Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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‘He’s never been,’ said Eleanor.

‘You’d better take him soon, or he’ll be too old. People grow out of this sort of thing, you know.’ Anne smiled.

Eleanor looked massively gloomy for a moment. The wheel started to turn, generating a little breeze. On the upward curve, Eleanor felt her stomach tighten. Instead of giving her a better view of the funfair and the surrounding woods, the motion of the wheel made her feel sick and she stared grimly at the white tips of her knuckles, longing for the ride to be over.

Anne saw that Eleanor’s mood had snapped and that she was again in the company of an older, richer, drunker woman.

They got off the ride, and walked through a street of shooting arcades. ‘Let’s get out of this fucking place,’ said Eleanor. ‘It’s time to collect Nicholas anyhow.’

‘So tell me about Nicholas,’ said Anne, trying to keep up.

‘Oh, you’ll find out soon enough.’

6

‘SO THIS ELEANOR WOMAN is a real victim, right?’ said Bridget. She had fallen asleep after smoking a joint in the loo and she wanted to compensate with a burst of belated curiosity.

‘Is every woman who chooses to live with a difficult man a victim?’

Nicholas undid his seatbelt as soon as the plane landed. They were in the second row and could easily get off ahead of the other passengers if, just for once, Bridget did not unsheathe her compact from its blue velvet pouch and admire herself in its powdery little mirror.

‘Shall we go,’ sighed Nicholas.

‘The seatbelt sign is still on.’

‘Signs are for sheep.’

‘Bahaha-a-a,’ bleated Bridget at the mirror, ‘I’m a sheep.’

This woman is intolerable, thought Nicholas.

‘Well, I’m a shepherd,’ he said out loud, ‘and don’t make me put on my wolf’s clothing.’

‘Oh, my,’ said Bridget, cowering in the corner of her seat, ‘what big teeth you have.’

‘All the better to bite your head off.’

‘I don’t think you’re my granny at all,’ she said with real disappointment.

The plane stopped its creeping progress and there was a general clicking of opening buckles and discarded seatbelts.

‘Come on,’ said Nicholas, now all businesslike. He very much disliked joining the struggling tourists as they jostled each other down the aisle.

They arrived at the open door of the plane, pale and overdressed, and started to clank their way down a flight of metal steps, caught between the air crew who pretended to be sorry at their departure and the ground crew who pretended to be pleased by their arrival. As she went down the steps, Bridget felt slightly nauseous from the heat and the smell of spent fuel.

Nicholas looked across the tarmac at the long queue of Arabs slowly climbing on board an Air France plane. He thought of the Algerian crisis in ’62 and the threat of betrayed colonists parachuting into Paris. The thought petered out as he imagined how far back he would have to begin in order to explain it to Bridget. She probably thought that Algeria was an Italian dress designer. He felt a familiar longing for a well-informed woman in her early thirties who had read history at Oxford; the fact that he had divorced two of them already made little difference to his immediate enthusiasm. Their flesh might hang more loosely on the bone, but the memory of intelligent conversation tormented him like the smell of succulent cooking wafting into a forgotten prison cell. Why was the centre of his desire always in a place he had just deserted? He knew that the memory of Bridget’s flesh would betray him with the same easy poignancy if he were now climbing on to the bus with a woman whose conversation he could bear. Theoretically, of course, there were women – he had even had affairs with them – who combined the qualities which he threw into unnecessary competition, but he knew that something inside him would always scatter his appreciation and divide his loyalties.

The doors folded shut and the bus jerked into motion. Bridget sat opposite Nicholas. Under her absurd skirt, her legs were slim and bare and golden. He detached them pornographically from the rest of her body, and found he was still excited by the idea of their availability. He crossed his legs and loosened his entangled boxer shorts through the stiff ridges of his corduroy trousers.

It was only when he considered to whom these golden legs belonged that his fleeting erection seemed a small and inconvenient reward for a state of almost permanent irritation. In fact, scanning the figure above the waist, along the fringed sleeve of her black suede jacket, and up towards the bored and stubborn expression on her face, he felt a spasm of revulsion and estrangement. Why was he taking this ludicrous creature to stay with David Melrose who was, after all, a man of some discernment, not to say a merciless snob?

The terminal building smelled of disinfectant. A woman in blue overalls drifted across the glaring floor, the circular pads of her polishing machine humming as she swung it gently back and forth across the black and brown translucent pebbles trapped in cheap white marble. Still stoned, Bridget lost herself in the flakes of colour as if they were the flint and quartz stars of a white sky.

‘What are you staring at?’ snapped Nicholas.

‘This floor is something else,’ said Bridget.

At passport control she could not find her passport but Nicholas refused to start a scene just when they were about to meet Eleanor.

‘Rather eccentrically, in this airport one crosses the main lobby before collecting one’s luggage,’ said Nicholas. ‘That’s probably where Eleanor will be waiting for us.’

‘Wow!’ said Bridget. ‘If I was a smuggler,’ she paused, hoping Nicholas might challenge her, ‘this would be my dream airport. I mean, there’s this whole lobby where you could slip someone your hand luggage, full of goodies, and then go and fetch your legal luggage for Customs.’

‘That’s what I admire about you,’ said Nicholas, ‘your creative thinking. You might have had a brilliant career in advertising; although I think as far as smuggling goes the Marseilles authorities have more pressing problems to wrestle with than any “goodies” you might import in your handbag. I don’t know if you’re aware of it but…’

Bridget had stopped listening. Nicholas was being a wanker again. He always got like this when he was uptight; in fact he was like this all the time except when he was in bed, or with people he wanted to charm. Lagging behind, she stuck her tongue out at him. Nyah, nyah, nyah … boring, boring, boring.

Bridget covered her ears and looked down at her dragging feet, while Nicholas strode on alone, pouring sarcasm on ideas increasingly remote from Bridget’s tame remarks about smuggling.

Looking up again, Bridget saw a familiar figure. It was Barry leaning against the pillar next to the news-stand. Barry could always sense when he was being looked at and, depending on his mood, attributed this to ‘paranoia’ or ‘ESP’.

‘Bridge! Incredible!’

‘Barry! All you need is love,’ said Bridget, reading out loud the words on Barry’s T-shirt and laughing.

‘This really is incredible,’ said Barry, running his fingers through his long black hair. ‘You know I was thinking about you this morning.’

Barry thought about Bridget every morning, but it still struck him as further evidence of mind control that he had not only thought about her today but run into her at the airport as well.

‘We’re going to Arles for the Progressive Jazz Festival,’ said Barry. ‘Hey, why don’t you come along? It’s going to be really fantastic. Bux Millerman is playing.’

‘Wow,’ breathed Bridget.

‘Hey, listen,’ said Barry, ‘take Etienne’s number anyway. That’s where I’ll be staying and maybe we can like meet up.’

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