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James Hynes: Next

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James Hynes Next

Next: краткое содержание, описание и аннотация

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One Man, one day, and a novel bursting with drama, comedy, and humanity. Kevin Quinn is a standard-variety American male: middle-aged, liberal-leaning, self-centered, emotionally damaged, generally determined to avoid both pain and responsibility. As his relationship with his girlfriend approaches a turning point, and his career seems increasingly pointless, he decides to secretly fly to a job interview in Austin, Texas. Aboard the plane, Kevin is simultaneously attracted to the young woman in the seat next to him and panicked by a new wave of terrorism in Europe and the UK. He lands safely with neuroses intact and full of hope that the job, the expansive city, and the girl from the plane might yet be his chance for reinvention. His next eight hours make up this novel, a tour-de-force of mordant humor, brilliant observation, and page-turning storytelling.

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James Hynes

Next

In St. James Street there was a terrific explosion; people came running out of Clubs; stopped still & gazed about them. But there was no Zeppelin or aeroplane — only, I suppose, a very large tyre burst. But it is really an instinct with me, & most people, I suppose, to turn any sudden noise, or dark object in the sky into an explosion, or a German aeroplane. And it always seems utterly impossible that one should be hurt.

Virginia Woolf, Diary, 1 February 1915

She would not say of any one in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.

Mrs. Dalloway

Comes an age in a man’s life when he don’t want to spend time figuring what comes next.

James Coburn in Pat Garrett and Billy the Kid, screenplay by Rudolph Wurlitzer

PART ONE. The Battle of Bertrand Russell

AS THE GROUNDrushes up to meet him, Kevin thinks about missiles again. One missile in particular, a shoulder-fired anti-aircraft missile, blasted from a tube balanced on the bump where some guy’s clavicle meets his scapula. What guy — a Saudi? An Egyptian? A Yemeni? Some pissed-off Arab anyway, kneeling in the bed of a dinged-up pickup truck with Texas plates, or crouching on the springy backseat of a rented convertible on a dirt track just outside the airport fence. One of those portable weapons from Afghanistan, back when Afghanistan was somebody else’s problem, called… something, a Slammer or a Tingler or something like that. Kevin recalls that it’s the same name as a cocktail — a Whiskey Sour? A Tom Collins? A shoulder-fired Banana Daiquiri? No, a Stinger, that’s it! Four parts brandy to one part crème de menthe in a cocktail glass, or a fat olive-green tube that farts flame out the back while the missile erupts from the front, its backside trailing a wobbly spiral of smoke until the missile gets its bearings and climbs like a sonuvabitch in a long smooth curve into the heat-hazy Texas sky toward the sleek underbelly of Kevin’s plane, a Pringles can with wings, packed full of defenseless Pringles.

Trouble is, Kevin’s seen his fair share of movie air disasters. Used to be they just shook the camera and Ronald Colman or whoever would grit his teeth and bug his eyes and dig his fingers into the armrests, and then a wobbly model airplane would plow up a miniature of a mountainside in the Hindu Kush, breasting snowbank after snowbank like a speedboat. Now of course they rub your nose in it, and you see planes split apart from the inside: the skin peels away like foil, the cabin fills with flying magazines and gusts of condensation, oxygen masks dance like marionettes. Then there’s the money shot, no movie air disaster these days is complete without it: the awful, thrilling, gut-wrenching cum of the whole sequence when some poor extra still strapped in his seat is sucked out of the plane, or a whole row of seats is yanked as if by cables out the ragged gap where the tail used to be and spins ass over tit into a freezing, fatal darkness.

But now it’s broad daylight, and Kevin’s flight from Michigan is coming down in Austin, Texas. He was even more worried about missiles during their predawn takeoff from Detroit Metro. How could he not have been, what with the security check-in line running out of the terminal all the way to the parking structure, and with every ceiling-hung TV along the concourse tuned to CNN or Fox, still streaming images from the bombings in Europe last Thursday? Crumpled subway cars, rows of bodies under sheets, cops and paramedics in orange vests, deltas of blood on pale, wide-eyed faces. The usual images — for all he knows they could be running file footage from earlier catastrophes: London, Madrid, Mumbai. Not to mention the usual grainy CCTV images of the usual round, dusky, beard-fringed faces of pleasant-looking young men— those people, Kevin can’t help thinking, against his better nature — guys only just out of adolescence, with a death wish and a remarkable talent for synchronization. Moscow, Paris, Berlin, Amsterdam, all within a few minutes of each other. And Bern — who bombs Switzerland? And Glasgow! If the first, botched attempt on Glasgow was farce — a couple of pissed-off professionals torching a Jeep Cherokee, not quite enough to bring Western civilization to its knees — this new attack was tragic, but it still felt unlikely to Kevin. Who knew Glasgow even had a subway system, and now Kevin remembers the name of Buchanan Street Station (a place he’s never heard of before) as indelibly as if he’d ridden through it every day of his life. Creeping in the check-in line through the terminal, he passed a Wayne County sheriff every thirty feet posed like a Cylon centurion in Kevlar vest and riot visor. At the checkpoint itself, he saw the surest sign of Orange Alert, a couple of paunchy Michigan National Guards in fatigues and combat boots, carrying automatic weapons and eyeing Kevin with a caffeinated gaze as he stood crucified in his stocking feet while a TSA drone swept him with a wand. Have a nice flight, sir!

And it didn’t help that Detroit Metro is a ten-minute drive from Kevin’s favorite Lebanese restaurant in Dearborn, where no doubt some deeply disgruntled dishwasher dreams of airliners dropping from the sky like ducks in duck season, or — who knows? — where some Al Qaeda sleeper out of an episode of 24 is waiting tables and biding his time for a chance to sneak out to a two-track behind the airport with a piece of cast-off American ordnance and blow one of his better customers — and Kevin’s a big tipper, he used to wait tables himself — out of the sky. But now, deep in the privacy of his brainpan, in the plane descending over Texas, Kevin feels guilty for thinking this. Those people —what a thing to say! In the cozy, progressive cocoon of Ann Arbor, where he’s lived nearly all his life, you don’t openly speculate about terrorists in Dearborn, not in polite society you don’t, not even four days after a six-city European bombing spree. And if you do, it’s only to concede that it serves us right for looking the other way while our government handed out Stingers to radical Islamists in Peshawar like a corrupt Indian agent handing out Winchesters and firewater to angry Comanches in some glossy fifties western. Read your Chomsky, friend, we’re only reaping the whirlwind, and anyway, Islam’s a big, complicated religion like Christianity, it’s not a monolith, it’s not like every Muslim in the world wants you dead. Apart from the waiters in Dearborn, Kevin doesn’t even know any Muslims, or at least he doesn’t think he does. In college he slept a couple, three times with a girl named Paula who called herself a Sufi, but probably only to épater les père et mère back in Grand Rapids, and anyway that was thirty-some years ago, and who knows where she is now. Probably not shooting down airplanes, is a safe bet.

And those people, it turns out, can be guys just like Kevin. Just this morning, keeping an eye on CNN as he dressed for the flight, Kevin learned that the Buchanan Street bomber, according to the surveillance footage, was a pale, green-eyed, red-haired Celt — another Kevin, in fact, a young white Scotsman named Kevin MacDonald, who’d changed his name to Abdul Mohammed — SLAVE OF MOHAMMED read the helpful caption beneath his grainy visage — and who carried a backpack full of plastic explosives into a crowded Glasgow subway car. The cable ranters are already hyperventilating about the Glasgow bomber’s ethnicity, parsing his motives — whatever they may have been — and either blaming the grinding poverty of his upbringing for his desperation, or blaming permissive Britain for allowing radical Islam to infect the white working class. Kevin, to his mild shame, understands how unsettling this other Kevin is, how each new attack seems to strike closer to home. The first Glasgow terrorists were

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