the churlish motel without a second thought. Fifteen hours of solo driving: the sensation was not unlike sitting through a fifty-year-old experimental art film five times in a row. His vision swirled, and the asphalt of the parking lot as he baby-stepped across it bobbed like the sea. Only the thought of lying down forever kept him moving.

A single-story elbow of rooms bent around the weed-shot parking lot. The building had seen better times, but the times could never have been too good. A line of windows hid behind heavy curtains, and the roar of retrofitted air conditioners kept up a steady drone. The insects in the air, the plane overhead, and the blood coursing in his ears combined into a spectral masterpiece.

A bouquet of Pine-Sol filled the tiny lobby, with its walls of stucco and knotty pine. Behind the ironing board of a front desk, a sun-beaten old man in chinos and a tee reading Outta My Face preempted the guest before he could say hello.

Cash only, tonight.

The man’s voice was a wondrous, geared machine. Els said, Deal.

The proprietor didn’t even pretend to paperwork. The eleven most hated words in the English language: I’m from the government, and I’m here to collect your receipts. But politics and art made strange bedfellows, and Els was fine with allies wherever he found them.

The room smelled of tobacco and microwave popcorn, but the bed was soft, and Els felt lucky beyond saying. He opened the particleboard closet and stood in front of it, feeling the urge to unpack. The absence of a bag made that difficult. His head buzzed and in his ears, the slap of tires against the seams in the highway continued to beat out a steady andante.

A TV tilted from the wall like an altarpiece. He flipped it on, for tranquilizing. The headline news channel featured a pet care business that was booming in the advent of the Rapture, only weeks away. He turned on the smartphone. The FBI could zero in on the device and raid the room, so long as they let him take a hot shower first. Searching on his name produced too many citations even to skim. It left him vaporous, diffused, and a little exhilarated. He chucked the phone on the bed, stripped, went into the funky, pine-paneled bathroom, and got under the spray.

The pelt of hot water against his skin sizzled like cymbals. The ringing in his ear changed pitch as he clenched his jaw. Toweling dry, he heard the great night music from Bartók’s Concerto for Orchestra so clearly that he was sure it came through the motel walls. He stood and listened. The piece, its thick brocade of brass, seemed to him uniquely worth saving from the last century’s runaway bonfire. Making such a thing could justify a life. But the piece was a charity commission, and the maker died a miserable pauper’s death a year and a half later, mourned at his funeral by eight people including his wife and son.

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