Mickey Spillane - One Lonely Night
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- Название:One Lonely Night
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One Lonely Night: краткое содержание, описание и аннотация
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Another minute to make myself cool off. Another minute to let instinct and training take over.
Another minute for my eyes to see and they picked out the path that led through the rubbish, a path I should have seen sooner because it had been deliberately made and often used. Old paint cans had been pushed aside and spilled their thick, gooey mess on the floor. The larger drums had been slop pails for left-over stuff and marked the turns in the trail.
My eyes saw it, my feet followed it. They took me around the bend and through a hall then up the stairs.
And the path that was cleared through the dirt on the floor led to the middle, then the top story. It led to rooms that reeked of turpentine so strong it almost took my breath away. It led to a corridor and another man who stepped out of the shadows to die. It led to a door that swung open easily and into a room that faced on other rooms where I was able to stand in my invisible cloak of blackness with barely the strength to hold the gun.
I stood there and looked at what I was, hearing myself say, "Good God, no, please . . . no!" I had to stand there for a moment of time that turned into eternity while I was helpless to intervene and see things my mind wanted to shut out . . . hear things my ears didn't want to hear.
For an eternal moment I had to look at them all, every one. General Osilov in a business suit leaning on his cane almost casually, an unholy leer lighting his face. My boy of the subway slobbering all over his chin, puking a little without noticing it, his hands pressed against his belly while his face was a study in obscene fascination.
And the guy in the pork-pie hat!
Velda.
She was stark naked.
She hung from the rafters overhead by a rope that chewed into her wrists, while her body twisted slowly in the single light of the electric lantern! The guy in the pork-pie hat waited until she turned to face him then brought the knotted rope around with all the strength of his arm and I heard it bite into her flesh with a sickening sound that brought her head up long enough for me to see that even the pain was dulling under the evil of this thing.
He said, "Where is it? You'll die if you don't tell me!"
She never opened her mouth. Her eyes came open, but she never opened her mouth!
Then there was only beauty to the nakedness of her body. A beauty of the flesh that was more than the sensuous curve of her hips, more than the sharp curve of breasts drawn high under the weight of her body, more than those long, full legs, more than the ebony of her hair. There was the beauty of the flesh that was the beauty of the soul and the guy in the pork-pie hat grimaced with hate and raised the rope to smash it down while the rest slobbered with the lust and pleasure of this example of what was yet to come, even drooled with the passion that was death made slow in the fulfillment of the philosophy that lived under a red flag!
And in that moment of eternity I heard the problem asked and knew the answer! I knew why I was allowed to live while others died! I knew why my rottenness was tolerated and kept alive and why the guy with the reaper couldn't catch me and I smashed through the door of the room with the tommy gun in my hands spitting out the answer at the same time my voice screamed it to the heavens!
I lived only to kill the scum and the lice that wanted to kill themselves. I lived to kill so that others could live. I lived to kill because my soul was a hardened thing that reveled in the thought of taking the blood of the bastards who made murder their business. I lived because I could laugh it off and others couldn't. I was the evil that opposed other evil, leaving the good and the meek in the middle to live and inherit the earth!
They heard my scream and the awful roar of the gun and the slugs tearing into bone and guts and it was the last they heard. They went down as they tried to run and felt their insides tear out and spray against the walls.
I saw the general's head splinter into shiny wet fragments and splatter over the floor. The guy from the subway tried to stop the bullets with his hands and dissolved into a nightmare of blue holes.
There was only the guy in the pork-pie hat who made a crazy try for a gun in his pocket. I aimed the tommy gun for the first time and took his arm off at the shoulder. It dropped on the floor next to him and I let him have a good look at it. He couldn't believe it happened. I proved it by shooting him in the belly. They were all so damned clever!
They were all so damned dead!
I laughed and laughed while I put the second clip in the gun. I knew the music in my head was going wild this time, but I was laughing too hard to enjoy it. I went around the room and kicked them over on their backs and if they had faces left I made sure they didn't. I saved the last burst for the bastard who was MVD in a pork-pie hat and who looked like a kid. A college boy. He was still alive when he stared into the flame that spit out of the muzzle only an inch away from his nose.
I cut her down carefully, dressed her, cradled her in my arms like a baby and knew that I was crying. Me. I could still do that. I felt her fingers come up and touch one of the wet spots on my cheek, heard her say the three words that blessed everything I did, then I went back to the path that led out into the night that was still cold and rainy, but still free to be enjoyed. There was a soft spot on the ground where I laid her with my coat under her head while I went back to do what I had to do. I went back to the room where death had visited and walked under the rafters until I reached the pork-pie hat that lay next to the remains of the thing that wore it. I lifted his wallet out of his back pocket and flipped his coat open so I could rip the inside lining pocket out along with some shreds of the coat fabric. That was all. Except for one thing. When I went down the stairs once more I found a drum of paint whose spilled contents made a sticky flow into some empty cans. When I built up a mound of old papers around the stuff I touched a match to it, stood there until I was satisfied with its flame, then went back to Velda. Her eyes were closed and her breathing heavy. She came up in my arms and I fixed my coat around her.
I carried her that way to my car and drove her home, and stayed while a doctor hovered above her. I prayed. It was answered when the doctor came out of the room and smiled. I said another prayer of thankfulness and did the things that had to be done to make her comfortable. When the nurse came to sit by her side I picked up my hat and went downstairs.
The rain came down steadily. It was clear and pure. It swept by the curb carrying the filth into the sewer.
We know now, don't we, Judge? We know the answer.
There were only a few hours left of the night. I drove to the office and opened the lamp. I took out the two envelopes in there and spread them out on my desk. The beginning and the end. The complexities and the simplicities. It was all so clever and so rotten.
And to think that they might have gotten away with it!
It was over and done with now. Miles away an abandoned paint factory would be a purgatory of flame and explosions that would leave only the faintest trace of what had been there. It was a hell that wiped away all sins leaving only the good and the pure. The faintest trace that it left would be looked into and expounded upon. There would be nothing left but wonder and the two big words, WHY and HOW. There were no cars at the scene. They wouldn't have been foolish enough to get there that way. The flames would char and blacken. They would leave remains that would take months to straighten out, and in that straightening they would come across melted leaden slugs and a twisted gun that was the property of the investigating bureau in Washington. There would be cover-up and more wonder and more speculation, then, eventually, someone would stumble on part of the truth. Yet even then, it was a truth only half-known and too big to be told.
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