Various - Hooded Detective, Volume III No. 2, January, 1942

Carlson frowned, remained dramatically silent for a moment while he twisted his mustache. Kip Burland watched the man closely. If this was acting, Carlson was a remarkable actor. Somehow, he could not trust the man nor the words that came from his mouth.

Carlson said, "The Eye has not only organized the various mobs of gunmen in this city, but he has accomplished something else. He has established a perfect underground railway for transporting these criminals from one place to another in secret. I know, because the Eye personally asked me to handle that part of his business for him."

There was another dramatic pause. Then Sergeant McGinty sprang to his feet.

"Say, Mr. Carlson, if the Eye approached you personally let's have it right now. Is the Eye this same guy known as the Black Hood?"

Carlson smiled. "It would seem so from the picture which appeared this morning in the Daily Opinion."

"Yeah," Joe Strong put in. "That's the picture I took."

No one was paying any attention to Joe. All eyes were focused upon Jack Carlson.

"Understand," Carlson continued, "I did not meet the Eye face to face. He called me on the telephone, spoke to me in a whispering voice. He asked me if I would be interested in a money-making proposition. I played him along, tried to draw him out. He wanted me to employ cars and trucks for the secret transportation of criminals and in exchange I was to get a cut of the money which would be looted by his criminals."

"And," Weedham said, "you believe that some transportation company in this city is actually assisting the Eye in this business?"

"Undoubtedly," Carlson said. "I, of course, rejected his offer. I was attempting to figure out a plan by which I might trace this call to the Eye's hideout, but that's quite difficult with these dial phones, you know.

"But that is how the Eye is working his get-aways. He probably has carefully placed stations all over the city where criminals who are fleeing from some crime can get a fast car, or hide in some unsuspicious looking truck to be transported beyond the reach of the law. It would appear to me – "

Every light in the big room suddenly went out. Smothering blackness dropped like a shroud over those at the refectory table and upon Barbara Sutton, Joe Strong, Kip Burland, and Jeff Weedham who were seated along one wall.

"D-d-damn!" Jeff Weedham stuttered. "What's this – the well known blackout?"

A white beam of light stabbed through the French windows at the end of the room, spotted the wall directly above Jack Carson's sleek head. In the center of the spot was a crude sign, projected in black lines upon the wall. It was like a child's drawing of a human eye, round, staring, and at the same time infinitely menacing.

Kip Burland was on his feet while the others remained spellbound by the brand of light. Watching the projected sign of the eye upon the wall, he nevertheless moved swiftly and silently toward the French windows.

The sign of the Eye flicked out, and in its place was a message in black letters:

Burland waited for no more, but slipped through the French windows and onto the terrace. The white beam of light rayed out from a thick grove of shrubs and small trees on the other side of the big yard. Kip Burland raced across the lawn toward the source of the light.

Half way toward the thicket, Kip Burland saw that the light had gone out. But he had marked the spot from which it had originated, and in another moment he had broken through the tangled branches of the shrubs to the place from which the light ray had come. He saw no one. He stopped, listening. On his left he heard the crackling of twigs. He moved quickly in that direction, saw now a wraithlike figure in white.

"Hello there."

It was the soft voice of a woman who called. Kip Burland took a few more cautious steps in the direction of the figure in white. Now that his eyes were more used to the gloom, he could see that the woman was not alone. There was a man standing beside her.

"Hello," Kip responded calmly. He took a box of matches from his pocket, struck one, and held it high. The woman wore a white evening gown. Her beautifully molded face was nearly as white as her dress. Her hair was black as India ink, drawn back from her rounded forehead to knot softly at the back of her head. Her eyes were cool green with an exotic lift at the outer extremities of the lids.

The man beside her was evidently her chauffeur, judging from his uniform. He was a dark, somber looking man with a particularly ugly scar on his chin.

The woman smiled – a smile that did not quite reach her green eyes.

"Are you the man with the flashlight who was out here a moment ago?" she asked.

Kip's eyes narrowed. He wondered if the woman was beating him to the draw. He might have asked her, and with better reason, if it was she who had turned that beam of light on the Weedham house.

The match burned out in Kip's fingers. He tossed the stub of it aside.

"Obviously I'm not the man with the flashlight," he said evenly, "or I would not have had to light a match just now."

"How silly of me," the woman with the green eyes laughed. "Of course you are not. But I am so anxious to find my little locket. I am Vida Gervais, and I live just over the wall in the next house. I think I lost my little locket while walking here this afternoon. I hoped that you were the man with the flashlight and could help me find it."

"Don't you find that gown something of a liability hunting in this jungle?" Kip asked. Her explanation was entirely too glib to suit him.

But before she could form an answer, the whip-crack of a shot rang out from the direction of the Weedham house. The woman who had introduced herself as Vida Gervais uttered a short, sharp cry. Then she and her chauffeur turned and fled.

Kip Burland thrashed his way through the bushes to the border of the thicket. In the dim night glow, he saw a man running toward the house and a second figure that lay huddled on the lawn in front of the terrace steps. Burland could not be absolutely certain, but he thought that the running man was Jack Carlson. There were hoarse shouts from the immediate vicinity of the house, and Kip recognized the bellow of Joe Strong and the harsh rasping voice of Sergeant McGinty.

Kip broke away from the shrubbery and ran across the open lawn toward that point where the man lay on the ground. The second figure, which he thought was Jack Carlson, was now kneeling beside the fallen man.

In another moment, Kip saw that his first impression had been correct. The second man was Carlson. He looked up at Kip, his face chalk white in the uncertain light.

"He's dead," Carlson said. "He's been shot."

Burland dropped beside Jack Carlson, brought out his matches, struck one. The man on the ground was wearing an ordinary business suit. He was entirely bald, with a large, shapeless nose and chubby cheeks. He was lying on one side, his left arm extended. Clutched in the dead fingers of his left hand was a yellow slip of paper. It looked like bank check paper to Burland.

Others were coming from around the side of the house – Jeff Weedham and Barbara Sutton. Behind them came Major Paxton and two other members of the committee.

Kip Burland shot a glance at Jack Carlson, saw that the latter was looking in the direction of the newcomers. Kip thrust out a hand toward the piece of yellow paper in the fingers of the corpse. It was so rapid a movement that even if Carlson had been watching him it is doubtful if the auto livery operator could have caught it. Kip jerked the piece of paper from the hand of the dead man, and stood up.

By the time Barbara and Jeff Weedham had joined them, Burland had rolled the slip of yellow paper into a cylinder and placed it inside the cap of his fountain pen.