Various - Blackwood's Edinburgh Magazine, Volume 62, No. 386, December, 1847
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- Название:Blackwood's Edinburgh Magazine, Volume 62, No. 386, December, 1847
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Blackwood's Edinburgh Magazine, Volume 62, No. 386, December, 1847: краткое содержание, описание и аннотация
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"Apollo kept the flocks of Admetus, said the poets. Every man is a divinity in disguise, a god playing the fool. It seems as if heaven had sent its insane angels into our world as to an asylum, and here they will break out into their native music, and utter at intervals the words they have heard in heaven; then the mad fit returns, and they mope and wallow like dogs." Whether witty or wise, such interpretations have manifestly nothing to do with the fable as it exists in history, as part of the history of the human mind.
"The transmigration of souls: that too is no fable; I would it were. But men and women are only half human. Every animal of the barn-yard, the field and the forest, of the earth and of the waters that are under the earth, has contrived to get a footing, and to leave the print of its features and form in some one or other of these upright, heaven-facing speakers." Very good; only, if poets and wits are to set themselves to the task, we should like to know what fable there is in the world, whether the product of imagination or fancy, which might not be shown to abound in eternal verities.
Travelling on a little farther, we meet with the following paragraph, some parts of which are to be made intelligible by putting ourselves in the point of view of the idealistic philosopher; but the whole together, by reason of the incongruity of its parts, produces no other effect than that of mere and painful bewilderment, —
"A man is a bundle of relations, a knot of roots, whose flower and fruitage is the world. All his faculties refer to natures out of him. All his faculties predict the world he is to inhabit, as the fins of the fish foreshow that water exists, or the wings of an eagle in the egg presuppose a medium like air. Insulate and you destroy him. He cannot live without a world. Put Napoleon in an island prison, let his faculties find no men to act on, no Alps to climb, no stake to play for, and he would beat the air and appear stupid. Transport him to large countries, dense population, complex interests and antagonist power, and you shall see that the man Napoleon, bounded, that is, by such a profile and outline, is not the virtual Napoleon. This is but Talbot's shadow;
"His substance is not here:
For what you see is but the smallest part,
And least proportion of humanity;
But were the whole frame here,
It is of such a spacious lofty pitch,
Your roof were not sufficient to contain it.
Columbus needs a planet to shape his course upon. Newton and Laplace need myriads of ages and thick-strewn celestial areas. One may say, a gravitating solar system is already prophesied in the nature of Newton's mind. Not less does the brain of Davy and Gay-Lussac, from childhood exploring always the affinities and repulsions of particles, anticipate the laws of organisation. Does not the eye of the human embryo predict the light? the ear of Handel predict the witchcraft of harmonic sound? Do not the constructive fingers of Watt, Fulton, Whittemore, and Arkwright, predict the fusible, hard, and temperable texture of metals, the properties of stone, water, and wood? the lovely attributes of the maiden child predict the refinements and decorations of civil society? Here, also, we are reminded of the action of man on man. A mind might ponder its thoughts for ages, and not gain so much self-knowledge as the passion of love shall teach it in a day. Who knows himself before he has been thrilled with indignation at an outrage, or has heard an eloquent tongue, or has shared the throb of thousands in a national exultation and alarm? No man can antedate his experience, or guess what faculty or feeling a new object shall unlock, any more than he can draw to-day the face of a person whom he shall see to-morrow for the first time."
And the essay concludes by presenting its leading idea in this distorted and exaggerated shape: —
"Thus, in all ways does the soul concentrate and reproduce its treasures for each pupil, each new-born man. He, too, shall pass through the whole cycle of experience. He shall collect into a focus the rays of nature. History no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by languages and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived. A man shall be the Temple of Fame. He shall walk as the poets have described that goddess, in a robe painted all over with wonderful events and experiences; – his own form and features by that exalted intelligence shall be that variegated vest. I shall find in him the Foreworld; in his childhood the age of gold; the apples of knowledge; the Argonautic expedition; the calling of Abraham; the building of the temple; the advent of Christ; dark ages; the revival of letters; the Reformation; the discovery of new lands, the opening of new sciences, and new regions in man. He shall be the priest of Pan, and bring with him into humble cottages the blessing of the morning stars, and all the recorded benefits of heaven and earth."
We regret to say that instances of this painful obscurity, of this outrageous and fantastical style of writing, it would not be difficult to multiply, were it either necessary or desirable. We have quoted sufficient to justify even harsher terms of censure than we have chosen to deal in; sufficient to warn our readers who may be induced, from the favourable quotations we have made, and shall continue to make, to turn to the works of this author, that it is not all gold they will find there, that the sun does not always shine upon his page, that a great proportion of his writings may be little suited to their taste.
That which forms the great and inextinguishable charm of those writings is the fine moral temper they display, the noble ardour, the high ethical tone they every where manifest and sustain, and especially that lofty independence of his intellect, that freedom of his reason which the man who aspires after true cultivation should watch over and preserve with the utmost jealousy. Addressing the Divinity students of Cambridge, U. S., he says, —
"Let me admonish you, first of all, to go alone; to refuse the good models, even those most sacred in the imagination of men, and dare to love God without mediator or veil. Friends enough you will find, who will hold up to your emulation Wesleys and Oberlins, saints and prophets. Thank God for these good men, but say, 'I also am a man.' Imitation cannot go above its model. The imitator dooms himself to hopeless mediocrity. The inventor did it because it was natural to him; and so in him it has a charm. In the imitator, something else is natural, and he bereaves himself of his own beauty, to come short of another man's…
"Let us not aim at common degrees of merit. Can we not leave to such as love it the virtue that glitters for the commendation of society, and ourselves pierce the deep solitudes of absolute ability and worth? We easily come up to the standard of goodness in society. Society's praise can be cheaply secured, and almost all men are content with those easy merits; but the instant effect of conversing with God, will be to put them away. There are sublime merits; persons who are not actors, not, speakers, but influences; persons too great for fame, for display; who disdain eloquence; to whom all we call art and artist seems too nearly allied to show and by-ends, to the exaggeration of the finite and selfish, and loss of the universal. The orators, the poets, the commanders, encroach on us only, as fair women do, by our allowance and homage. Slight them by preoccupation of mind, – slight them, as you can well afford to do, by high and universal aims, and they instantly feel that you have right, and that it is in lower places that they must shine. They also feel your right; for they, with you, are open to the influx of the all-knowing spirit, which annihilates before its broad noon the little shades and gradations of intelligence in the compositions we call wiser and wisest.
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