Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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And yet, to Eleanor, David had seemed so different from the tribe of minor English snobs and distant cousins who hung around, ready for an emergency, or for a weekend, full of memories that were not even their own, memories of the way their grandfathers had lived, which was not in fact how their grandfathers had lived. When she had met David, she thought that he was the first person who really understood her. Now he was the last person she would go to for understanding. It was hard to explain this change and she tried to resist the temptation of thinking that he had been waiting all along for her money to subsidize his fantasies of how he deserved to live. Perhaps, on the contrary, it was her money that had cheapened him. He had stopped his medical practice soon after their marriage. At the beginning, there had been talk of using some of her money to start a home for alcoholics. In a sense they had succeeded.

The thought of running into David struck Eleanor again. She tore herself away from the pine resin on the windscreen, clambered into the car and drove the unwieldy Buick past the steps and along the dusty drive, only stopping when she was halfway down the hill. She was on her way over to Victor Eisen’s so she could make an early start for the airport with Anne, but first she had to straighten herself out. Folded in a cushion under the driver’s seat was a half-bottle of Bisquit brandy. In her bag she had the yellow pills for keeping her alert and the white ones for taking away the dread and panic that alertness brought with it. With the long drive ahead of her she took four instead of two of the yellow pills and then, worrying that the double dose might make her jumpy, she took two of the white ones, and drank about half the bottle of brandy to help the pills down. At first she shuddered violently, and then before it even reached her bloodstream, she felt the sharp click of alcohol, filling her with gratitude and warmth.

She subsided into the seat on which she had only been perched, recognizing herself in the mirror for the first time that day. She settled into her body, like a sleepwalker who climbs back into bed after a dangerous expedition. Silent through the sealed windows, she saw black and white magpies burst from the vines, and the needles of the pine trees standing out sharply against the pale sky, swept clean by two days of strong wind. She started the engine again and drove off, steering vaguely along the steep and narrow lanes.

David Melrose, tired of drowning ants, abandoned watering the garden. As soon as the sport lost a narrow focus, it filled him with despair. There was always another nest, another terrace of nests. He pronounced ants ‘aunts’, and it added zest to his murderous pursuits if he bore in mind his mother’s seven haughty sisters, high-minded and selfish women to whom he had displayed his talent on the piano when he was a child.

David dropped the hose on the gravel path, thinking how useless to him Eleanor had become. She had been rigid with terror for too long. It was like trying to palpate a patient’s swollen liver when one had already proved that it hurt. She could only be persuaded to relax so often.

He remembered an evening twelve years before, when he had asked her to dinner at his flat. How trusting she was in those days! They had already slept together, but Eleanor still treated him shyly. She wore a rather shapeless white dress with large black polka dots. She was twenty-eight but seemed younger because of the simple cut of her lank blonde hair. He found her pretty in a bewildered, washed-out way, but it was her restlessness that aroused him, the quiet exasperation of a woman who longs to throw herself into something significant, but cannot find what it is.

He had cooked a Moroccan dish of pigeon stuffed with almonds. He served it to her on a bed of saffron rice and then drew back the plate. ‘Will you do something for me?’ he asked.

‘Of course,’ she said. ‘What?’

He put the plate on the floor behind her chair and said, ‘Would you eat your food without using a knife and fork, or your hands, just eat it off the plate?’

‘Like a dog, you mean?’ she asked.

‘Like a girl pretending to be a dog.’

‘But why?’

‘Because I want you to.’

He enjoyed the risk he was taking. She might have said no and left. If she stayed and did what he wanted, he would capture her. The odd thing was that neither of them thought of laughing.

A submission, even an absurd one, was a real temptation to Eleanor. She would be sacrificing things she did not want to believe in – table manners, dignity, pride – for something she did want to believe in: the spirit of sacrifice. The emptiness of the gesture, the fact that it did not help anybody, made it seem more pure at the time. She knelt down on all fours on the threadbare Persian rug, her hands flattened either side of the plate. Her elbows jutted out as she lowered herself and picked up a piece of pigeon between her teeth. She felt the strain at the base of her spine.

She sat back, her hands resting on her knees, and chewed quietly. The pigeon tasted strange. She looked up a little and saw David’s shoes, one pointing towards her along the floor, the other dangling close to her in the air. She looked no higher than the knees of his crossed legs, but bowed down again, eating more eagerly this time, rooting about in the mound of rice to catch an almond with her lips and shaking her head gently to loosen some pigeon from the bone. When she looked up at him at last, one of her cheeks was glazed with gravy and some grains of the yellow rice were stuck to her mouth and nose. All the bewilderment was gone from her face.

For a few moments David had adored her for doing what he had asked. He extended his foot and ran the edge of his shoe gently along her cheek. He was completely captivated by the trust she showed him, but he did not know what to do with it, since it had already achieved its purpose, which was to demonstrate that he could elicit her submission.

The next day he told Nicholas Pratt what had happened. It was one of those days when he made his secretary say that he was busy, and sat drinking in his club, beyond the reach of fevered children and women who pretended their hangovers were migraines. He liked to drink under the blue and gold ceiling of the morning room, where there was always a ripple left by the passage of important men. Dull, dissolute, and obscure members felt buoyed up by this atmosphere of power, as little dinghies bob up and down on their moorings when a big yacht sails out of the harbour they have shared.

‘Why did you make her do it?’ asked Nicholas, hovering between mischief and aversion.

‘Her conversation is so limited, don’t you find?’ said David.

Nicholas did not respond. He felt that he was being forced to conspire, just as Eleanor had been forced to eat.

‘Did she make better conversation from the floor?’ he asked.

‘I’m not a magician,’ said David, ‘I couldn’t make her amusing, but I did at least keep her quiet. I was dreading having another talk about the agonies of being rich. I know so little about them, and she knows so little about anything else.’

Nicholas chuckled and David showed his teeth. Whatever one felt about David wasting his talents, thought Nicholas, he had never been any good at smiling.

David walked up the right side of the double staircase that led from the garden to the terrace. Although he was now sixty, his hair was still thick and a little wild. His face was astonishingly handsome. Its faultlessness was its only flaw; it was the blueprint of a face and had an uninhabited feeling to it, as if no trace of how its owner had lived could modify the perfection of the lines. People who knew David well watched for signs of decay, but his mask grew more noble each year. Behind his dark glasses, however rigidly he held his neck, his eyes flickered unobserved, assessing the weaknesses in people. Diagnosis had been his most intoxicating skill as a doctor and after exhibiting it he had often lost interest in his patients, unless something about their suffering intrigued him. Without his dark glasses, he wore an inattentive expression, until he spotted another person’s vulnerability. Then the look in his eyes hardened like a flexed muscle.

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