Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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His thin shoes grew wet as he crunched across the field and his feet soon felt cold, but with the compelling and opaque logic of a dream the lake drew him to its shore.

As he stood in front of the reeds which pierced the first few yards of water, shivering and wondering whether to have his last cigarette, he heard the sound of beating wings emerging from the other side of the lake. A pair of swans rose out of the fog, concentrating its whiteness and giving it shape, the clamour of their wings muffled by the falling snow, like white gloves on applauding hands.

Vicious creatures, thought Patrick.

The swans, indifferent to his thoughts, flew over fields renewed and silenced by the snow, curved back over the shore of the lake, spread their webbed feet, and settled confidently onto the water.

Standing in sodden shoes Patrick smoked his last cigarette. Despite his tiredness and the absolute stillness of the air, he felt his soul, which he could only characterize as the part of his mind that was not dominated by the need to talk, surging and writhing like a kite longing to be let go. Without thinking about it he picked up the dead branch at his feet and sent it spinning as far as he could into the dull grey eye of the lake. A faint ripple disturbed the reeds.

After their useless journey the swans drifted majestically back into the fog. Nearer and noisier, a group of gulls circled overhead, their squawks evoking wilder water and wider shores.

Patrick flicked his cigarette into the snow, and not quite knowing what had happened, headed back to his car with a strange feeling of elation.

MOTHER’S MILK

AUGUST 2000

1

WHY HAD THEY PRETENDED to kill him when he was born? Keeping him awake for days, banging his head again and again against a closed cervix; twisting the cord around his throat and throttling him; chomping through his mother’s abdomen with cold shears; clamping his head and wrenching his neck from side to side; dragging him out of his home and hitting him; shining lights in his eyes and doing experiments; taking him away from his mother while she lay on the table, half-dead. Maybe the idea was to destroy his nostalgia for the old world. First the confinement to make him hungry for space, then pretending to kill him so that he would be grateful for the space when he got it, even this loud desert, with only the bandages of his mother’s arms to wrap around him, never the whole thing again, the whole warm thing all around him, being everything.

The curtains were breathing light into their hospital room. Swelling from the hot afternoon, and then flopping back against the French windows, easing the glare outside.

Someone opened the door and the curtains leapt up and rippled their edges; loose paper rustled, the room whitened, and the shudder of the roadworks grew a little louder. Then the door clunked and the curtains sighed and the room dimmed.

‘Oh, no, not more flowers,’ said his mother.

He could see everything through the transparent walls of his fish-tank cot. He was looked over by the sticky eye of a splayed lily. Sometimes the breeze blew the peppery smell of freesias over him and he wanted to sneeze it away. On his mother’s nightgown spots of blood mingled with streaks of dark orange pollen.

‘It’s so nice of people…’ She was laughing from weakness and frustration. ‘I mean, is there any room in the bath?’

‘Not really, you’ve got the roses in there already and the other things.’

‘Oh, God, I can’t bear it. Hundreds of flowers have been cut down and squeezed into these white vases, just to make us happy.’ She couldn’t stop laughing. There were tears running down her face. ‘They should have been left where they were, in a garden somewhere.’

The nurse looked at the chart.

‘It’s time for you to take your Voltarol,’ she said. ‘You’ve got to control the pain before it takes over.’

Then the nurse looked at Robert and he locked on to her blue eyes in the heaving dimness.

‘He’s very alert. He’s really checking me out.’

‘He is going to be all right, isn’t he?’ said his mother, suddenly terrified.

Suddenly Robert was terrified too. They were not together in the way they used to be, but they still had their helplessness in common. They had been washed up on a wild shore. Too tired to crawl up the beach, they could only loll in the roar and the dazzle of being there. He had to face facts, though: they had been separated. He understood now that his mother had already been on the outside. For her this wild shore was a new role, for him it was a new world.

The strange thing was that he felt as if he had been there before. He had known there was an outside all along. He used to think it was a muffled watery world out there and that he lived at the heart of things. Now the walls had tumbled down and he could see what a muddle he had been in. How could he avoid getting in a new muddle in this hammeringly bright place? How could he kick and spin like he used to in this heavy atmosphere where the air stung his skin?

Yesterday he had thought he was dying. Perhaps he was right and this was what happened. Everything was open to question, except the fact that he was separated from his mother. Now that he realized there was a difference between them, he loved his mother with a new sharpness. He used to be close to her. Now he longed to be close to her. The first taste of longing was the saddest thing in the world.

‘Oh, dear, what’s wrong?’ said the nurse. ‘Are we hungry, or do we just want a cuddle?’

The nurse lifted him out of the fish-tank cot, over the crevasse that separated it from the bed and delivered him into his mother’s bruised arms.

‘Try giving him a little time on the breast and then try to get some rest. You’ve both been through a lot in the last couple of days.’

He was an inconsolable wreck. He couldn’t live with so much doubt and so much intensity. He vomited colostrum over his mother and then in the hazy moment of emptiness that followed, he caught sight of the curtains bulging with light. They held his attention. That’s how it worked here. They fascinated you with things to make you forget about the separation.

Still, he didn’t want to exaggerate his decline. Things had been getting cramped in the old world. Towards the end he was desperate to get out, but he had imagined himself expanding back into the boundless ocean of his youth, not exiled in this harsh land. Perhaps he could revisit the ocean in his dreams, if it weren’t for the veil of violence that hung between him and the past.

He was drifting into the syrupy borders of sleep, not knowing whether it would take him into the floating world or back to the butchery of the birth room.

‘Poor Baba, he was probably having a bad dream,’ said his mother, stroking him. His crying started to break up and fade.

She kissed him on the forehead and he realized that although they didn’t share a body any more, they still had the same thoughts and the same feelings. He shuddered with relief and stared at the curtains, watching the light flow.

He must have been asleep for a while, because his father had arrived and was already locked on to something. He couldn’t stop talking.

‘I looked at some more flats today and I can tell you, it’s really depressing. London property is completely out of control. I’m leaning back towards plan C.’

‘What’s plan C? I’ve forgotten.’

‘Stay where we are and squeeze another bedroom out of the kitchen. If we divide it in half, the broom cupboard becomes his toy cupboard and the bed goes where the fridge is.’

‘Where do the brooms go?’

‘I don’t know – somewhere.’

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