Various - Blackwood's Edinburgh Magazine, Volume 65, No. 402, April, 1849

As a contrast to these splendid pictures, we subjoin the portrait of the Black Hole of Calcutta, which proves that, if the author is in general endowed with the richness of Ariosto's imagination, he can, when necessary, exhibit the terrible powers of Dante.

"Then was committed that great crime – memorable for its singular atrocity, memorable for the tremendous retribution by which it was followed. The English captives were left at the mercy of the guards, and the guards determined to secure them for the night in the prison of the garrison, a chamber known by the fearful name of the Black Hole. Even for a single European malefactor that dungeon would, in such a climate, have been too close and narrow. The space was only twenty feet square. The air-holes were small and obstructed. It was the summer solstice – the season when the fierce heat of Bengal can scarcely be rendered tolerable to natives of England by lofty halls, and by the constant waving of fans. The number of the prisoners was 146. When they were ordered to enter the cell, they imagined that the soldiers were joking; and, being in high spirits on account of the promise of the nabob to spare their lives, they laughed and jested at the absurdity of the notion. They soon discovered their mistake. They expostulated, they entreated, but in vain. The guards threatened to cut all down who hesitated. The captives were driven into the cell at the point of the sword, and the door was instantly shut and locked upon them.

"Nothing in history or fiction – not even the story which Ugolino told in the sea of everlasting ice, after he had wiped his bloody lips on the scalp of his murderer – approaches the horrors which were recounted by the few survivors of that night. They cried for mercy; they strove to burst the door. Holwell, who even in that extremity retained some presence of mind, offered large bribes to the gaolers. But the answer was, that nothing could be done without the nabob's orders; that the nabob was asleep, and that he would be angry if anybody woke him. Then the prisoners went mad with despair. They trampled each other down, fought for the places at the windows – fought for the pittance of water with which the cruel mercy of the murderers mocked their agonies – raved, prayed, blasphemed, implored the guards to fire among them. The gaolers, in the meantime, held lights to the bars, and shouted with laughter at the frantic struggles of the victims. At length the tumult died away in low gaspings and moanings. The day broke. The nabob had slept off his debauch, and permitted the door to be opened; but it was some time before the soldiers could make a lane for the survivors, by piling up on each side the heaps of corpses on which the burning climate had already begun to do its loathsome work. When, at length, a passage was made, twenty-three ghastly figures, such as their own mothers would not have known, came forth alive. A pit was instantly dug: the dead bodies, a hundred and twenty-three in number, were flung into it promiscuously, and covered up." 3 3 Ibid. , iii. 144-146.

This style does admirably well for short biographies, such as those of Warren Hastings or Clive, in the Edinburgh Review , in which the object is to condense the important events of a whole lifetime into comparatively few pages, and fascinate the reader by as condensed and brilliant a picture as it is possible to present, of the most striking features of their character and story. But how will it answer for a lengthened history, such as Macaulay's great work promises to be, extending to twelve or fifteen volumes? How will it do to make the "extreme medicine of the constitution its daily bread?" Ragouts and French dishes are admirable at a feast, or on particular occasions, but what should we say to a diet prescribed of such highly seasoned food every day? It is true, there are not many such brilliant and striking passages as those we have quoted. The subject, of course, would not admit of, the mind of the reader would sink under, the frequent repetition of such powerful emotion. But the style is generally the same. It almost always indicates a crowd of separate ideas, facts, or assertions, in such close juxtaposition that they literally seem wedged together. Such is the extent of the magazine of reading and information from which they are drawn, that they come tumbling out, often without much order or arrangement, and generally so close together that it is difficult for a person not previously acquainted with the subject to tell which are of importance and which are immaterial.

This tendency, when as confirmed and general as it has now become, we consider by far the most serious fault in Mr Macaulay's style; and it is not less conspicuous in his general history than in his detached biographies. Indeed, its continuance in the former species of composition is mainly owing to the brilliant success with which it has been attended in the latter. In historical essays it is not a blemish, it is rather a beauty; because, in such miniature portraits or cabinet pieces, minuteness of finishing and crowding of incidents in a small space are among the principal requisites we desire, the chief charm we admire. But the style of painting which we justly admire in Albano and Vanderwerf, would be misplaced in the ceiling of the Sistine Chapel, or even the extended canvass of the Transfiguration. We do not object to such elaborate finishing, such brevity of sentences, such crowding of facts and ideas, in the delineation of the striking incidents or principal characters of the work; what we object to is its continuance on ordinary occasions, in the drawing of inconsiderable characters, and in what should be the simple thread of the story. Look how easy Hume is in his ordinary narrative – how unambitious Livy, in the greater part of his history. We desiderate such periods of relaxation and repose in Macaulay. We there always discover learning, genius, power; but the prodigal display of these powers often mars their effect. We see it not only in delineating the immortal deeds of heroes, or the virtues of princesses, but in portraying the habits of serving-women or the frailties of maids of honour. With all its elevated and poetical qualities, the mind of Macaulay occasionally gives token of its descent from our common ancestress, Eve, in an evident fondness for gossip. It would perhaps be well for him to remember that the scandal of our great great-grandmothers is not generally interesting, or permanently edifying; and that he is not to measure the gratification it will give to the world in general, by the avidity with which it is devoured among the titled descendants of the fair sinners in the Whig coteries. There is often a want of breadth and keeping in his pictures. To resume our pictorial metaphor, Macaulay's pages often remind us of the paintings of Bassano, in which warriors and pilgrims, horses and mules, dromedaries and camels, sheep and lambs, Arabs and Ethiopians, shining armour and glistening pans, spears and pruning-hooks, scimitars and shepherds' crooks, baskets, tents, and precious stuffs, are crammed together without mercy, and with an equal light thrown on the most insignificant as the most important parts of the piece.

When he is engaged in a subject, however, in which minute painting is not misplaced, and the condensation of striking images is a principal charm, Mr Macaulay's pictorial eye and poetical powers appear in their full lustre. We observe with pleasure that he has not forgotten the example and precept of Herodotus, who considered geography as a principal part of history; and that, in the description of countries, he has put forth the whole vigour of his mind with equal correctness of drawing and brilliancy of colouring. As a specimen, we subjoin the admirable picture of the plain of Bengal, in the life of Clive: —

"Of the provinces which had been subject to the house of Tamerlane, the wealthiest was Bengal. No part of India possessed such natural advantages, both for agriculture and for commerce. The Ganges, rushing through a hundred channels to the sea, has formed a vast plain of rich mould, which, even under the tropical sky, rivals the verdure of an English April. The rice-fields yield an increase such as is elsewhere unknown. Spices, sugar, vegetable oils, are produced with marvellous exuberance. The rivers afford an inexhaustible supply of fish. The desolate islands along the sea-coast, overgrown by noxious vegetation, and swarming with deer and tigers, supply the cultivated districts with abundance of salt. The great stream which fertilises the soil is, at the same time, the chief highway of Eastern commerce. On its banks, and on those of its tributary waters, are the wealthiest marts, the most splendid capitals, and the most sacred shrines of India. The tyranny of man had for ages struggled in vain against the overflowing bounty of nature. In spite of the Mussulman despot, and of the Mahratta freebooter, Bengal was known through the East as the garden of Eden, as the rich kingdom. Its population multiplied exceedingly. Distant provinces were nourished from the overflowing of its granaries; and the noble ladies of London and Paris were clothed in the delicate produce of its looms. The race by whom this rich tract was peopled, enervated by a soft climate, and accustomed to peaceful avocations, bore the same relation to other Asiatics which the Asiatics generally bear to the bold and energetic children of Europe. The Castilians have a proverb, that in Valencia the earth is water, and the men women; and the description is at least equally applicable to the vast plain of the lower Ganges. Whatever the Bengalee does he does languidly. His favourite pursuits are sedentary. He shrinks from bold exertion; and though voluble in dispute, and singularly pertinacious in the war of chicane, he seldom engages in a personal conflict, and scarcely ever enlists as a soldier. We doubt whether there be a hundred Bengalees in the whole army of the East India Company. There never, perhaps, existed a people so thoroughly fitted by nature and by habit for a foreign yoke." 4 4 Critical and Historical Essays , iii. 141, 142.