Joy Williams - The Visiting Privilege - New and Collected Stories

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The legendary writer’s first collection in more than ten years — and, finally, the definitive one. A literary event of the highest order.
Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.

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Dusty pickups speed by, gun racks prominent. Gun racks in vehicles have surged in popularity. Even expensive sedans display cradled weapons, visible through lightly tinted windows. People know their names and capabilities like they used to know those of baseball players. Not my boy, though. He doesn’t know these things. He knows other things. For example, we planted a few trees in the yard after his mother left, fruit trees, citrus. The tree that bears the fruit is not the tree that was planted. He knows that much, it goes without saying.

It’s almost dark now as I turn down our street. It’s garbage day tomorrow and my neighbors have rolled their vast receptacles to the curb. The bins are as tall as the boy and they contain god knows what, and over and over again.

The door is unlocked, the lights are on. “Hi, Daddy,” Colson says. He’s in the kitchen making sandwiches for supper. “Daddy,” he says, “we have to eat soon because I want to go to bed.” I’m not disappointed that he’s himself tonight, though more and more, given the situation, that self seems imaginary. He likes to play the Diné prayer songs tape as we eat, particularly the “Happy Birthday, My Dear Child” track. The chants are unintelligible but then the words Happy Birthday Happy Birthday to You arise in this morose intonation and he never tires of it.

In the morning my wife is in the yard, cutting back the orange tree. We rush out and prevent her from doing more. Summer is not the time to prune anything of course and we just planted the trees, they haven’t even adjusted to being in the soil yet with the freedom of their roots to wander. She dismisses our concerns but flings down the little saw, which I have never seen before, and leaves, though were you to ask if we actually saw her leave we would have to say no. The tree looks terrible and with small cries we gather up the broken buds and little branches. Still, it will survive. It has not been destroyed, we assure each other, at least not this day. There is no question of our planting a replacement. This would not be a useful lesson to learn.

Perhaps she is annoyed because, since her absence, Colson has seldom tried to invoke her except in the broadest terms. That is because, he explains, she is only gone from us, not from the world she still inhabits. I think her arrival this morning was a shock to him and I doubt she will visit us again.

I pick up the curved saw. It looks new but now blond crumbs of wood cling to its shiny serrated teeth.

“Should we keep this?” I ask Colson.

He frowns and shakes his head, then shrugs and returns to the house. He’s through with her. I wonder if somehow I have caused this latest unpleasantness. I have never known how to talk about death or the loss of meaning or love. I seek but will never find, I think.

I toss the saw into the closest container at the very moment I hear the trash truck moving imperiously down the street. It’s garbage day. Garbage day! The neighborhood prepares for it with joy. Some wish it would arrive more than once a week.

Later I bring up the possibility of moving. We could have an orchard and bike trails and dig a pond for swimming. We could have horses. “You can pick up horses these days for a song,” I say.

“A song?” the boy says. “What kind of song?”

But I can’t think of any. I gaze at him foolishly.

“Like the Diné prayer songs,” he suggests.

“Yes, but we don’t even have to pray for horses. We can just get them.”

Immediately I realize I have spoken infelicitously, without grace. He doesn’t say anything right away but then he says, “You have to be here to prepare for not being here.”

The voice is familiar to me because it is my mother’s voice, though I find it less familiar than it once was. She’s been in a grave for over a year now, my father with her. They’d been working at an animal sanctuary in their retirement and were returning home from a long day of caring for a variety of beasts. They had borrowed my car, as they were getting new tires for their own. I had planned to drive them home that night but the arrangement had been altered for some reason. We still don’t know exactly what happened. A moment’s inattention, possibly.

The sanctuary that was so important to them was controversial, as the animals were not native to this region, though the natives hardly enjoy grateful regard here, being considered either pests or game. It has since closed, the animals removed to what are referred to as other facilities, where some of them can still be visited. In fact, Colson and I went out to see one of the elephants my father was particularly fond of. There were two in the original preserve — Carol and Lucy — but they were separated, which seemed to me a dreadful decision. We visited Carol, who is an hour closer. She has some disease of the trunk that makes it difficult for her to eat, but someone was obviously still taking care of her. It wasn’t a good visit, not at all. We felt bad that we had come. Knowing what we now know would break my parents’ hearts, I think, but when Colson talks on their behalf they do not speak of elephants, those extraordinary beings. They do not speak of extraordinary matters. Colson does not bring them back to perform feats of omniscience or magicians’ tricks. I don’t know why he brings them back. I tried to prevent him at first. I appealed to his reasonableness, though in truth he is not particularly reasonable. I threatened him with psychiatric counseling, hours of irrelevant questions and quizzes. I told him his performances were futile and cruel. I teased him and even insulted him, saying that if he considered himself gifted or precocious he was sadly mistaken. Nothing availed.

When he enters these phases I become exhausted. Sometimes, I admit, I flee. He doesn’t seem to need me to fulfill his conversations with the dead, if indeed they are conversations. They seem more like inhabitations. And they’re harmless enough, if disorienting, though this morning’s remark disturbs me, perhaps because his mother, my wife, had just made her unnecessary appearance. Really, why would she return only to hack wordlessly at our little tree? It seems so unlikely.

“Sorry?” I say.

“We are here to prepare for not being here,” he says in my mother’s soft, rather stroke-fuddled voice.

It’s as though he is answering the very question posed at Come and See! I took him there once. Sometimes someone brings a child or grandchild, it’s not unheard of. He listened attentively. No one expected him to contribute and everyone found him adorable. “Don’t ever take me into that stupid room again,” he later instructed me.

He may be right that it is a stupid room and that of all the great rooms he might or will enter, attentively and with expectation, it will on conclusion be the stupidest.

I study Colson. My dear boy is skinny and needs a haircut. He rubs his eyes the way my mother did. Don’t rub your eyes so! we’d all exclaim. But I say nothing.

Colson says, “Then you’re in the other here, where the funny thing is no one realizes you’ve arrived.”

He sits down heavily at the kitchen table. “Would you like a cup of tea,” I ask.

“That would be nice,” he says in my mother’s voice of wonderment.

But I can’t find the tea. We haven’t had tea in the house since they died. We’d keep it on hand just for them when they visited.

“I’ll go out and get some right now,” I say.

But he says not to bother. He says, “Just sit with me, talk with me.”

I sit opposite my boy. I notice that the clock on the stove reads 9:47 and the stovetop is dusty, as though no one has cooked on it for a long time. I vow that I will cook a hot, nourishing and comforting dinner tonight. And I do, and we talk quietly then as well, though nothing of import is being decided or even said.

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