Jerome Jerome: The Philosopher's Joke

Six persons sat round the great oak table in the wainscoted Speise Saal of that cosy hostelry, the Kneiper Hof at Konigsberg. It was late into the night. Under ordinary circumstances they would have been in bed, but having arrived by the last train from Dantzic, and having supped on German fare, it had seemed to them discreeter to remain awhile in talk. The house was strangely silent. The rotund landlord, leaving their candles ranged upon the sideboard, had wished them “Gute Nacht” an hour before. The spirit of the ancient house enfolded them within its wings.

Here in this very chamber, if rumour is to be believed, Emmanuel Kant himself had sat discoursing many a time and oft. The walls, behind which for more than forty years the little peak-faced man had thought and worked, rose silvered by the moonlight just across the narrow way; the three high windows of the Speise Saal give out upon the old Cathedral tower beneath which now he rests. Philosophy, curious concerning human phenomena, eager for experience, unhampered by the limitation Convention would impose upon all speculation, was in the smoky air.

“Not into future events,” remarked the Rev. Nathaniel Armitage, “it is better they should be hidden from us. But into the future of ourselves—our temperament, our character—I think we ought to be allowed to see. At twenty we are one individual; at forty, another person entirely, with other views, with other interests, a different outlook upon life, attracted by quite other attributes, repelled by the very qualities that once attracted us. It is extremely awkward, for all of us.”

“I am glad to hear somebody else say that,” observed Mrs. Everett, in her gentle, sympathetic voice. “I have thought it all myself so often. Sometimes I have blamed myself, yet how can one help it: the things that appeared of importance to us, they become indifferent; new voices call to us; the idols we once worshipped, we see their feet of clay.”

“If under the head of idols you include me,” laughed the jovial Mr. Everett, “don't hesitate to say so.” He was a large red-faced gentleman, with small twinkling eyes, and a mouth both strong and sensuous. “I didn't make my feet myself. I never asked anybody to take me for a stained-glass saint. It is not I who have changed.”

“I know, dear, it is I,” his thin wife answered with a meek smile. “I was beautiful, there was no doubt about it, when you married me.”

“You were, my dear,” agreed her husband: “As a girl few could hold a candle to you.”

“It was the only thing about me that you valued, my beauty,” continued his wife; “and it went so quickly. I feel sometimes as if I had swindled you.”

“But there is a beauty of the mind, of the soul,” remarked the Rev. Nathaniel Armitage, “that to some men is more attractive than mere physical perfection.”

The soft eyes of the faded lady shone for a moment with the light of pleasure. “I am afraid Dick is not of that number,” she sighed.

“Well, as I said just now about my feet,” answered her husband genially, “I didn't make myself. I always have been a slave to beauty and always shall be. There would be no sense in pretending among chums that you haven't lost your looks, old girl.” He laid his fine hand with kindly intent upon her bony shoulder. “But there is no call for you to fret yourself as if you had done it on purpose. No one but a lover imagines a woman growing more beautiful as she grows older.”

“Some women would seem to,” answered his wife.

Involuntarily she glanced to where Mrs. Camelford sat with elbows resting on the table; and involuntarily also the small twinkling eyes of her husband followed in the same direction. There is a type that reaches its prime in middle age. Mrs. Camelford, nee Jessica Dearwood, at twenty had been an uncanny-looking creature, the only thing about her appealing to general masculine taste having been her magnificent eyes, and even these had frightened more than they had allured. At forty, Mrs. Camelford might have posed for the entire Juno.

“Yes, he's a cunning old joker is Time,” murmured Mr. Everett, almost inaudibly.

“What ought to have happened,” said Mrs. Armitage, while with deft fingers rolling herself a cigarette, “was for you and Nellie to have married.”

Mrs. Everett's pale face flushed scarlet.

“My dear,” exclaimed the shocked Nathaniel Armitage, flushing likewise.

“Oh, why may one not sometimes speak the truth?” answered his wife petulantly. “You and I are utterly unsuited to one another—everybody sees it. At nineteen it seemed to me beautiful, holy, the idea of being a clergyman's wife, fighting by his side against evil. Besides, you have changed since then. You were human, my dear Nat, in those days, and the best dancer I had ever met. It was your dancing was your chief attraction for me as likely as not, if I had only known myself. At nineteen how can one know oneself?”

“We loved each other,” the Rev. Armitage reminded her.

“I know we did, passionately—then; but we don't now.” She laughed a little bitterly. “Poor Nat! I am only another trial added to your long list. Your beliefs, your ideals are meaningless to me—mere narrow-minded dogmas, stifling thought. Nellie was the wife Nature had intended for you, so soon as she had lost her beauty and with it all her worldly ideas. Fate was maturing her for you, if only we had known. As for me, I ought to have been the wife of an artist, of a poet.” Unconsciously a glance from her ever restless eyes flashed across the table to where Horatio Camelford sat, puffing clouds of smoke into the air from a huge black meerschaum pipe. “Bohemia is my country. Its poverty, its struggle would have been a joy to me. Breathing its free air, life would have been worth living.”

Horatio Camelford leant back with eyes fixed on the oaken ceiling. “It is a mistake,” said Horatio Camelford, “for the artist ever to marry.”

The handsome Mrs. Camelford laughed good-naturedly. “The artist,” remarked Mrs. Camelford, “from what I have seen of him would never know the inside of his shirt from the outside if his wife was not there to take it out of the drawer and put it over his head.”

“His wearing it inside out would not make much difference to the world,” argued her husband. “The sacrifice of his art to the necessity of keeping his wife and family does.”

“Well, you at all events do not appear to have sacrificed much, my boy,” came the breezy voice of Dick Everett. “Why, all the world is ringing with your name.”

“When I am forty-one, with all the best years of my life behind me,” answered the Poet. “Speaking as a man, I have nothing to regret. No one could have had a better wife; my children are charming. I have lived the peaceful existence of the successful citizen. Had I been true to my trust I should have gone out into the wilderness, the only possible home of the teacher, the prophet. The artist is the bridegroom of Art. Marriage for him is an immorality. Had I my time again I should remain a bachelor.”

“Time brings its revenges, you see,” laughed Mrs. Camelford. “At twenty that fellow threatened to commit suicide if I would not marry him, and cordially disliking him I consented. Now twenty years later, when I am just getting used to him, he calmly turns round and says he would have been better without me.”

“I heard something about it at the time,” said Mrs. Armitage. “You were very much in love with somebody else, were you not?”

“Is not the conversation assuming a rather dangerous direction?” laughed Mrs. Camelford.

“I was thinking the same thing,” agreed Mrs. Everett. “One would imagine some strange influence had seized upon us, forcing us to speak our thoughts aloud.”