Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk: краткое содержание, описание и аннотация

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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It was an absurd price, but Patrick never argued about prices. He tossed two bags into her lap. If the stuff was any good he could always get more. Right now he had to shoot up. He asked Chilly to lend him a spoon and a cigarette filter. Since the light in the main room had failed, Chilly offered him the bathroom, a room without a bath in it, but with a black mark on the floor where there might once have been one. A naked bulb cast a dim yellow light on the insanely cracked basin and the seatless old loo.

Patrick trickled some water into the spoon and rested it at the back of the basin. Tearing open the three remaining packages, he wondered what sort of gear it was. Nobody could claim that Chilly looked well on a diet of Loretta’s smack, but at least he wasn’t dead. If Mr and Mrs Chilly were planning to shoot it up, there was no reason why he shouldn’t. He could hear them whispering next door. Chilly was saying something about ‘hurting’ and was obviously trying to get the second bag out of his wife. Patrick emptied the three packets into the spoon and heated the solution, the flame from his lighter licking the already blackened underside of the spoon. As soon as it started to bubble, he cut off the heat and put the steaming liquid down again. He tore a thin strip off the cigarette filter, dropped it in the spoon, removed the spike from the syringe, and sucked the liquid up through the filter. The barrel was so thick that the solution barely rose a quarter of an inch.

Dropping his overcoat and jacket on the floor, Patrick rolled up his sleeve and tried to make out his veins in the faint light which gave a hepatic glow to every object that was not already black. Luckily, his track marks formed brown and purple threads, as if his veins were gunpowder trails burned along his arm.

Patrick rolled the sleeve of his shirt tight around his bicep and pumped his forearm up and down several times, clenching and unclenching his fist at the same time. He had good veins and, despite a certain shyness that resulted from his savage treatment of them, he was in a better position than many people whose daily search for a vein sometimes took up to an hour of exploratory digging.

He picked up the syringe and rested its point on the widest section of his track marks, slightly sideways to the scar. With such a long spike there was always a danger that it would go through the vein altogether and into the muscle on the other side, a painful experience, and so he approached the arm at a fairly low angle. At this crucial moment the syringe slipped from his hand and landed on a wet patch of the floor beside the loo. He could hardly believe what had happened. He felt vertiginous with horror and disappointment. There was a conspiracy against his having any fun today. He leaned over, desperate with longing, and picked up the works from the damp patch. The spike wasn’t bent. Thank God for that. Everything was all right. He quickly wiped the syringe on his trousers.

By now his heart was beating fast and he felt that visceral excitement, a combination of dread and desire, which always preceded a fix. He pushed the painfully blunt tip of the needle under his skin and thought he saw, miracle of miracles, a globule of blood shoot into the barrel. Not wanting to waste any time with such an unwieldy instrument, he put his thumb on the plunger and pushed it straight down.

He felt a violent and alarming swelling in his arm and recognized immediately that the spike had slipped out of his vein and he had squirted the solution under his skin.

‘Shit,’ he shouted.

Chilly came shuffling through. ‘What’s happening, man?’

‘I missed,’ said Patrick through clenched teeth, pushing the hand of his wounded arm up against his shoulder.

‘Oh, man,’ croaked Chilly sympathetically.

‘Can I suggest you invest in a stronger light bulb?’ said Patrick pompously, holding his arm as if it had been broken.

‘You shoulda used the flashlight,’ said Chilly, scratching himself.

‘Oh, thanks for telling me about it,’ snapped Patrick.

‘You wanna go back and score some more?’ asked Chilly.

‘No,’ said Patrick curtly, putting his coat back on. ‘I’m leaving.’

By the time he hit the street Patrick was wondering why he hadn’t taken up Chilly’s offer. ‘Temper, temper,’ he muttered sarcastically. He felt weary, but too frustrated to sleep. It was eleven thirty; perhaps Pierre had woken up by now. He had better go back to the hotel.

Patrick hailed a cab.

‘You live around here?’ asked the driver.

‘No, I was just trying to score,’ Patrick sighed, posting the bags of Vim and barbs out of the window.

‘You wanna score?’

‘That’s right,’ sighed Patrick.

‘Shee-eet, I know a better place than this.’

‘Really?’ said Patrick, all ears.

‘Yeah, in the South Bronx.’

‘Well, let’s go.’

‘All right,’ laughed the driver.

At last a cab driver who was helpful. An experience like this might put him in a good mood. Perhaps he should write a letter to the Yellow Cab Company. ‘Dear sir,’ murmured Patrick under his breath, ‘I wish to commend in the highest possible terms the initiative and courtesy of your splendid young driver, Jefferson E. Parker. After a fruitless and, to be perfectly frank, infuriating expedition to Alphabet City, this knight errant, this, if I may put it thus, Jefferson Nightingale, rescued me from a very tiresome predicament, and took me to score in the South Bronx. If only more of your drivers displayed the same old-fashioned desire to serve. Yours, et cetera, Colonel Melrose.’

Patrick smiled. Everything was under control. He felt elated, almost frivolous. The Bronx was a bit of a worry for someone who had seen Bronx Warriors – a film of unremitting nastiness, not to be confused with the beautifully choreographed violence of the more simply, and more generically named The Warriors – but he felt invulnerable. People drew knives on him, but they could not touch him, and if they did he would not be there.

As the cab sped over a bridge Patrick had never crossed before, Jefferson turned his head slightly and said, ‘We’re gonna be in the Bronx soon.’

‘I’ll wait in the cab, shall I?’ asked Patrick.

‘You better lie on the floor,’ laughed Jefferson, ‘they don’t like white people here.’

‘On the floor?’

‘Yeah, outta sight. If they see you, they gonna smash the windows. Shee-eet, I don’t want my windows smashed.’

Jefferson stopped the taxi a few blocks beyond the bridge and Patrick sat down on the rubber floor mat with his back against the door.

‘How much you want?’ asked Jefferson, leaning over the driver’s seat.

‘Oh, five bags. And get a couple for yourself,’ said Patrick, handing over seventy dollars.

‘Thanks,’ said Jefferson. ‘I’m gonna lock the doors now. You stay outta sight, right?’

‘Right,’ said Patrick, sliding down further and stretching out on the floor. The bolts of all the doors slithered into place. Patrick wriggled around for some time before curling up in a foetal position with his head on the central hump. After a few moments his hip bone was persecuting his liver and he felt hopelessly tangled up in the folds of his overcoat. He twisted around onto his front, rested his head in his hands, and stared at the grooves in the floor mat. There was quite a strong smell of oil down at this level. ‘It gives you a whole new perspective on life,’ said Patrick, in the voice of a television housewife.

It was intolerable. Everything was intolerable. He was always getting into these situations , always ending up with the losers, the dregs, the Chilly Willys of life. Even at school he had been sent every Tuesday and Thursday afternoons, when the other boys joined their teams and played their matches, to remote playing fields with every variety of sporting misfit: the pale and sensitive musicians, the hopelessly fat Greek boys, and the disaffected cigarette-smoking protesters who regarded physical exertion as hopelessly uncool. As a punishment for their unsporting natures, these boys were forced to make their way round an assault course. Mr Pitch, the overwrought pederast in charge of this unwholesome squad, quivered with excitement and malice as each boy crashed myopically, waddled feebly, or tried to beat the system by running around the wall at the beginning of the course. While the Greeks splattered into the mud, and the music scholars lost their spectacles, and the conscientious objectors made their cynical remarks, Mr Pitch rushed about screaming abuse at them about their ‘privileged’ lives and, if the opportunity arose, kicking them in the bottom.

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